Nadja (novel) in the context of Semi-autobiographical


Nadja (novel) in the context of Semi-autobiographical

⭐ Core Definition: Nadja (novel)

Nadja (1928) is the second book published by the French surrealist André Breton. It begins with the question "Who am I?"

It is based on Breton's actual interactions with a young woman, Nadja (actually Léona Camille Ghislaine Delacourt 1902–1941), over the course of ten days, and is presumed to be a semi-autobiographical description of his relationship with a patient of Pierre Janet. The book's non-linear structure is grounded in reality by references to other Paris surrealists such as Louis Aragon and 44 photographs.

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Nadja (novel) in the context of André Breton

André Robert Breton (/brəˈtɔːn/; French: [ɑ̃dʁe ʁɔbɛʁ bʁətɔ̃]; 19 February 1896 – 28 September 1966) was a French writer and poet, known as a principal theorist and co-founder of surrealism. His writings include the first Surrealist Manifesto (Manifeste du surréalisme) of 1924, in which he defined surrealism as "pure psychic automatism".

Along with his role as leader of the surrealist movement he is the author of celebrated books such as Nadja and L'Amour fou. Those activities, combined with his critical and theoretical work on writing and the plastic arts, made André Breton a major figure in 20th-century French art and literature.

View the full Wikipedia page for André Breton
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