My Fair Lady in the context of "Norbert Leo Butz"

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⭐ Core Definition: My Fair Lady

My Fair Lady is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The story, based on George Bernard Shaw's 1913 play Pygmalion and on the 1938 film adaptation of the play, concerns Eliza Doolittle, a Cockney flower girl who takes speech lessons from professor Henry Higgins, a phonetician, so that she may pass as a lady. Despite his cynical nature and difficulty understanding women, Higgins grows attached to her.

The musical's 1956 Broadway production was a notable critical and popular success, winning six Tony Awards, including Best Musical. It set a record for the longest run of any musical on Broadway up to that time and was followed by a hit London production. Rex Harrison and Julie Andrews starred in both productions. Many revivals have followed, and the 1964 film version won the Academy Award for Best Picture.

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My Fair Lady in the context of Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the light opera works of Jacques Offenbach in France, Gilbert and Sullivan in Britain and the works of Harrigan and Hart in America. These were followed by Edwardian musical comedies, which emerged in Britain, and the musical theatre works of American creators like George M. Cohan at the turn of the 20th century. The Princess Theatre musicals (1915–1918) were artistic steps forward beyond the revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927), Of Thee I Sing (1931) and Oklahoma! (1943). Some of the best-known musicals through the decades that followed includeMy Fair Lady (1956), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), Wicked (2003) and Hamilton (2015).

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My Fair Lady in the context of Pygmalion (play)

Pygmalion is a play written by Irish playwright George Bernard Shaw in 1912, named after the Greek mythological figure. It was first presented onstage in German translation, premiering at the Hofburg Theatre in Vienna on 16 October 1913. Its English-language premiere took place at His Majesty's Theatre in London's West End in April 1914 and starred Herbert Beerbohm Tree as phonetics professor Henry Higgins and Mrs Patrick Campbell as Cockney flower girl Eliza Doolittle.

Pygmalion became the playwright's most popular play, enduring in popular culture as the heavily adapted and romanticized My Fair Lady (1956 musical and 1964 film).

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My Fair Lady in the context of Julie Andrews

Dame Julie Andrews (born Julia Elizabeth Wells; 1 October 1935) is an English actress, singer, and author. She has garnered numerous accolades throughout her career, including an Academy Award, a British Academy Film Award, three Emmy Awards, three Grammy Awards, and seven Golden Globe Awards as well as nominations for three Tony Awards. One of the biggest box office draws of the 1960s, Andrews has been honoured with the Kennedy Center Honors in 2001, the Screen Actors Guild Life Achievement Award in 2007, and the AFI Life Achievement Award in 2022. She was made a Dame (DBE) by Queen Elizabeth II in the 2000 New Year Honours.

A child actress and singer, Andrews appeared in the West End in 1948 and from 1950 to 1952 on the radio programme "Educating Archie" in which she played Archie's girlfriend [1]. She made her Broadway debut in The Boy Friend (1954). Billed as "Britain's youngest prima donna", she rose to prominence in Broadway musicals starring as Eliza Doolittle in My Fair Lady (1956) and Queen Guinevere in Camelot (1960). She also starred in the Rodgers and Hammerstein television musical Cinderella (1957). She made her film debut playing the title role in Walt Disney's Mary Poppins (1964) and won the Academy Award for Best Actress. The following year, she starred in the musical film The Sound of Music (1965), playing Maria von Trapp and winning the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical.

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My Fair Lady in the context of Eliza Doolittle

Eliza Doolittle is a fictional character and the protagonist in George Bernard Shaw's play Pygmalion (1913) and its 1956 musical adaptation, My Fair Lady.

Eliza (from Lisson Grove, London) is a Cockney flower seller, who comes to Professor Henry Higgins asking for elocution lessons, after a chance encounter at Covent Garden. Higgins goes along with it for the purposes of a wager: That he can turn her into the toast of elite London society. Her Cockney dialect includes words that are common among working class Londoners, such as ain't; "I ain't done nothing wrong by speaking to the gentleman" said Doolittle.

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My Fair Lady in the context of My Fair Lady (film)

My Fair Lady is a 1964 American musical comedy drama film adapted from the 1956 Lerner and Loewe stage musical based on George Bernard Shaw's 1913 stage play Pygmalion. With a screenplay by Alan Jay Lerner and directed by George Cukor, the film depicts a poor Cockney flower-seller named Eliza Doolittle who overhears a phonetics professor, Henry Higgins, as he casually wagers that he could teach her to speak English so well she could pass for a duchess in Edwardian London or better yet, from Eliza's viewpoint, secure employment in a flower store.

The film stars Audrey Hepburn as Eliza Doolittle—replacing Julie Andrews from the stage musical—and Rex Harrison as Henry Higgins—reprising his role from the stage musical—with Stanley Holloway, Gladys Cooper and Wilfrid Hyde-White in supporting roles. A critical and commercial success, it became the second-highest-grossing film of 1964 and won eight Academy Awards, including Best Picture, Best Director and Best Actor. American Film Institute included the film as #91 in its 1998 AFI's 100 Years...100 Movies, as #12 in its 2002 AFI's 100 Years...100 Passions, and as #8 in its 2006 AFI's Greatest Movie Musicals.

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My Fair Lady in the context of Frederick Loewe

Frederick Loewe (/l/ LOH; born Friedrich "Fritz" Löwe, German: [ˈfʁiːdʁɪç fʁɪts ˈløːvə]; June 10, 1901 – February 14, 1988) was an American composer. He collaborated with lyricist Alan Jay Lerner on a series of Broadway musicals, including Brigadoon, Paint Your Wagon, My Fair Lady, and Camelot, all of which were made into films, as well as the original film musical Gigi (1958), which was first transferred to the stage in 1973.

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My Fair Lady in the context of Pygmalion (1938 film)

Pygmalion is a 1938 British film based on the 1913 George Bernard Shaw play of the same name, and adapted by him for the screen. It stars Leslie Howard as Professor Henry Higgins and Wendy Hiller as Eliza Doolittle.

The film was a financial and critical success, and won an Oscar for Best Screenplay and three more nominations: Best Picture, Best Actor (Howard), and Best Actress (Hiller). The screenplay later was adapted into the 1956 theatrical musical My Fair Lady, which in turn led to the 1964 film of the same name.

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My Fair Lady in the context of Rex Harrison

Sir Reginald Carey Harrison (5 March 1908 – 2 June 1990) was an English actor. Harrison began his career on the stage at the Liverpool Playhouse in 1924. He made his West End debut in 1936 appearing in the Terence Rattigan play French Without Tears, in what was his breakthrough role. He won his first Tony Award for Best Actor in a Play for his performance as Henry VIII in the Broadway play Anne of the Thousand Days in 1949. He returned to Broadway portraying Professor Henry Higgins in My Fair Lady (1956) where he won the Tony Award for Best Actor in a Musical.

In addition to his stage career, Harrison also appeared in numerous films. His first starring role opposite Vivien Leigh was in the romantic comedy Storm in a Teacup (1937). Receiving critical acclaim for his performance in Major Barbara (1941), which was shot in London during the Blitz, his roles since then included Blithe Spirit (1945), Anna and the King of Siam (1946), The Ghost and Mrs. Muir (1947), Cleopatra (1963), My Fair Lady (1964), reprising his stage role as Henry Higgins which won him an Academy Award for Best Actor, and the titular character in Doctor Dolittle (1967).

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