Muslim Spain in the context of "Taifa"

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⭐ Core Definition: Muslim Spain

Al-Andalus (Arabic: الأَنْدَلُس, romanizedal-ʾAndalus) was the Muslim-ruled area of the Iberian Peninsula. The name refers to the different Muslim states that controlled these territories at various times between 711 and 1492. At its greatest geographical extent, it occupied most of the peninsula as well as Septimania under Umayyad rule. These boundaries changed through a series of conquests Western historiography has traditionally characterized as the Reconquista, eventually shrinking to the south and finally to the Emirate of Granada.

As a political domain, it successively constituted a province of the Umayyad Caliphate, initiated by the Caliph al-Walid I (711–750); the Emirate of Córdoba (c. 750–929); the Caliphate of Córdoba (929–1031); the first taifa kingdoms (1009–1110); the Almoravid Empire (1085–1145); the second taifa period (1140–1203); the Almohad Caliphate (1147–1238); the third taifa period (1232–1287); and ultimately the Nasrid Emirate of Granada (1238–1492). Under the Caliphate of Córdoba, the city of Córdoba became one of the leading cultural and economic centres throughout the Mediterranean Basin, Europe, and the Islamic world. Achievements that advanced Islamic and Western science came from al-Andalus, including major advances in trigonometry (Jabir ibn Aflah), astronomy (al-Zarqali), surgery (al-Zahrawi), pharmacology (Ibn Zuhr), and agronomy (Ibn Bassal and Abu'l-Khayr al-Ishbili). Al-Andalus became a conduit for cultural and scientific exchange between the Islamic and Christian worlds.

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Muslim Spain in the context of Novel

A novel is an extended work of narrative fiction usually written in prose and published as a book. The word derives from the Italian: novella for 'new', 'news', or 'short story (of something new)', itself from the Latin: novella, a singular noun use of the neuter plural of novellus, diminutive of novus, meaning 'new'. According to Margaret Doody, the novel has "a continuous and comprehensive history of about two thousand years", with its origins in the Ancient Greek and Roman novel, Medieval chivalric romance, and the tradition of the Italian Renaissance novella. The ancient romance form was revived by Romanticism, in the historical romances of Walter Scott and the Gothic novel. Some novelists, including Nathaniel Hawthorne, Herman Melville, Ann Radcliffe, and John Cowper Powys, preferred the term romance. Such romances should not be confused with the genre fiction romance novel, which focuses on romantic love. M. H. Abrams and Walter Scott have argued that a novel is a fiction narrative that displays a realistic depiction of the state of a society, like Harper Lee's To Kill a Mockingbird. The romance, on the other hand, encompasses any fictitious narrative that emphasizes marvellous or uncommon incidents. In reality, such works are nevertheless also commonly called novels, including Mary Shelley's Frankenstein and J. R. R. Tolkien's The Lord of the Rings.

The spread of printed books in China led to the appearance of the vernacular classic Chinese novels during the Ming dynasty (1368–1644), and Qing dynasty (1616–1911). An early example from Europe was Hayy ibn Yaqdhan by the Sufi writer Ibn Tufayl in Muslim Spain. Later developments occurred after the invention of the printing press. Miguel de Cervantes, author of Don Quixote (the first part of which was published in 1605), is frequently cited as the first significant European novelist of the modern era. Literary historian Ian Watt, in The Rise of the Novel (1957), argued that the modern novel was born in the early 18th century with Robinson Crusoe.

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