Music venue in the context of "Sydney Opera House"

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⭐ Core Definition: Music venue

A music venue is any location used for a concert or musical performance. Music venues range in size and location, from a small coffeehouse for folk music shows, an outdoor bandshell or bandstand or a concert hall to an indoor sports stadium. Typically, different types of venues host different genres of music. Opera houses, bandshells, and concert halls host classical music performances, whereas public houses ("pubs"), nightclubs, and discothèques offer music in contemporary genres, such as rock, dance, country, and pop.

Music venues may be either privately or publicly funded, and may charge for admission. An example of a publicly funded music venue is a bandstand in a municipal park; such outdoor venues typically do not charge for admission. A nightclub is a privately funded venue operated as a profit-making business; venues like these typically charge an entry fee to generate a profit. Music venues do not necessarily host live acts; disc jockeys at a discothèque or nightclub play recorded music through a PA system.

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Music venue in the context of Cabaret

Cabaret is a form of theatrical entertainment featuring music song, dance, recitation, or drama. The performance venue might be a pub, casino, hotel, restaurant, or nightclub with a stage for performances. The audience, often dining or drinking, does not typically dance but usually sits at tables. Performances are usually introduced by a master of ceremonies (M.C.). The entertainment, as performed by an ensemble of actors and according to its European origins, is often (but not always) oriented towards adult audiences and of a clearly underground nature. In the United States, striptease, burlesque, drag shows, or a solo vocalist with a pianist, as well as the venues which offer this entertainment, are often advertised as cabarets.

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Music venue in the context of Music industry

The music industry are individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts.

The industry also includes a range of professionals who assist singers and musicians with their music careers. These include talent managers, artists and repertoire managers, business managers, entertainment lawyers; those who broadcast audio or video music content (satellite, Internet radio stations, broadcast radio and TV stations); music journalists and music critics; DJs; music educators and teachers; manufacturers of musical instruments and music equipment; as well as many others. In addition to the businesses and artists there are organizations that also play an important role, including musician's unions (e.g. American Federation of Musicians), not-for-profit performance-rights organizations (e.g. American Society of Composers, Authors and Publishers) and other associations (e.g. International Alliance for Women in Music, a non-profit organization that advocates for women composers and musicians).

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Music venue in the context of Warfield Theatre

The Warfield Theatre, colloquially called The Warfield, is a 2,300-seat music venue located in the Theatre District in downtown San Francisco, California, United States. It was built as a vaudeville theater and opened as the Loews Warfield on May 13, 1922.

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Music venue in the context of Concert

A concert, often known informally as a gig or show, is a live performance of music in front of an audience. The performance may be carried by a single musician, in which case it is sometimes called a recital, or by a musical ensemble such as an orchestra, choir, or band. Concerts are held in a wide variety of settings and sizes, spanning from venues such as private houses and small nightclubs to mid-sized concert halls and finally to large arenas and stadiums, as well as outdoor venues such as amphitheatres and parks. Indoor concerts held in the largest venues are sometimes called arena concerts or amphitheatre concerts.

Regardless of the venue, musicians usually perform on a stage (if not an actual stage, then an area of the floor designated as such). Concerts often require live event support with professional audio equipment. Before recorded music, concerts provided the main opportunity to hear musicians play. For large concerts or concert tours, the challenging logistics of arranging the musicians, venue, equipment, audience, and tickets are handled by professional tour promoters.

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Music venue in the context of NIMBY

NIMBY (/ˈnɪmbi/; or, nimby), an acronym for the phrase "Not In My Back yard", is a characterization of opposition by residents to proposed real estate development and infrastructure developments in their local area, as well as support for strict land use regulations. It carries the connotation that such residents are only opposing the development because it is close to them and that they would tolerate or support it if it were built farther away. The residents are often called nimbys, and their viewpoint is called nimbyism. The opposite movement is known as YIMBY for "yes in my back yard".

Some examples of projects that have been opposed by nimbys include housing development (especially for affordable housing or trailer parks), high-speed rail lines, homeless shelters, day cares, schools, universities and colleges, music venues, bike lanes and transportation planning that promotes pedestrian safety infrastructure, solar farms, wind farms, incinerators, sewage treatment systems, fracking, and nuclear waste repositories.

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