Music theorist in the context of "Elements of music"

Claudius Ptolemy (/ˈtɒləmi/; Ancient Greek: Πτολεμαῖος, Ptolemaios; Latin: Claudius Ptolemaeus; c. 100 – 160s/170s AD), better known mononymously as Ptolemy, was a Greco-Roman mathematician, astronomer, astrologer, geographer, and music theorist who wrote about a dozen scientific treatises, three of which were important to later Byzantine, Islamic, and Western European science. The first was his astronomical treatise now known as the Almagest, originally entitled Mathēmatikḗ Syntaxis (Μαθηματικὴ Σύνταξις, Mathēmatikḗ Syntaxis, lit. 'Mathematical Treatise'). The second is the Geography, which is a thorough discussion on maps and the geographic knowledge of the Greco-Roman world. The third is the astrological treatise in which he attempted to adapt horoscopic astrology to the Aristotelian natural philosophy of his day. This is sometimes known as the Apotelesmatika (Αποτελεσματικά, 'On the Effects') but more commonly known as the Tetrábiblos (from the Koine Greek meaning 'four books'; Latin: Quadripartitum).

The Catholic Church promoted his work, which included the only mathematically sound geocentric model of the Solar System, and unlike most Greek mathematicians, Ptolemy's writings (foremost the Almagest) never ceased to be copied or commented upon, both in late antiquity and in the Middle Ages. However, it is likely that only a few truly mastered the mathematics necessary to understand his works, as evidenced particularly by the many abridged and watered-down introductions to Ptolemy's astronomy that were popular among the Arabs and Byzantines. His work on epicycles is now seen as a very complex theoretical model built in order to explain a false tenet based on faith.

Abū Yūsuf Yaʻqūb ibn ʼIsḥāq aṣ-Ṣabbāḥ al-Kindī (/ælˈkɪndi/; Arabic: أبو يوسف يعقوب بن إسحاق الصبّاح الكندي; Latin: Alkindus; c. 801–873 AD) was an Arab Muslim polymath active as a philosopher, mathematician, physician, and music theorist. Al-Kindi was the first of the Islamic peripatetic philosophers, and is hailed as the "father of Arab philosophy".

Al-Kindi was born in Kufa and educated in Baghdad. He became a prominent figure in the House of Wisdom, and a number of Abbasid Caliphs appointed him to oversee the translation of Greek scientific and philosophical texts into the Arabic language. This contact with "the philosophy of the ancients" (as Hellenistic philosophy was often referred to by Muslim scholars) had a profound effect on him, as he synthesized, adapted and promoted Hellenistic and Peripatetic philosophy in the Muslim world. He subsequently wrote hundreds of original treatises of his own on a range of subjects ranging from metaphysics, ethics, logic and psychology, to medicine, pharmacology, mathematics, astronomy, astrology and optics, and further afield to more practical topics like perfumes, swords, jewels, glass, dyes, zoology, tides, mirrors, meteorology and earthquakes.

Jean-Baptiste le Rond d'Alembert (/ˌdæləmˈbɛər/ DAL-əm-BAIR; French: [ʒɑ̃ batist lə ʁɔ̃ dalɑ̃bɛʁ]; 16 November 1717 – 29 October 1783) was a French mathematician, mechanician, physicist, philosopher, and music theorist. Until 1759 he was, together with Denis Diderot, a co-editor of the Encyclopédie. D'Alembert's formula for obtaining solutions to the wave equation is named after him. The wave equation is sometimes referred to as d'Alembert's equation, and the fundamental theorem of algebra is named after d'Alembert in French.

Abu Nasr Muhammad al-Farabi (Arabic: أبو نصر محمد الفارابي, romanized: Abū Naṣr Muḥammad al-Fārābī; c. 870 – 14 December 950–12 January 951), known in the Latin West as Alpharabius, was an early Islamic philosopher and music theorist. He has been designated as "Father of Islamic Neoplatonism", and the "Founder of Islamic Political Philosophy".

Al-Farabi's fields of philosophical interest included—but not limited to, philosophy of society and religion; philosophy of language and logic; psychology and epistemology; metaphysics, political philosophy, and ethics. He was an expert in both practical musicianship and music theory, and although he was not intrinsically a scientist, his works incorporate astronomy, mathematics, cosmology, and physics.

Archytas (/ˈɑːrkɪtəs/; Greek: Ἀρχύτας; 435/410–360/350 BC) was an Ancient Greek mathematician, music theorist, statesman, and strategist from the ancient city of Taras (Tarentum) in Southern Italy. He was a scientist and philosopher affiliated with the Pythagorean school and famous for being the reputed founder of mathematical mechanics and a friend of Plato.

As a Pythagorean, Archytas believed that arithmetic (logistic), rather than geometry, provided the basis for satisfactory proofs, and developed the most famous argument for the infinity of the universe in antiquity.

Gerolamo Cardano (Italian: [dʒeˈrɔːlamo karˈdaːno]; also Girolamo or Geronimo; French: Jérôme Cardan; Latin: Hieronymus Cardanus; 24 September 1501– 21 September 1576) was an Italian polymath whose interests and proficiencies ranged through those of mathematician, physician, biologist, physicist, chemist, astrologer, astronomer, philosopher, music theorist, writer, and gambler. He became one of the most influential mathematicians of the Renaissance and one of the key figures in the foundation of probability; he introduced the binomial coefficients and the binomial theorem in the Western world. He wrote more than 200 works on science.

Cardano partially invented and described several mechanical devices including the combination lock, the gimbal consisting of three concentric rings allowing a supported compass or gyroscope to rotate freely, and the Cardan shaft with universal joints, which allows the transmission of rotary motion at various angles and is used in vehicles to this day. He made significant contributions to hypocycloids - published in De proportionibus, in 1570. The generating circles of these hypocycloids, later named "Cardano circles" or "cardanic circles", were used for the construction of the first high-speed printing presses.

In Western classical music, the common practice period (CPP) was the period of about 250 years during which the tonal system was regarded as the only basis for composition. It began when composers' use of the tonal system had clearly superseded earlier systems, and ended when some composers began using significantly modified versions of the tonal system and developing other systems as well. Most features of common practice (the accepted concepts of composition during this time) persisted from the mid-Baroque period through the Classical and Romantic periods, roughly from 1650 to 1900. There was much stylistic evolution during these centuries, with patterns and conventions flourishing and then declining, such as the sonata form. The most prominent unifying feature throughout the period is a harmonic language to which music theorists can today apply Roman numeral chord analysis; however, the "common" in common practice does not directly refer to any type of harmony, rather it refers to the fact that for over two hundred years only one system was used.

John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives.

Cage's teachers included Henry Cowell (1933) and Arnold Schoenberg (1933–35), both known for their radical innovations in music, but Cage's major influences lay in various East and South Asian cultures. Through his studies of Indian philosophy and Zen Buddhism in the late 1940s, Cage came to the idea of aleatoric or chance-controlled music, which he started composing in 1951. The I Ching, an ancient Chinese classic text and decision-making tool, became Cage's standard composition tool for the rest of his life. In a 1957 lecture, "Experimental Music", he described music as "a purposeless play" which is "an affirmation of life – not an attempt to bring order out of chaos nor to suggest improvements in creation, but simply a way of waking up to the very life we're living".