Music publisher (popular music) in the context of "Sony Music Publishing"

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⭐ Core Definition: Music publisher (popular music)

A music publisher is a type of publisher that specializes in distributing music. Music publishers originally published sheet music. When copyright became legally protected, music publishers began to play a role in the management of the intellectual property of composers. Today, music publishers license compositions, collect royalties, and make sure songwriters and composers are paid when their work is used.

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👉 Music publisher (popular music) in the context of Sony Music Publishing

Sony Music Publishing LLC (formerly Sony/ATV Music Publishing) is an American music publisher. Responsible for publishing the largest quantity of music, with over six million songs owned or administered as of end March 2025, it is part of Sony Music Group, which is itself owned by Japanese conglomerate Sony Group Corporation. The company was formed as Sony/ATV in 1995 by the merger of the original incarnation of Sony Music Publishing and ATV Music, which was owned by late entertainer Michael Jackson. Jackson had purchased ATV Music, which included the Lennon–McCartney song catalog, in 1985.

In 2012, an investor consortium led by Sony/ATV Music Publishing acquired EMI Music Publishing to become the largest music publishing administrator in the world, with a library of over three million songs.

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Music publisher (popular music) in the context of Songwriter

A songwriter is a person who creates musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. Pressure from the music industry to produce popular hits means that songwriting is often a collaborative process with tasks shared among multiple people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers.

The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees, college diplomas and "rock schools". Knowledge of modern music technology (sequencers, synthesizers, computer sound editing), songwriting elements and business skills are significant for modern songwriters. Several music colleges offer songwriting diplomas and degrees with music business modules. Since songwriting and publishing royalties can be substantial sources of income, particularly if a song becomes a hit record; legally, in the US, songs written after 1934 may be copied only by the authors. The legal power to grant these permissions may be bought, sold or transferred. This is governed by international copyright law.

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Music publisher (popular music) in the context of Performing rights

Performing rights are the right to perform music in public. It is part of copyright law and demands payment to the music's composer/lyricist and publisher (with the royalties generally split 50/50 between the two). Performances are considered "public" if they take place in a public place and the audience is outside of a normal circle of friends and family, such as at concerts, nightclubs, or restaurants, though some exceptions to this exist in the U.S. Public performance also includes broadcast and cable television, radio, and any other transmitted performance of a live song.

Permission to publicly perform a song must be obtained from the copyright holder or a collective rights organization.

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Music publisher (popular music) in the context of Brit Award for British Male Solo Artist

The Brit Award for British Male Solo Artist was an award given by the British Phonographic Industry (BPI), an organisation which represents record companies and artists in the United Kingdom. The accolade was presented at the Brit Awards, an annual celebration of British and international music. The winners and nominees were determined by the Brit Awards voting academy with over one-thousand members, which comprised record labels, publishers, managers, agents, media, and previous winners and nominees. The award was first presented in 1977.

Robbie Williams won the award the most times, with four wins.

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Music publisher (popular music) in the context of Brit Award for British Breakthrough Act

The Brit Award for Best New Artist (previously Brit Award for British Breakthrough Act) is an award given by the British Phonographic Industry (BPI), an organisation which represents record companies and artists in the United Kingdom. The accolade is presented at the Brit Awards, an annual celebration of British and international music. The winners and nominees are determined by the Brit Awards voting academy with over 1,000 members, which comprise record labels, publishers, managers, agents, media, and previous winners and nominees.

Throughout its tenure, the category has been known by a number of different names. Originally presented as two gendered categories in 1977, the inaugural recipients were Graham Parker and Julie Covington. The Human League were the first group to win the award. Paul Young and Lisa Stansfield were the first male and female solo artists to receive the combined award, winning in 1984 and 1990 respectively. In January 2023, Sam Ryder became the first Eurovision artist to be nominated in this category. The current holder of the award is The Last Dinner Party, who won in 2025.

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Music publisher (popular music) in the context of BMG Rights Management

BMG Rights Management GmbH (also known simply as BMG) is an international music company based in Berlin, Germany. It combines the activities of a music publisher and a record label.

BMG was originally founded in 1985 and relaunched in October 2008 after Bertelsmann sold its stake in Sony BMG to Sony. From 2009 to 2013, the investment firm KKR held 51% of the company, which became one of the world's largest music publishers during that time. BMG is 100% owned by Bertelsmann and one of the group's eight business divisions.

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