Music industry in the context of "Recording studio"

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⭐ Core Definition: Music industry

The music industry are individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts.

The industry also includes a range of professionals who assist singers and musicians with their music careers. These include talent managers, artists and repertoire managers, business managers, entertainment lawyers; those who broadcast audio or video music content (satellite, Internet radio stations, broadcast radio and TV stations); music journalists and music critics; DJs; music educators and teachers; manufacturers of musical instruments and music equipment; as well as many others. In addition to the businesses and artists there are organizations that also play an important role, including musician's unions (e.g. American Federation of Musicians), not-for-profit performance-rights organizations (e.g. American Society of Composers, Authors and Publishers) and other associations (e.g. International Alliance for Women in Music, a non-profit organization that advocates for women composers and musicians).

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Music industry in the context of The Entertainment Capital of the World

The Entertainment Capital of the World is a nickname that has been applied to several American cities, including:

  • Las Vegas, because of its "broad scope of entertainment options including nightlife, shows, exhibits, museums, theme parks, pool parties, and so on."
  • Los Angeles (or, more specifically, Hollywood), due to its central role in the film, television, and music industries.
  • New York City (or, more specifically, Broadway), due to the city's theater and television productions.

In a variation on the phrase, Branson, Missouri, United States, is known as the "Live Entertainment Capital of the World", owing to its array of approximately 50 theaters.

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Music industry in the context of Popular music

Popular music is music with wide appeal that is typically distributed to large audiences through the music industry. These forms and styles can be enjoyed and performed by people with little or no musical training. As a kind of popular art, it stands in contrast to art music. Art music was historically disseminated through the performances of written music, although since the beginning of the recording industry, it is also disseminated through recordings. Traditional music forms such as early blues songs or hymns were passed along orally, or to smaller, local audiences.

The original application of the term is to music of the 1880s Tin Pan Alley period in the United States. Although popular music sometimes is known as "pop music", the two terms are not interchangeable. Popular music is a generic term for a wide variety of genres of music that appeal to the tastes of a large segment of the population, whereas pop music usually refers to a specific musical genre within popular music. Popular music songs and pieces typically have easily singable melodies. The song structure of popular music commonly involves repetition of sections, with the verse and chorus or refrain repeating throughout the song and the bridge providing a contrasting and transitional section within a piece. From the 1960s through the mid-2000s, albums collecting songs were the dominant form for recording and consuming English-language popular music, in a period known as the album era.

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Music industry in the context of Music of the United Kingdom

Throughout the history of the British Isles, the land that is now the United Kingdom has been a major music producer, drawing inspiration from church music and traditional folk music, using instruments from England, Scotland, Northern Ireland, and Wales. Each of the four countries of the United Kingdom has its own diverse and distinctive folk music forms, which flourished until the era of industrialisation when they began to be replaced by new forms of popular music, including music hall and brass bands. Many British musicians have influenced modern music on a global scale, and the UK has one of the world's largest music industries. English, Scottish, Irish, and Welsh folk music as well as other British styles of music heavily influenced American music such as American folk music, American march music, old-time, ragtime, blues, country, and bluegrass. The UK has birthed many popular music genres such as beat music, psychedelic music, progressive rock/pop, heavy metal, new wave, industrial music, and drum 'n' bass.

In the 20th century, influences from the music of the United States, including blues, jazz, and rock and roll, were adopted in the United Kingdom. The "British Invasion"—spearheaded by Liverpool band the Beatles, often regarded as the most influential band of all time—saw British rock bands become highly influential around the world in the 1960s and 1970s. Pop music, a term which originated in Britain in the mid-1950s as a description for "rock and roll and the new youth music styles that it influenced", was developed by British artists like Black Sabbath, the Beatles and the Rolling Stones, whom among other British musicians led rock and roll's transition into rock music.

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Music industry in the context of Record company

A record label or record company is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, artist financing and maintaining contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information.

Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positive media coverage, and arrange for their merchandise to be available via stores and other media outlets.

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Music industry in the context of Media in Los Angeles

The media of Los Angeles are influential and include some of the most important production facilities in the world. As part of the "Creative Capital of the World", it is a major global center for media and entertainment. In addition to being the home of Hollywood, the center of the American motion picture industry, the Los Angeles area is the second largest media market in North America (after New York City). Many of the nation's media conglomerates either have their primary headquarters (like The Walt Disney Company) or their West Coast operations (like NBCUniversal) based in the region. Universal Music Group, one of the "Big Four" record labels, is also based in the Los Angeles area.

The major daily newspaper is the Los Angeles Times, while La Opinión is the city's major daily Spanish-language paper. The Hollywood Reporter and Variety are significant entertainment industry papers in Los Angeles. There are also a wide variety of smaller regional newspapers, alternative weeklies and magazines, including LA Weekly, Los Angeles magazine, the Los Angeles Business Journal, the Los Angeles Daily Journal, and the Los Angeles Downtown News. In addition to the English- and Spanish-language papers, numerous local periodicals serve immigrant communities in their native languages, including Korean, Persian, Russian and Japanese.

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Music industry in the context of Copyist

A copyist is a person who makes duplications of the same thing. The modern use of the term is mainly confined to music copyists, who are employed by the music industry to produce neat copies from a composer or arranger's manuscript. However, the term is sometimes used for artists who make copies of other artists' paintings.

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Music industry in the context of Hardcore punk

Hardcore punk (commonly abbreviated to hardcore or hXc) is a punk rock subgenre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by Washington, D.C., and New York punk rock and early proto-punk. Hardcore punk generally eschews commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically charged lyrics".

Hardcore sprouted underground scenes across the United States in the early 1980s, particularly in Los Angeles, San Francisco, Washington, D.C., Boston, and New York, as well as in Canada and the United Kingdom. Hardcore has spawned the straight edge movement and its associated sub-movements, hardline and youth crew. Hardcore was heavily involved in the rise of the independent record labels in the 1980s and with the DIY ethics in underground music scenes. It has also influenced various music genres that have experienced widespread commercial success, including grunge and thrash metal.

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Music industry in the context of Shira Perlmutter

Shira Perlmutter (born 1956) is an American attorney and law professor who has served as the 14th register of copyrights of the United States Copyright Office in the Library of Congress, since 2020. Before her appointment as register in 2020, Perlmutter led copyright and global law policy at the United States Patent and Trademark Office. In 1995, she was appointed to be the first associate register for policy and international affairs at the Copyright Office and was the copyright consultant for the Clinton administration's advisory council on the National Information Infrastructure from 1994–5.

In the private sector, Perlmutter was the executive vice president of policy and international affairs at the International Federation of the Phonographic Industry, a music industry association representing recording studios. Prior to that, she was associate general counsel and vice president for intellectual property at Time Warner. Prior to her notable roles, she practiced law at the Paul, Weiss law firm in New York where she practiced commercial litigation.

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