Museum of Fine Arts, Boston in the context of "Gilbert Stuart"

Menpehtyre Ramesses I (or Ramses) was the founding pharaoh of ancient Egypt's 19th Dynasty. The dates for his short reign are not completely known but the timeline of late 1292–1290 BC is frequently cited as well as 1295–1294 BC. While Ramesses I was the founder of the 19th Dynasty, his brief reign mainly serves to mark the transition between the reign of Horemheb, who had stabilized Egypt in the late 18th Dynasty, and the rule of the powerful pharaohs of his own dynasty, in particular his son Seti I, and grandson Ramesses II.

The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Evangelist Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Virgin's portrait.

One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in their city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be followed in other cities, even had their own showroom market stall from which members could sell their paintings directly to the public.

Tufts University is a private research university in Medford and Somerville, Massachusetts, United States, with additional facilities in Boston and Grafton, as well as Talloires, France. It was founded in 1852 as Tufts College by Christian universalists who sought to provide a nonsectarian institution of higher learning. For much of the 20th century, Jackson College for Women was the coordinate college of Tufts. Tufts remained a small liberal arts college until the 1970s, when it became a larger research university offering doctorates in several disciplines.

Tufts enrolls over 13,000 students. It offers over 90 undergraduate and 160 graduate programs across ten schools in the greater Boston area and from a campus in France. It has the country's oldest graduate school of international relations, the Fletcher School of Law and Diplomacy. The largest school is the School of Arts and Sciences, which includes both the Graduate School of Arts and Sciences and the School of the Museum of Fine Arts at Tufts University, which is affiliated with the Museum of Fine Arts, Boston. The School of Engineering offers an entrepreneurial focus through its Gordon Institute. It is classified among "R1: Doctoral Universities – Very high research activity" and is a member of the Association of American Universities.

Chinese mythology (traditional Chinese: 中國神話; simplified Chinese: 中国神话; pinyin: Zhōngguó shénhuà) is mythology that has been passed down in oral form or recorded in literature throughout the area now known as Greater China. Chinese mythology encompasses a diverse array of myths derived from regional and cultural traditions. Populated with engaging narratives featuring extraordinary individuals and beings endowed with magical powers, these stories often unfold in fantastical mythological realms or historical epochs. Similar to numerous other mythologies, Chinese mythology has historically been regarded, at least partially, as a factual record of the past.

Along with Chinese folklore, Chinese mythology forms an important part of Chinese folk religion and of religious Taoism. Many narratives recounting characters and events from ancient times exhibit a dual tradition: one that presents a more historicized or euhemerized interpretation, and another that offers a more mythological perspective.

Visual art of the United States or American art is visual art made in the United States or by U.S. artists. Before colonization, there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.

But in the later 18th century two U.S. artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history painting, then regarded as the highest form of art, giving the first sign of an emerging force in Western art. American artists who remained at home became increasingly skilled, although there was little awareness of them in Europe. In the early 19th century the infrastructure to train artists began to be established, and from 1820 the Hudson River School began to produce Romantic landscape painting that were original and matched the huge scale of U.S. landscapes. The American Revolution produced a demand for patriotic art, especially history painting, while other artists recorded the frontier country. A parallel development taking shape in rural U.S. was the American craft movement, which began as a reaction to the Industrial Revolution.

The Passage of the Delaware is a large, Neoclassical 1819 oil-on-canvas painting by Thomas Sully. With attention to historical accuracy, the painting depicts George Washington on horseback observing the troops of the American Revolutionary Army in the process of crossing the Delaware River prior to the surprise attack on Hessian troops on the night of December 25 and 26, 1776, at the Battle of Trenton. The image is intended to capture the moment prior to George Washington dismounting his horse and joining his army in crossing the Delaware River.

The painting was initially commissioned to be displayed in the North Carolina Capitol but with dimensions of 146.5″ (372.1 cm) high and 207″ (525.7 cm) wide, the work was too large to be displayed in the building so the contract was mutually terminated. The Passage of the Delaware was eventually displayed in the Boston Museum. The museum closed in 1903, and the painting was gifted to the Museum of Fine Arts. It is exhibited in the Museum of Fine Arts, Boston.

Dance at Bougival (French: La danse à Bougival) is an 1883 oil-on-canvas painting by the French artist Pierre-Auguste Renoir, currently in the collection of the Museum of Fine Arts in Boston, Massachusetts, United States. Described as "one of the museum's most beloved works", it is one of three in a collection commissioned by Paul Durand-Ruel. It depicts a scene in the French village of Bougival, about 15 km from the center of Paris, a site utilized by many Impressionists besides Renoir including Claude Monet, Alfred Sisley, and Berthe Morisot.

The painting depicts two dancers surrounded by a lively scene of café goers. The painting's actual subjects are disputed, but it is well known for conveying the sense that they are in motion, making the viewer feel that they are actually there. Renoir used mostly pastel colors, but included a more vibrant hue in the hats of both the subjects. The larger group of paintings to which this one belongs is described as Renoir's last foray in Impressionism, and demonstrates the development of his artistic ability from his earlier works.

The School of the Museum of Fine Arts at Tufts University (Museum School, SMFA at Tufts, or SMFA; formerly the School of the Museum of Fine Arts, Boston) is a dedicated art school within Tufts University, a private research university in Massachusetts. SMFA is part of Tufts University's largest school, the School of Arts and Sciences, and offers both undergraduate and graduate degrees that combine studio arts training with interdisciplinary liberal arts and science education.

It is affiliated with the Museum of Fine Arts, Boston. SMFA is a member of the Association of Independent Colleges of Art and Design (AICAD), a consortium of several dozen leading art schools in the United States, and is accredited by the New England Commission of Higher Education (NECHE).