Murano in the context of "Vaporetto"

The Dogado, or the Duchy of Venice, was the metropolitan territory of the Republic of Venice, headed by the Doge, traditionally from 697, and up to 1797. It comprised the city of Venice and the narrow coastal strip from Loreo to Grado, though these borders later extended from Goro to the south, the Polesine and the Padovano to the west, the Trevisano and Friuli to the north and the mouth of the Isonzo to the east.

Apart from Venice, the capital and in practice a city-state of its own, the Dogado was subdivided in nine districts starting at the north: Grado, Caorle, Torcello, Murano, Malamocco, Chioggia, Loreo, Cavarzere and Gambarare (in Mira). In lieu of the earlier tribunes (elected by the people) and gastalds (corresponding with the Doge), during the Republic each district was led by a patrician with the title of podestà, with the exception of Grado, headed by a Count.

Glass art refers to individual works of art that are substantially or wholly made of glass. It ranges in size from monumental works and installation pieces to wall hangings and windows, to works of art made in studios and factories, including glass jewelry and tableware.

As a decorative and functional medium, glass was extensively developed in Egypt and Assyria. Glassblowing was perhaps invented in the 1st century BC, and featured heavily in Roman glass, which was highly developed with forms such as the cage cup for a luxury market. Islamic glass was the most sophisticated of the early Middle Ages. Then the builders of the great Norman and Gothic cathedrals of Europe took the art of glass to new heights with the use of stained glass windows as a major architectural and decorative element. Glass from Murano, in the Venetian Lagoon, (also known as Venetian glass) is the result of hundreds of years of refinement and invention. Murano is still held as the birthplace of modern glass art.

In glassblowing, cane refers to rods of glass with color; these rods can be simple, containing a single color, or they can be complex and contain strands of one or several colors in pattern. Caneworking refers to the process of making cane, and also to the use of pieces of cane, lengthwise, in the blowing process to add intricate, often spiral, patterns and stripes to vessels or other blown glass objects. Cane is also used to make murrine (singular murrina, sometimes called mosaic glass), thin discs cut from the cane in cross-section that are also added to blown or hot-worked objects. A particular form of murrine glasswork is millefiori ("thousand flowers"), in which many murrine with a flower-like or star-shaped cross-section are included in a blown glass piece.

Caneworking is an ancient technique, first invented in southern Italy in the second half of the third century BC, and elaborately developed centuries later on the Italian island of Murano.

Lead glass, commonly called crystal, is a variety of glass in which lead replaces the calcium content of a typical potash glass. Lead glass typically contains 18–40% (by mass) lead(II) oxide (PbO); modern lead crystal or leaded crystal, historically also known as flint glass for the original silica source, contains a minimum of 24% PbO. Lead glass is desirable for a variety of uses due to its clarity. In marketing terms it is often called crystal glass.

The term lead crystal is, technically, not an accurate way to describe lead glass, because glass lacks a crystalline structure and is instead an amorphous solid. The use of the term remains popular for historical and commercial reasons but is sometimes changed to simply crystal because of lead's reputation as a toxic substance. It is retained from the Venetian word cristallo to describe the rock crystal (quartz) imitated by Murano glassmakers. This naming convention has been maintained to the present day to describe decorative holloware.

Francesco Maria Piave (18 May 1810 – 5 March 1876) was an Italian opera librettist who was born in Murano in the lagoon of Venice, during the brief Napoleonic Kingdom of Italy.

Venetian glass (Italian: vetro veneziano) is glassware made in Venice, typically on the island of Murano near the city. Traditionally it is made with a soda–lime "metal" and is typically elaborately decorated, with various "hot" glass-forming techniques, as well as gilding, enamel, or engraving. Production has been concentrated on the Venetian island of Murano since the 13th century. Today Murano is known for its art glass, but it has a long history of innovations in glassmaking in addition to its artistic fame—and was Europe's major center for luxury glass from the High Middle Ages to the Italian Renaissance. During the 15th century, Murano glassmakers created cristallo—which was almost transparent and considered the finest glass in the world. Murano glassmakers also developed a white-colored glass (milk glass called lattimo) that looked like porcelain. They later became Europe's finest makers of mirrors.

During the Early Middle Ages, Venice was originally controlled by the Eastern Roman Empire before eventually becoming an independent city state. It flourished as a trading center and seaport in the High Middle Ages. Its connections with the Middle East helped its glassmakers gain additional skills, as glassmaking was more advanced in areas such as Syria and Egypt. Although Venetian glassmaking in factories existed as far back as the eighth century, it became concentrated in Murano by law beginning in 1291, in part because glass factories often caught fire, and moving all of them to one island removed much of the possibility of a major fire disaster for the rest of the city. Another reason for moving the glassmakers to Murano was that Venetian glassmakers developed secret recipes and methods for making glass, and the concentration of Venice's glassmaking on the island of Murano enabled better control of those secrets.

Lampworking is a type of glasswork in which a torch or lamp is used to melt the glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps. Although lack of a precise definition for lampworking makes it difficult to determine when this technique was first developed, the earliest verifiable lampworked glass is probably a collection of beads thought to date to the fifth century BCE. Lampworking became widely practiced in Murano, Italy in the 14th century. As early as the 17th century, itinerant glassworkers demonstrated lampworking to the public. In the mid-19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today. Lampworking differs from glassblowing in that glassblowing uses a furnace as the primary heat source, although torches are also used.

Early lampworking was done in the flame of an oil lamp, with the artist blowing air into the flame through a pipe or using foot-powered bellows. Most artists today use torches that burn either propane or natural gas, or in some countries butane, for the fuel gas, mixed with either air or pure oxygen as the oxidizer. Many hobbyists use MAPP gas in portable canisters for fuel and some use oxygen concentrators as a source of continuous oxygen.