Muktikā in the context of "Brihadaranyaka Upanishad"

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👉 Muktikā in the context of Brihadaranyaka Upanishad

The Brihadaranyaka Upanishad (Sanskrit: बृहदारण्यकोपनिषद्, IAST: Bṛhadāraṇyakopaniṣad) is one of the Principal Upanishads and one of the first Upanishadic scriptures of Hinduism. A key scripture to various schools of Hinduism, the Brihadaranyaka Upanishad is tenth in the Muktikā or "canon of 108 Upanishads".

The Brihadaranyaka Upanishad is estimated to have been composed about 7th–6th century BCE, excluding some parts estimated to have been composed after the Chandogya Upanishad. The Sanskrit language text is contained within the Shatapatha Brahmana, which is itself a part of the Shukla Yajur Veda.The Brihadaranyaka Upanishad is a treatise on Ātman (Self), includes passages on metaphysics, ethics, and a yearning for knowledge that influenced various Indian religions, ancient and medieval scholars, and attracted secondary works such as those by Adi Shankara and Madhvacharya.

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Muktikā in the context of Mandukya Upanishad

The Mandukya Upanishad (Sanskrit: माण्डूक्योपनिषद्, IAST: Māṇḍūkyopaniṣad) is the shortest of all the Upanishads, and is assigned to Atharvaveda. It is listed as number 6 in the Muktikā canon of 108 Upanishads.

It is in prose, consisting of twelve short verses, and is associated with a Rig Vedic school of scholars. It discusses the syllable Aum; adds turiya to the three states of consciousness; and asserts that Aum is Brahman – which is the Whole – and that Brahman is this self (ātman).

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Muktikā in the context of Kena Upanishad

The Kena Upanishad (Sanskrit: केनोपनिषद्, IAST: Kenopaniṣad) (also alternatively known as Talavakara Upanishad) is a Vedic Sanskrit text classified as one of the primary or Mukhya Upanishads that is embedded inside the last section of the Talavakara Brahmanam of the Samaveda. It is listed as number 2 in the Muktikā, the canon of the 108 Upanishads of Hinduism.

The Kena Upanishad was probably composed sometime around the middle of the 1st millennium BCE. It has an unusual structure where the first 13 are verses composed as a metric poem, followed by 15 prose paragraphs of main text plus 6 prose paragraphs of epilogue. Paul Deussen suggests that the latter prose section of the main text is far more ancient than the poetic first section, and Kena Upanishad bridged the more ancient prose Upanishad era with the metric poetic era of Upanishads that followed.

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