Mos maiorum in the context of "Veneralia"

Marcus Porcius Cato (/ˈkɑːtoʊ/, KAH-toe; 234–149 BC), also known as Cato the Censor (Latin: Censorius), the Elder and the Wise, was a Roman soldier, senator, and historian known for his conservatism and opposition to Hellenization. He was the first to write history in Latin with his Origines, a now fragmentary work on the history of Rome. His work De agri cultura, a treatise on agriculture, rituals, and recipes, is the oldest extant prose written in the Latin language. His epithet "Elder" distinguishes him from his great-grandson Senator Cato the Younger, who opposed Julius Caesar.

He came from an ancient plebeian family who were noted for their military service. Like his forefathers, Cato was devoted to agriculture when not serving in the army. Having attracted the attention of Lucius Valerius Flaccus, he was brought to Rome. He was successively military tribune (214 BC), quaestor (204), aedile (199), praetor (198), consul (195) together with Flaccus, and censor (184). As praetor, he expelled usurers from Sardinia. As censor, he tried to save Rome's ancestral customs and combat Hellenistic influences.

The Parilia or Palilia was an ancient Roman festival of rural character performed annually on 21 April, aimed at cleansing both sheep and shepherd. It was carried out in acknowledgment to the Roman deity Pales, a deity of uncertain gender who was a patron of shepherds and sheep.

Ovid describes the Parilia at length in the Fasti, an elegiac poem on the Roman religious calendar, and implies that it predates the founding of Rome (753 BC in the Varronian chronology), as indicated by its pastoral and preagricultural concerns. During the Republic, farming was idealized and central to Roman identity, so the festival took on a more generally rural character. Increasing urbanization caused the rustic Parilia to be reinterpreted rather than abandoned, as Rome was an intensely traditional society. During the Imperial period, the date was celebrated as the birthday of Rome (Latin: dies natalis Romae or natalis Urbis).

Marcus Porcius Cato Uticensis ("of Utica"; /ˈkeɪtoʊ/, KAY-toe; 95 BC – April 46 BC), also known as Cato the Younger (Latin: Cato Minor), was an influential conservative Roman senator during the late Republic. A staunch advocate for liberty and the preservation of the Republic’s principles, he dedicated himself to protecting the traditional Roman values he believed were in decline. A noted orator and a follower of Stoicism, his scrupulous honesty and professed respect for tradition gave him a political following which he mobilised against powerful generals of his day, including Julius Caesar and Pompey.

Before Caesar's civil war, Cato served in a number of political offices. During his urban quaestorship in 63 BC, he was praised for his honesty and incorruptibility in running Rome's finances. He passed laws during his plebeian tribunate in 62 BC to expand the grain dole and force generals to give up their armies and commands before standing in elections. He also frustrated Pompey's ambitions by opposing a bill brought by Pompey's allies to transfer the military command to Pompey against the Catilinarian conspirators. He opposed, with varying success, Caesar's legislative programme during Caesar's first consulship in 59 BC. Leaving for Cyprus the next year, he was praised for his honest administration and after his return was elected as praetor for 54 BC.

The Roman imperial cult (Latin: cultus imperatorius) identified emperors and some members of their families with the divinely sanctioned authority (auctoritas) of the Roman State. Its framework was based on Roman and Greek precedents, and was formulated during the early Principate of Augustus. It was rapidly established throughout the Empire and its provinces, with marked local variations in its reception and expression.

Augustus's reforms transformed Rome's Republican system of government to a de facto monarchy, couched in traditional Roman practices and Republican values. The princeps (emperor) was expected to balance the interests of the Roman military, Senate and people, and to maintain peace, security and prosperity throughout an ethnically diverse empire. The official offer of cultus to a living emperor acknowledged his office and rule as divinely approved and constitutional: his Principate should therefore demonstrate pious respect for traditional Republican deities and mores.

Sexual attitudes and behaviors in ancient Rome are indicated by art, literature, and inscriptions, and to a lesser extent by archaeological remains such as erotic artifacts and architecture. It has sometimes been assumed that "unlimited sexual license" was characteristic of ancient Rome, but sexuality was not excluded as a concern of the mos maiorum, the traditional social norms that affected public, private, and military life. Pudor, "shame, modesty", was a regulating factor in behavior, as were legal strictures on certain sexual transgressions in both the Republican and Imperial periods. The censors—public officials who determined the social rank of individuals—had the power to remove citizens from the senatorial or equestrian order for sexual misconduct, and on occasion did so. The mid-20th-century sexuality theorist Michel Foucault regarded sex throughout the Greco-Roman world as governed by restraint and the art of managing sexual pleasure.

Roman society was patriarchal (see paterfamilias), and masculinity was premised on a capacity for governing oneself and others of lower status, not only in war and politics, but also in sexual relations. Virtus, "virtue", was an active masculine ideal of self-discipline, related to the Latin word for "man", vir. The corresponding ideal for a woman was pudicitia, often translated as chastity or modesty, but it was a more positive and even competitive personal quality that displayed both her attractiveness and self-control. Roman women of the upper classes were expected to be well educated, strong of character, and active in maintaining their family's standing in society. With extremely few exceptions, surviving Latin literature preserves the voices of educated male Romans on sexuality. Visual art was created by those of lower social status and of a greater range of ethnicity, but was tailored to the taste and inclinations of those wealthy enough to afford it, including, in the Imperial era, former slaves.

Roman funerary practices include the Ancient Romans' religious rituals concerning funerals, cremations, and burials. They were part of time-hallowed tradition (Latin: mos maiorum), the unwritten code from which Romans derived their social norms. Elite funeral rites, especially processions and public eulogies, gave the family an opportunity to publicly celebrate the life and deeds of the deceased, their ancestors, and the family's standing in the community. Sometimes the political elite gave costly public feasts, games and popular entertainments after family funerals, to honour the departed and to maintain their own public profile and reputation for generosity. The Roman gladiator games began as funeral gifts for the deceased in high-status families.

Funeral displays and expenses were supposedly constrained by sumptuary laws, designed to reduce class envy and consequent social conflict. The less well-off, and those who lacked the support of an extended family could subscribe to guilds or collegia which provided funeral services for members. Until their funeral and disposal, the dead presented a risk of ritual pollution. This was managed through funerary rituals which separated them from the world of the living, and consigned their spirit to the underworld. Professional undertakers were available to organise the funeral, manage the rites and dispose of the body. Even the simplest funerals of Rome's citizen and free majority could be very costly, relative to income. The poorest, and certain categories of criminal, could be dumped in pits or rivers, or left to rot in the open air. During plagues and pandemics, the system might be completely overwhelmed. Those who met an untimely or premature death, or died without benefit of funeral rites were believed to haunt the living as vagrant, restless spirits until they could be exorcised.

In ancient Rome, freeborn women were citizens (cives), but could not vote or hold political office. Because of their limited public role, women are named less frequently than men by Roman historians. But while Roman women held no direct political power, those from wealthy or powerful families could and did exert influence through private negotiations. Exceptional women who left an undeniable mark on history include Lucretia and Claudia Quinta, whose stories took on mythic significance; fierce Republican-era women such as Cornelia, mother of the Gracchi, and Fulvia, who commanded an army and issued coins bearing her image; women of the Julio-Claudian dynasty, most prominently Livia (58 BC – AD 29) and Agrippina the Younger (15–59 AD), who contributed to the formation of Imperial mores; and the empress Helena (c.250–330 AD), a driving force in promoting Christianity.

As is the case with male members of society, elite women and their politically significant deeds eclipse those of lower status in the historical record. Inscriptions and especially epitaphs document the names of a wide range of women throughout the Roman Empire, but often tell little else about them. Some vivid snapshots of daily life are preserved in Latin literary genres such as comedy, satire, and poetry, particularly the poems of Catullus and Ovid, which offer glimpses of women in Roman dining rooms and boudoirs, at sporting and theatrical events, shopping, putting on makeup, practicing magic, worrying about pregnancy—all, however, through male eyes. The published letters of Cicero, for instance, reveal informally how the self-proclaimed great man interacted on the domestic front with his wife Terentia and daughter Tullia, as his speeches demonstrate through disparagement the various ways Roman women could enjoy a free-spirited sexual and social life.