Moorish Revival architecture in the context of "Dohány Street Synagogue"

Play Trivia Questions online!

or

Skip to study material about Moorish Revival architecture in the context of "Dohány Street Synagogue"




⭐ Core Definition: Moorish Revival architecture

Moorish Revival or Neo-Moorish is one of the exotic revival architectural styles that were adopted by architects of Europe and the Americas in the wake of Romanticist Orientalism. It reached the height of its popularity after the mid-19th century, part of a widening vocabulary of articulated decorative ornament drawn from historical sources beyond familiar classical and Gothic modes. Neo-Moorish architecture drew on elements from classic Moorish architecture and, as a result, from the wider Islamic architecture.

↓ Menu

👉 Moorish Revival architecture in the context of Dohány Street Synagogue

The Dohány Street Synagogue ([ˈdoɦaːɲ] DOE-hawng; Hungarian: Dohány utcai zsinagóga; Hebrew: בית הכנסת הגדול של בודפשט, romanizedBet ha-Knesset ha-Gadol shel Budapesht), also known as the Great Synagogue (Hungarian: Nagy zsinagóga) or Tabakgasse Synagogue (Yiddish: Tabak-Shul), is a Neolog Jewish congregation and synagogue, located on Dohány Street in Erzsébetváros (VIIth district) of Budapest, Hungary. It is the largest synagogue in Europe, seating 3,000 people, and is a centre of Neolog Judaism. The congregation worships in the Ashkenazi rite.

The synagogue was built between 1854 and 1859 in the Moorish Revival and Romantic Historicist styles, with the decoration based chiefly on Islamic models from North Africa and medieval Spain (the Alhambra). The synagogue's Viennese architect, Ludwig Förster, believed that no distinctively Jewish architecture could be identified, and thus chose "architectural forms that have been used by oriental ethnic groups that are related to the Israelite people, and in particular the Arabs". The interior design is partly by Frigyes Feszl.

↓ Explore More Topics
In this Dossier

Moorish Revival architecture in the context of Cathedral of St. Vincent de Paul

The Cathedral of St. Vincent de Paul (Arabic: كاتدرائية القديس فنسون دو بول بتونس, romanizedKātidrāʾiyyat al-Qiddīs Finsūn dū Būl bi-Tūnis; French: Cathédrale Saint-Vincent-de-Paul de Tunis) is a Roman Catholic church located in Tunis, Tunisia. The cathedral is dedicated to Saint Vincent de Paul, patron saint of charity. It is the episcopal see of the Archdiocese of Tunis and is situated at Place de l'Indépendance in Ville Nouvelle, a crossroads between Avenue Habib Bourguiba and Avenue de France, opposite the French embassy.

The church, designed by L. Bonnet-Labranche, was built in a mixture of styles, including Moorish revival, Gothic revival, and Neo-Byzantine architectural traditions. The cornerstone was laid in 1890, and construction began in 1893. The church was opened on Christmas in 1897, albeit without its belltowers owing to a shortage of funds. The reinforced concrete towers were completed in 1910 using the Hennebique technique.

↑ Return to Menu

Moorish Revival architecture in the context of Islam in Malta

Islam in Malta (Arabic: الإسلام في مالطا) has had a historically profound influence upon the country — especially its language and agriculture — as a consequence of several centuries of control and presence on the islands. Today, the main Muslim organization represented in Malta is the Libyan World Islamic Call Society.

The 2021 census found that the Muslim population in Malta grew from 6,000 in 2010 to 17,454 in 2021, mainly non-citizens, totalling 3.9% of the population. Of these a small amount, 1,746, are Maltese citizens.

↑ Return to Menu

Moorish Revival architecture in the context of Neo-Mudéjar

Neo-Mudéjar is a type of Moorish Revival architecture practised in the Iberian Peninsula and to a far lesser extent in Ibero-America. This architectural movement emerged as a revival of Mudéjar style. It was an architectural trend of the late 19th and early 20th centuries that began in Madrid and Barcelona and quickly spread to other regions in Spain and Portugal. It used Mudéjar style elements such as the horseshoe arch, arabesque tiling, and abstract shaped brick ornamentations for the façades of modern buildings.

↑ Return to Menu