Monologue in the context of Character (arts)


Monologue in the context of Character (arts)

Monologue Study page number 1 of 1

Play TriviaQuestions Online!

or

Skip to study material about Monologue in the context of "Character (arts)"


⭐ Core Definition: Monologue

In theatre, a monologue (also spelled monolog in American English) (in Greek: μονόλογος, from μόνος mónos, "alone, solitary" and λόγος lógos, "speech") is a speech presented by a single character, most often to express their thoughts aloud, though sometimes also to directly address another character or the audience. Monologues are common across the range of dramatic media (plays, films, etc.), as well as in non-dramatic media such as poetry. Monologues share much in common with several other literary devices including soliloquies, apostrophes, and asides. There are, however, distinctions between each of these devices.

↓ Menu
HINT:

In this Dossier

Monologue in the context of Spoken word

Spoken word is an oral poetic performance art that is based mainly on the poem as well as the performer's aesthetic qualities. It is a 20th-century continuation of an ancient oral artistic tradition that focuses on the aesthetics of recitation and word play, such as the performer's live intonation and voice inflection. Spoken word is a catch-all term that includes any kind of poetry recited aloud, including poetry readings, poetry slams, jazz poetry, pianologues, musical readings, and hip hop music, and can include comedy routines and prose monologues. Unlike written poetry, the quality of spoken word is shaped less by the visual aesthetics on a page, and more from phonaesthetics or the aesthetics of sound.

View the full Wikipedia page for Spoken word
↑ Return to Menu

Monologue in the context of All the world's a stage

"All the world's a stage" is the phrase that begins a monologue from William Shakespeare's pastoral comedy As You Like It, spoken by the melancholy Jaques in Act II Scene VII Line 139. The speech compares the world to a stage and life to a play and catalogues the seven stages of a man's life, sometimes referred to as the seven ages of man.

View the full Wikipedia page for All the world's a stage
↑ Return to Menu

Monologue in the context of Stream of consciousness

In literary criticism, stream of consciousness is a narrative mode or method that attempts "to depict the multitudinous thoughts and feelings which pass through the mind" of a narrator. It is usually in the form of an interior monologue which is disjointed or has irregular punctuation. While critics have pointed to various literary precursors, it was not until the 20th century that this technique was fully developed by modernist writers such as Marcel Proust, James Joyce, Dorothy Richardson and Virginia Woolf.

Stream of consciousness narratives continue to be used in modern prose and the term has been adopted to describe similar techniques in other art forms such as poetry, songwriting and film.

View the full Wikipedia page for Stream of consciousness
↑ Return to Menu

Monologue in the context of Stand-up comedy

Stand-up comedy is a performance directed to a live audience, where the performer stands on a stage and delivers humorous and satirical monologues sometimes incorporating physical acts (act outs). These performances are typically composed of rehearsed scripts but often include varying degrees of live crowd interaction (crowdwork). Stand-up comedy consists of one-liners, stories, observations, or shticks that can employ props, music, impressions, magic tricks, or ventriloquism.

Performances can take place in various venues, including comedy clubs, comedy festivals, bars, nightclubs, colleges, or theaters.

View the full Wikipedia page for Stand-up comedy
↑ Return to Menu

Monologue in the context of Talk radio

Talk radio is a radio format containing discussion about topical issues and consisting entirely or almost entirely of original spoken word content rather than outside music. They may feature monologues, dialogues between the hosts, interviews with guests, and/or listener participation which may be live conversations between the host and listeners who "call in" (usually via telephone) or via voice mail. Listener contributions are usually screened by a show's producers to maximize audience interest and, in the case of commercial talk radio, to attract advertisers.

Talk shows on commercial stations are organized into segments, each separated by a pause for advertisements; however, in public or non-commercial radio, music is sometimes played in place of commercials to separate the program segments.

View the full Wikipedia page for Talk radio
↑ Return to Menu

Monologue in the context of Language revitalization

Language revitalization, also referred to as language revival or reversing language shift, is an attempt to halt or reverse the decline of a language or to revive an extinct one. Those involved can include linguists, cultural or community groups, or governments. Some argue for a distinction between language revival (the resurrection of an extinct language with no existing native speakers) and language revitalization (the rescue of a "dying" language).

Languages targeted for language revitalization include those whose use and prominence is severely limited. Sometimes various tactics of language revitalization can even be used to try to revive extinct languages. Though the goals of language revitalization vary greatly from case to case, they typically involve attempting to expand the number of speakers and use of a language, or trying to maintain the current level of use to protect the language from extinction or language death. Language revitalization can face significant barriers, not the least of which can come from governments, such as a general lack of support or funding for the projects, or a system that may actively repress the minority language. Other barriers could be a lack of speakers, a lack of relevant teaching material, or vocabulary loss.

View the full Wikipedia page for Language revitalization
↑ Return to Menu

Monologue in the context of Soliloquy

A soliloquy (/səˈlɪl.ə.kwi, sˈlɪl.-/, from Latin solus 'alone' and loqui 'to speak', pl.soliloquies) is a speech in drama in which a character speaks their thoughts aloud, typically while alone on stage. It serves to reveal the character's inner feelings, motivations, or plans directly to the audience, providing information that would not otherwise be accessible through dialogue with other characters. They are used as a narrative device to deepen character development, advance the plot, and offer the audience a clearer understanding of the psychological or emotional state of the speaker. Soliloquies are distinguished from monologues by their introspective nature and by the absence or disregard of other characters on the stage.

The soliloquy became especially prominent during the Elizabethan and Jacobean periods, when playwrights used it as a means to explore complex human emotions and ethical dilemmas. William Shakespeare employed soliloquies extensively in his plays, using them to convey pivotal moments of decision, doubt, or revelation. Notable examples include Hamlet's "To be, or not to be" speech, which reflects on life and death, and Macbeth's contemplation of the consequences of regicide. Although the use of soliloquy declined in later theatrical traditions with the rise of realism, it has continued to appear in various forms across different genres, including film and television.

View the full Wikipedia page for Soliloquy
↑ Return to Menu

Monologue in the context of Asides

An aside is a dramatic device in which a character speaks to the audience. By convention, the audience is to realize that the character's speech is unheard by the other characters on stage. It may be addressed to the audience expressly (in character or out) or represent an unspoken thought. An aside is usually a brief comment rather than a speech, such as a monologue or soliloquy.

The aside was used by Ian Richardson's character Francis Urquhart in the 1990 BBC mini-series House of Cards, as well as by Kevin Spacey's character Frank Underwood in the 2013 Netflix original series of the same name. It can be used to explain the often complex politics on the show, describe what the character's plans/emotions are or simply for humorous effect.

View the full Wikipedia page for Asides
↑ Return to Menu

Monologue in the context of Notes from Underground

Notes from Underground (pre-reform Russian: Записки изъ подполья; post-reform Russian: Записки из подполья, Zapíski iz podpólʹya; also translated as Notes from the Underground or Letters from the Underworld) is a novella by Fyodor Dostoevsky first published in the journal Epoch in 1864. It is a first-person narrative in the form of a "confession". The work was originally announced by Dostoevsky in Epoch under the title "A Confession".

The novella presents itself as an excerpt from the memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. Although the first part of the novella has the form of a monologue, the narrator's form of address to his reader is acutely dialogized. According to Mikhail Bakhtin, in the Underground Man's confession "there is literally not a single monologically firm, undissociated word". The Underground Man's every word anticipates the words of an other, with whom he enters into an obsessive internal polemic.

View the full Wikipedia page for Notes from Underground
↑ Return to Menu

Monologue in the context of Madonna impersonator

A Madonna impersonator is an entertainer who impersonates American singer-songwriter Madonna. Professional or dedicated Madonna impersonators have existed since at least the mid-1980s, and were sometimes sorted as "tribute acts". As an established artist, Madonna impersonators have seen a notable demand, many of them performing in front of thousands people and visiting several countries in their professional Madonna career as some media outlets have reported. Notable Madonna impersonators include Chris America, Denise Bella Vlasis and Venus D-Lite. Others impressionists have included Madonna in their repertoire, such as Tracey Bell, Charlie Hides and Véronic DiCaire, while Nadya Ginsburg and Alejandra Bogue dedicated Madonna-inspired monologues.

First impersonations on Madonna started with her fans, mainly young female audience when they copied and emulated her no later than 1985, and which were counted by thousands around the world. This phenomenon was later defined as the "Madonna wannabe". Prominent look-alikes contests were made and received press coverage. An example occurred in 1985 led by Macy's and had Andy Warhol and Nina Blackwood among others as judges. The winner gained nationwide briefly fame as "the best Madonna look-alike" according to MTV. Over the years, impersonations on Madonna have been documented among her fandom, through fan conventions, tours, and themed parties among other cultural manifestations, such as competitions and TV shows.

View the full Wikipedia page for Madonna impersonator
↑ Return to Menu

Monologue in the context of Dialogue in writing

Dialogue, in literature, is conversation between two or more characters. If there is only one character talking, it is a monologue. Dialogue is usually identified by use of quotation marks and a dialogue tag, such as "she said". According to Burroway et al., It can play an important role in bringing characters to life in literature, by allowing them to voice their internal thoughts.

View the full Wikipedia page for Dialogue in writing
↑ Return to Menu

Monologue in the context of Audition

An audition is a sample performance by an actor, singer, musician, dancer or other performer. It typically involves the performer displaying their talent through a previously memorized and rehearsed solo piece or by performing a work or piece given to the performer at the audition or shortly before. In some cases, such as with a model or acrobat, the individual may be asked to demonstrate a range of professional skills. Actors may be asked to present a monologue. Singers will perform a song in a popular music context or an aria in a Classical context. A dancer will present a routine in a specific style, such as ballet, tap dance or hip-hop, or show their ability to quickly learn a choreographed dance piece.

The audition is a systematic process in which industry professionals select performers, which is in some ways analogous to a job interview in the regular job market. In an audition, the employer is testing the ability of the applicant to meet the needs of the job and assess how well the individual will take directions and deal with changes. After some auditions, after the performer has demonstrated their abilities in a given performance style, the audition panel may ask a few questions that resemble those used in standard job interviews (e.g., regarding availability).

View the full Wikipedia page for Audition
↑ Return to Menu

Monologue in the context of Saturday Night Live

Saturday Night Live (SNL) is an American late-night live sketch comedy variety show created by Lorne Michaels and developed by Michaels and Dick Ebersol that airs on NBC. The show's premiere was hosted by George Carlin on NBC on October 11, 1975, under the original title NBC's Saturday Night. The show's comedy sketches, which often parody popular culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest and broadcast live with a studio audience. The host usually delivers a monologue toward the start of the show and then performs in sketches with the cast, and introduces featured performances by a musical guest. An episode normally begins with a cold open sketch that is usually based on current political events and ends with someone breaking character and proclaiming, "Live from New York, it's Saturday Night!", before moving to credits and introduction of the guest host.

In 1980, Michaels left the show to explore other opportunities. He was replaced by Jean Doumanian, who was then replaced by Ebersol after a season of bad reviews. Ebersol ran the show until 1985, when Michaels returned. Since then, Michaels has served as showrunner. Many SNL cast members have found national stardom while appearing on the show, and achieved success in film and television, both in front of and behind the camera. Others associated with the show, such as writers, have gone on to successful careers creating, writing, and starring in television and film.

View the full Wikipedia page for Saturday Night Live
↑ Return to Menu