Audition in the context of Monologue


Audition in the context of Monologue

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⭐ Core Definition: Audition

An audition is a sample performance by an actor, singer, musician, dancer or other performer. It typically involves the performer displaying their talent through a previously memorized and rehearsed solo piece or by performing a work or piece given to the performer at the audition or shortly before. In some cases, such as with a model or acrobat, the individual may be asked to demonstrate a range of professional skills. Actors may be asked to present a monologue. Singers will perform a song in a popular music context or an aria in a Classical context. A dancer will present a routine in a specific style, such as ballet, tap dance or hip-hop, or show their ability to quickly learn a choreographed dance piece.

The audition is a systematic process in which industry professionals select performers, which is in some ways analogous to a job interview in the regular job market. In an audition, the employer is testing the ability of the applicant to meet the needs of the job and assess how well the individual will take directions and deal with changes. After some auditions, after the performer has demonstrated their abilities in a given performance style, the audition panel may ask a few questions that resemble those used in standard job interviews (e.g., regarding availability).

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Audition in the context of Acting

Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.

Acting involves a broad range of skills, including a well-developed imagination, emotional facility, physical expressivity, vocal projection, clarity of speech, and the ability to interpret drama. Acting also demands an ability to employ dialects, accents, improvisation, observation and emulation, mime, and stage combat. Many actors train at length in specialist programs or colleges to develop these skills. The vast majority of professional actors have gone through extensive training. Actors and actresses will often have many instructors and teachers for a full range of training involving singing, scene-work, audition techniques, and acting for camera.

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Audition in the context of Glossary of theater terms

A list of theater terms, and brief descriptions, listed in alphabetical order.

  • Act: A division of a play, may be further broken down into "scenes". Also, what the performers do on-stage.
  • Ad-lib: When a performer improvises line on-stage. Derived from ad libitum (Latin).
  • Aisle: An open space amongst seating for passage.
  • Alternate: see Understudy.
  • Amphitheater: an open-air theater, with seats rising in curved rows.
  • Angel: An individual or organization which provides financial support for a production.
  • Apron: The front area of the stage, nearest the audience; the portion of the stage in front of proscenium arch.
  • Aside: A line spoken by an actor/actress directly to the audience, unheard by the other performers on-stage.
  • Assistant director: Works very closely with the director and with the cast. They will gather research on the production, help keep the production true to the director's vision and help lead rehearsals should the director not be able to attend.
  • Assistant stage manager: Assists the production stage manager, with everything from taping floor plan marking to making sure that everyone has a copy of the script. They also make sure that the set has the needed props. Before a rehearsal the assistant stage manager helps the stage manager make sure everything is ready. At the end of rehearsal the assistant stage manager along with the stage manager will make sure that the space is locked up. Often shortened to ASM.
  • Audition: The activity where actors/actresses perform for the director or casting director, in order to obtain roles in a production.
  • Auditorium: The portion of a theater which contains the audience seating.
  • Avant-garde: Experimental or innovative works or people, derived from the French.
  • Balcony: An elevated portion of seating in the back of the auditorium.
  • Curtain Call: At the end of a live performance the cast will come out and do a bow while the audience applauds.
  • Doubling: When an actor plays more than one character in a production. Most times this is done for economical reasons but it can be that because an actor would like to take on more than one role in the performance.
  • Receiving house: (sometimes called a roadhouse) a theatre which does not produce its own repertoire but instead receives touring theatre companies, usually for a brief period such as three nights or an entire week. The incoming company may receive a share of the box office takings or a minimum guaranteed payment. West End theatres in London and most Broadway theatres in New York are also receiving houses, as the venue solely provides facilities to the incoming show even though the production may stay for many years. Theatres which produce their own shows are known as producing houses, and some regional theatres will do both.
  • Understudy: A person who learns the part of a specific character or characters. Should the performer who is cast in those roles be unable to perform their part due for any reason (e.g. illness, injury etc.), the understudy will step in and perform the role. Also known as an Alternate.
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