Monochrome in the context of "Grayscale"

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⭐ Core Definition: Monochrome

A monochrome or monochromatic image, object or palette is composed of one color (or values of one color). Images using only shades of grey are called grayscale (typically digital) or black-and-white (typically analog). In physics, monochromatic light refers to electromagnetic radiation that contains a narrow band of wavelengths, which is a distinct concept.

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👉 Monochrome in the context of Grayscale

In digital photography, computer-generated imagery, and colorimetry, a grayscale (American English) or greyscale (Commonwealth English) image is one in which the value of each pixel holds no color information and only expresses a shade of gray. Pixel values are typically stored in the range 0 to 255 (black to white).

Grayscale images, are black-and-white or gray monochrome, and composed exclusively of shades of gray. The contrast ranges from black at the weakest intensity to white at the strongest. Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between.

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Monochrome in the context of Color printing

Color printing or colour printing is the reproduction of an image or text in color (as opposed to simpler black and white or monochrome printing).

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Monochrome in the context of Color television

Color television (American English) or colour television (British English) is a television transmission technology that also includes color information for the picture, so the video image can be displayed in color on the television set. It improves on the monochrome or black-and-white television technology, which displays the image in shades of gray (grayscale). Television broadcasting stations and networks in most parts of the world transitioned from black-and-white to color broadcasting between the 1960s and the 1980s. The invention of color television standards was an important part of the history and technology of television.

Transmission of color images using mechanical scanners had been conceived as early as the 1880s. A demonstration of mechanically scanned color television was given by John Logie Baird in 1928, but its limitations were apparent even then. Development of electronic scanning and display made a practical system possible. Monochrome transmission standards were developed prior to World War II, but civilian electronics development was frozen during much of the war. In August 1944, Baird gave the world's first demonstration of a practical fully electronic color television display. In the United States, competing color standards were developed, finally resulting in the NTSC color standard that was compatible with the prior monochrome system. Although the NTSC color standard was proclaimed in 1953, and limited programming soon became available, it was not until the early 1970s that color television in North America outsold black-and-white units. Color broadcasting in Europe did not standardize on the PAL or SECAM formats until the 1960s.

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Monochrome in the context of Dot matrix

A dot matrix is a 2-dimensional patterned array, used to represent characters, symbols and images. Most types of modern technology use dot matrices for display of information, including mobile phones, televisions, and printers. The system is also used in textiles with sewing, knitting and weaving.

An alternate form of information display using lines and curves is known as a vector display, was used with early computing devices such as air traffic control radar displays and pen-based plotters but is no longer used. Electronic vector displays were typically monochrome only, and either leave the interiors of closed vector shapes unfilled, or perform slow, time-consuming and often non-uniform shape-filling, as on pen-based plotters.

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Monochrome in the context of Brutalist architecture

Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist construction showcasing the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick, angular geometric shapes and a predominantly monochrome colour palette; other materials, such as steel, timber, and glass, are also featured.

Descended from Modernism, brutalism is said to be a reaction against the nostalgia of architecture in the 1940s. Derived from the Swedish word nybrutalism, the term "new brutalism" was first used by British architects Alison and Peter Smithson for their pioneering approach to design. The style was further popularised in a 1955 essay by architectural critic Reyner Banham, who also associated the movement with the French phrases béton brut ("raw concrete") and art brut ("raw art"). The style, as developed by architects such as the Smithsons, Hungarian-born Ernő Goldfinger, and the British firm Chamberlin, Powell & Bon, was partly foreshadowed by the modernist work of other architects such as French-Swiss Le Corbusier, Estonian-American Louis Kahn, German-American Ludwig Mies van der Rohe, and Finnish Alvar Aalto.

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Monochrome in the context of DjVu

DjVu is a computer file format designed primarily to store scanned documents, especially those containing a combination of text, line drawings, indexed color images, and photographs. It uses technologies such as image layer separation of text and background/images, progressive loading, arithmetic coding, and lossy compression for bitonal (monochrome) images. This allows high-quality, readable images to be stored in a minimum of space, so that they can be made available on the web.

DjVu has been promoted as providing smaller files than PDF for most scanned documents. The DjVu developers report that color magazine pages compress to 40–70 kB, black-and-white technical papers compress to 15–40 kB, and ancient manuscripts compress to around 100 kB; a satisfactory JPEG image typically requires 500 kB. Like PDF, DjVu can contain an OCR text layer, making it easy to perform copy and paste and text search operations.

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Monochrome in the context of Battledress

A combat uniform, also called a field uniform, battledress, or military fatigues, is a casual uniform used by military, police, fire, and other public uniformed services for everyday fieldwork and duty, as opposed to dress uniforms for formal functions and parades. It generally consists of a jacket, trousers, and shirt or T-shirt, all cut to be looser and more comfortable than more formal uniforms. Combat uniform designs vary by regiment or service branch (e.g. army, navy, air force, marines, etc.). Uniform fabrics often come in camouflage, disruptive patterns, or otherwise olive drab, brown, or khaki monochrome, to approximate the background and make the soldier less conspicuous in the field. In Western dress codes, field uniforms are considered equivalent to civilian casual wear, less formal than service dress uniforms, which are generally for office or staff use, as well as mess dress uniforms and full dress uniforms.

Combat uniforms have existed to some degree in most organized militaries throughout history, with the intent of providing both protection and easy identification. The British Indian Army's Corps of Guides were the first to use drab combat uniforms starting in 1848, when they wore light-brown clothing called "khaki" by Indian troops. The Second Boer War and World War I ended the pre-modern practice of issuing brightly-colored combat uniforms in favor of green, brown, khaki, and grey uniforms that better suited the varied environments of modern warfare. The first proper military camouflage pattern was Italy's telo mimetico, originally designed for half-shelters in 1929. Germany's Wehrmacht began issuing camouflage uniforms to paratroopers during World War II, and by the end of the war, both the Allies and Axis made use of camouflage uniforms for select units, usually special forces. The Cold War and post–Cold War era saw the gradual shift from monochromatic olive and khaki combat uniforms to those using camouflage patterns.

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Monochrome in the context of Maya ceramics

Maya ceramics are ceramics produced in the Pre-Columbian Maya culture of Mesoamerica. The vessels used different colors, sizes, and had varied purposes. Vessels for the elite could be painted with very detailed scenes, while utilitarian vessels were undecorated or much simpler. Elite pottery, usually in the form of straight-sided beakers called "vases", used for drinking, was placed in burials, giving a number of survivals in good condition. Individual examples include the Princeton Vase and the Fenton Vase.

Used for a plethora of daily activities, such as the storage of food and beverages, ceramics were also a canvas of commemoration. There were three main types of ceramics used in daily life: bowls, plates, and cylinders. They were often monochrome, meaning that only one type of mineral slip was used. Polychrome pottery was more complex in nature and therefore more commonly used by the elite. Not only was polychrome pottery used as decoration, it was also used as a form of social currency—a physical display of status and others' approval.

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