Mongolian architecture in the context of "Chinese architecture"

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⭐ Core Definition: Mongolian architecture

The architecture of Mongolia is largely based on traditional dwellings, such as the yurt (Mongolian: гэр, ger) and the tent. During the 16th and 17th centuries, lamaseries were built throughout the country as temples which were later enlarged to accommodate a growing number of worshipers. Mongolian architects designed their temples with six and twelve angles and pyramidal roofs approximating the yurt's round shape. Further expansion led to a quadratic shape in the design of the temples, with roofs in the shape of pole marquees. Trellis walls, roof poles and layers of felt were eventually replaced by stone, brick beams and planks.

Mongolian artist and art historian N. Chultem identified three styles of traditional Mongolian architecture (Mongolian, Tibetan and Chinese), alone or in combination. Batu-Tsagaan (1654), designed by Zanabazar, was an early quadratic temple. The Dashchoilin Khiid monastery in Ulaanbaatar is an example of yurt-style architecture. The 18th century Lavrin Temple in the Erdene Zuu lamasery was built in the Tibetan tradition. The Choijin Lama Süm temple (1904), now a museum, is an example of a temple built in the Chinese tradition. The quadratic Tsogchin Temple, in Ulaanbaatar's Gandan monastery, combines Mongolian and Chinese traditions. The Maitreya Temple (demolished in 1938) was an example of Tibeto-Mongolian architecture. The Dashchoilin Khiid monastery has begun a project to restore this temple and the 24-metre (0.024 km) sculpture of Maitreya. Indian influences can also be seen in Mongolian architecture, especially in the design of Buddhist stupas.

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👉 Mongolian architecture in the context of Chinese architecture

Chinese architecture (simplified Chinese: 中国建筑; traditional Chinese: 中國建築; pinyin: Zhōngguó jiànzhú) is the embodiment of an architectural style that has developed over millennia in China and has influenced architecture throughout East Asia. Since its emergence during the early ancient era, the structural principles of its architecture have remained largely unchanged. The main changes involved diverse decorative details. Starting with the Tang dynasty, Chinese architecture has had a major influence on the architectural styles of neighbouring East Asian countries such as Japan, Korea, Vietnam, and Mongolia in addition to minor influences on the architecture of Southeast and South Asia including the countries of Malaysia, Singapore, Indonesia, Sri Lanka, Thailand, Laos, Cambodia, and the Philippines.

Chinese architecture is characterized by bilateral symmetry, use of enclosed open spaces, feng shui (e.g. directional hierarchies), a horizontal emphasis, and an allusion to various cosmological, mythological or in general symbolic elements. Chinese architecture traditionally classifies structures according to type, ranging from pagodas to palaces. Due to the frequent use of wood, a relatively perishable material, as well as few monumental structures built of more durable materials, much historical knowledge of Chinese architecture derives from surviving miniature models in ceramic and published diagrams and specifications.

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