Molding (decorative) in the context of "Entablature"

Plaster is a building material used for the protective or decorative coating of walls and ceilings and for moulding and casting decorative elements. In English, "plaster" usually means a material used for the interiors of buildings, while "render" commonly refers to external applications. The term stucco refers to plasterwork that is worked in some way to produce relief decoration, rather than flat surfaces.

The most common types of plaster mainly contain either gypsum, lime, or cement, but all work in a similar way. The plaster is manufactured as a dry powder and is mixed with water to form a stiff but workable paste immediately before it is applied to the surface. The reaction with water liberates heat through crystallization and the hydrated plaster then hardens.

In classical architecture, the frieze /friːz/ is the wide central section of an entablature and may be plain in the Ionic or Corinthian orders, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate.

In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made may be plasterwork, carved wood or other decorative medium.

A hand plane is a tool for shaping wood using muscle power to force the cutting blade over the wood surface. Some rotary power planers are motorized power tools used for the same types of larger tasks, but are unsuitable for fine-scale planing, where a miniature hand plane is used.

Generally, all planes are used to flatten, reduce the thickness of, and impart a smooth surface to a rough piece of lumber or timber. Planing is also used to produce horizontal, vertical, or inclined flat surfaces on workpieces usually too large for shaping, where the integrity of the whole requires the same smooth surface. Special types of planes are designed to cut joints or decorative mouldings.

Plasterwork is construction or ornamentation done with plaster, such as a layer of plaster on an interior or exterior wall structure, or plaster decorative moldings on ceilings or walls. This is also sometimes called pargeting. The process of creating plasterwork, called plastering or rendering, has been used in building construction for centuries. For the art history of three-dimensional plaster, see stucco.

In architecture, a hood mould, hood, label mould (from Latin labia, lip), drip mould or dripstone is an external moulded projection from a wall over an opening to throw off rainwater, historically often in form of a pediment. This moulding can be terminated at the side by ornamentation called a label stop.

The hood mould was introduced into architecture in the Romanesque period, though they became much more common in the Gothic period. Later, with the increase in rectangular windows they became more prevalent in domestic architecture.

In classical architecture, an architrave (/ˈɑːrkɪˌtreɪv/; from Italian architrave 'chief beam'), also called an epistyle (from Ancient Greek ἐπίστυλον (epístulon) 'on the column'), is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns.

The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint).

Egg-and-dart, also known as egg-and-tongue, egg-and-anchor, or egg-and-star, is an ornamental device adorning the fundamental quarter-round, convex ovolo profile of moulding, consisting of alternating details on the face of the ovolo—typically an egg-shaped object alternating with a V-shaped element (e.g., an arrow, anchor, or dart). The device is carved or otherwise fashioned into ovolos composed of wood, stone, plaster, or other materials.

Egg-and-dart enrichment of the ovolo molding of the Ionic capital was used by ancient Greek builders, so it is found in ancient Greek architecture (e.g., the Erechtheion at the Acropolis of Athens), was used later by the Romans and continues to adorn capitals of modern buildings built in Classical styles (e.g., the Ionic capitals of the Jefferson Memorial in Washington, D.C., or the ones of the Romanian Athenaeum from Bucharest). Its ovoid shape (the egg) and serrated leaf (the dart) are believed to represent the opium poppy and its leaves. The moulding design element continues in use in neoclassical architecture. As a mass-produced architectural motif at the turn of the 19th to the 20th century, it can, when seen alongside dentils (tooth-like blocks of wood in rows), be used to date a building to the Edwardian period, which began with the death of Queen Victoria in 1901.

In architecture, patera (pl. paterae) is an ornamental circular or elliptical bas-relief disc. The patera is usually used to decorate friezes and walls, and to interrupt moldings. Patera is also used in furniture-making. It can be carved, incised, inlaid, or even painted.