Mimicry in the context of "Predation"

Mimesis (/mɪˈmiːsɪs, maɪ-/; Ancient Greek: μίμησις, mīmēsis) is a term used in literary criticism and philosophy that carries a wide range of meanings, including imitatio, imitation, similarity, receptivity, representation, mimicry, the act of expression, the act of resembling, and the presentation of the self.

The original Ancient Greek term mīmēsis (μίμησις) derives from mīmeisthai (μιμεῖσθαι, 'to imitate'), itself coming from mimos (μῖμος, 'imitator, actor'). In ancient Greece, mīmēsis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth, and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society.

Military camouflage is the use of camouflage by an armed force to protect personnel and equipment from observation by enemy forces. In practice, this means applying colour and materials to military equipment of all kinds, including vehicles, ships, aircraft, gun positions and battledress, either to conceal it from observation (crypsis), or to make it appear as something else (mimicry). The French slang word camouflage came into common English usage during World War I when the concept of visual deception developed into an essential part of modern military tactics. In that war, long-range artillery and observation from the air combined to expand the field of fire, and camouflage was widely used to decrease the danger of being targeted or enable surprise. As such, military camouflage is a form of military deception in addition to cultural functions such as political identification.

Camouflage was first practiced in simple form in the mid 18th century by rifle units. Their tasks required them to be inconspicuous, and they were issued green and later other drab colour uniforms. With the advent of longer range and more accurate weapons, especially the repeating rifle, camouflage was adopted for the uniforms of all armies, spreading to most forms of military equipment including ships and aircraft.

The cuckoo, common cuckoo, European cuckoo or Eurasian cuckoo (Cuculus canorus) is a member of the cuckoo order of birds, Cuculiformes, which includes the roadrunners, the anis and the coucals.

This species is a widespread summer migrant to Europe and Asia, and winters in Africa. It is a brood parasite, which means it lays eggs in the nests of other bird species, particularly of dunnocks, meadow pipits, and reed warblers. Although its eggs are larger than those of its hosts, the eggs in each type of host nest resemble the host's eggs. The adult too is a mimic, in its case of the sparrowhawk; since that species is a predator, the mimicry gives the female time to lay her eggs without being attacked.

In ecology, crypsis is the ability of an animal or a plant to avoid observation or detection by other animals. It may be part of a predation strategy or an antipredator adaptation. Methods include camouflage, nocturnality, subterranean lifestyle and mimicry. Crypsis can involve visual, olfactory (with pheromones) or auditory concealment. When it is visual, the term cryptic coloration, effectively a synonym for animal camouflage, is sometimes used, but many different methods of camouflage are employed in nature.

Ship camouflage is a form of military deception in which a ship is painted in one or more colors in order to obscure or confuse an enemy's visual observation. Several types of marine camouflage have been used or prototyped: blending or crypsis, in which a paint scheme attempts to hide a ship from view; deception, in which a ship is made to look smaller or, as with the Q-ships, to mimic merchantmen; and dazzle, a chaotic paint scheme which tries to confuse any estimate of distance, direction, or heading. Counterillumination, to hide a darkened ship against the slightly brighter night sky, was trialled by the Royal Canadian Navy in diffused lighting camouflage.

Ships were sometimes camouflaged in classical times. Mediterranean pirate ships were sometimes painted blue-gray for concealment. Vegetius records that Julius Caesar's scout ships were painted bluish-green when gathering intelligence along the coast of Britain during the Gallic Wars. Ships were sometimes painted deceptively during the Age of Sail, while both sides in the American Civil War camouflaged their ships, whether to run blockades or for night reconnaissance.

Aggressive mimicry is a form of mimicry in which predators, parasites, or parasitoids share similar signals, using a harmless model, allowing them to avoid being correctly identified by their prey or host. Zoologists have repeatedly compared this strategy to a wolf in sheep's clothing. In its broadest sense, aggressive mimicry could include various types of exploitation, as when an orchid exploits a male insect by mimicking a sexually receptive female (see pseudocopulation), but will here be restricted to forms of exploitation involving feeding. For example, indigenous Australians who dress up as and imitate kangaroos when hunting would not be considered aggressive mimics, nor would a human angler, though they are undoubtedly practising self-decoration camouflage. Treated separately is molecular mimicry, which shares some similarity; for instance a virus may mimic the molecular properties of its host, allowing it access to its cells. An alternative term, Peckhamian mimicry, has been suggested (after George and Elizabeth Peckham), but it is seldom used.

Aggressive mimicry is opposite in principle to defensive mimicry, where the mimic generally benefits from being treated as harmful. The mimic may resemble its own prey, or some other organism which is beneficial or at least not harmful to the prey. The model, i.e. the organism being 'imitated', may experience increased or reduced fitness, or may not be affected at all by the relationship. On the other hand, the signal receiver inevitably suffers from being tricked, as is the case in most mimicry complexes.

Batesian mimicry is a form of mimicry wherein a harmless species has evolved to imitate the warning signals of a harmful species in order to benefit from these signals' tendency to deter their mutual predators. It is named after the English naturalist Henry Walter Bates, who worked on butterflies in the rainforests of Brazil.

Batesian mimicry is the most commonly-known and widely-studied of the mimicry complexes, such that the word "mimicry" is often synonymous with the type described by Batesian mimicry. However, there are many other forms of mimicry, some very similar in principle to the Batesian variety, others far separated.

Müllerian mimicry is a type of biological mimicry in which two or more well-defended species, often foul-tasting and sharing common predators, converge in appearance to mimic each other's honest warning signals. This convergence of appearance achieves the following benefit to species that undergo it: predators need only experience a single unpleasant encounter with any member of a set of Müllerian mimics in order to thereafter avoid all creatures of similar appearance, whether or not it is the same species as the initial encounter. A ring of distinct species is thereby protected from their mutual predators by attempted predation upon any one of its members. The phenomenon is named after the German-Brazilian naturalist Fritz Müller, who proposed the concept in 1878, supporting his theory with a mathematical model of frequency-dependent selection, one of the first such models anywhere in biology.

Müllerian mimicry was first identified in tropical butterflies that shared colourful wing patterns, but it is found in many groups of insects such as bumblebees, as well as in other animals such as poison frogs and coral snakes. The mimicry need not be restricted to that detected by vision—many snakes share auditory warning signals. Similarly, the defences involved are not limited to toxicity—anything that tends to deter predators, such as foul taste, sharp spines, or defensive behaviour can make a species unprofitable enough to predators to allow Müllerian mimicry to develop.

Pouyannian mimicry is a form of mimicry in plants that deceives an insect into attempting to copulate with a flower. The flower mimics a potential female mate of a male insect, which then serves the plant as a pollinator. The mechanism is named after the French lawyer and amateur botanist Maurice-Alexandre Pouyanne. The resemblance that he noted is visual, but the key stimuli that deceive the pollinator are often chemical and tactile.

In orchids, the resemblance is to a species of bee; Pouyanne observed the bee Dasyscolia ciliata pollinating the orchid Ophrys speculum. The flower uses morphology, coloration, and scent to deceive the pollinator. The chemicals secreted from the flower's osmophore glands are indistinguishable from the insect's pheromones. The pollinator is not rewarded with nectar, and may waste significant amounts of sperm while trying to mate with the flower.