Metropolitan Museum of Art in the context of "Brooch"

A sarcophagus (pl.: sarcophagi or sarcophaguses) is a coffin, most commonly carved in stone, and usually displayed above ground, though it may also be buried. The word sarcophagus comes from the Greek σάρξ sarx meaning "flesh", and φαγεῖν phagein meaning "to eat"; hence sarcophagus means "flesh-eating", from the phrase lithos sarkophagos (λίθος σαρκοφάγος), "flesh-eating stone". The word also came to refer to a particular kind of limestone that was thought to rapidly facilitate the decomposition of the flesh of corpses contained within it due to the chemical properties of the limestone itself.

Stoneware is a broad class of pottery fired at a relatively high temperature, to be impervious to water. A modern definition is a vitreous or semi-vitreous ceramic made primarily from stoneware clay or non-refractory fire clay. This definition excludes stone vessels that are carved from a solid chunk of stone. End applications of stoneware include tableware and decorative ware such as vases.

Stoneware is fired at between about 1,100 °C (2,010 °F) to 1,300 °C (2,370 °F). Historically, reaching such temperatures was a long-lasting challenge, and temperatures somewhat below these were used for a long time.

Egyptian astronomy started in prehistoric times, in the Predynastic Period. In the 5th millennium BCE, the stone circles at Nabta Playa may have made use of astronomical alignments. By the time the historical Dynastic Period began in the 3rd millennium BCE, the 365 day period of the Egyptian calendar was already in use, and the observation of stars was important in determining the annual flooding of the Nile.

The Egyptian pyramids were carefully aligned towards the pole star, and the temple of Amun-Re at Karnak was aligned on the rising of the midwinter Sun. Astronomy played a considerable part in fixing the dates of religious festivals and determining the hours of night, and temple astrologers were especially adept at watching the stars and observing the conjunctions and risings of the Sun, Moon, and planets, as well as the lunar phases.

A calendar is a system of organizing days. This is done by giving names to periods of time, typically days, weeks, months and years. A date is the designation of a single and specific day within such a system. A calendar is also a physical record (often paper) of such a system. A calendar can also mean a list of planned events, such as a court calendar, or a partly or fully chronological list of documents, such as a calendar of wills.

Carmen C. Bambach (born April 27, 1959) is a Chilean art historian and curator of Italian and Spanish drawings at the New York Metropolitan Museum of Art who specializes in Italian Renaissance art. She is considered one of the world's leading specialists on Leonardo da Vinci, especially his drawings.

An angel is a spiritual heavenly, or supernatural entity, usually humanoid with bird-like wings, often depicted as a messenger or intermediary between God (the transcendent) and humanity (the profane) in various traditions like the Abrahamic religions. Other roles include protectors and guides for humans, such as guardian angels and servants of God. In Western belief-systems the term is often used to distinguish benevolent from malevolent intermediary beings.

Emphasizing the distance between God and mankind, revelation-based belief-systems require angels to bridge the gap between the earthly and the transcendent realm. Angels play a lesser role in monistic belief-systems, since the gap is non-existent. However, angelic beings might be conceived as aid to achieve a proper relationship with the divine.

Ovid, the Latin poet of the Roman Empire, was banished in 8 AD from Rome to Tomis (now Constanța, Romania) by decree of the emperor Augustus. The reasons for his banishment are uncertain. Ovid's exile is related by the poet himself, and also in brief references to the event by Pliny the Elder and Statius. At the time, Tomis was a remote town on the edge of the civilized world; it was loosely under the authority of the Kingdom of Thrace (a satellite state of Rome), and was superficially Hellenized. According to Ovid, none of its citizens spoke Latin, which as an educated Roman, he found trying. Ovid wrote that the cause of his exile was carmen et error ("a poem and an error"), probably the Ars Amatoria and a personal indiscretion or mistake.

Ovid was one of the most prolific poets of his time, and before being banished had already composed his most famous poems – Heroides, Amores, Ars Amatoria, Remedia Amoris, Medicamina Faciei Femineae, his lost tragedy Medea, the ambitious Metamorphoses and the Fasti. The latter two works were left, respectively, without a final revision and only half finished. In exile, the poet continued producing works that survive today: Ibis, Tristia, Epistulae ex Ponto, and possibly several other, minor poems. These works consist of letters to friends and enemies, and also depict the poet's treatment by the Scythians – particularly the Getae, a nomadic people related to the Dacians or Thracians.

A jar is a rigid, cylindrical, or slightly conical container, typically made of glass, ceramic, or plastic, with a wide mouth or opening that can be closed with a lid, screw cap, lug cap, cork stopper, roll-on cap, crimp-on cap, press-on cap, plastic shrink, heat-sealed lidding film, an inner seal, a tamper-evident band, or other suitable means. The English word "jar" originates from the Arabic word jarra, which means an earthen pot or vessel.

Apollodoros was an ancient Athenian red-figure vase painter who was active in around 500 BCE. His name is found on two cups and many more are attributed to him.

"In the early 1900s scholars distinguished four stylistically distinct but closely related groups of vases, assigning them the names Apollodoros, the Epidromos Painter, the Kleomelos Painter, and the Elpinikos Painter." It was not certain whether the four names represented separate individuals or were stages in the career of one man.