The "art of representation" (Russian: представление, romanized: predstavlenie) is a critical term used by the seminal Russian theatre practitioner Konstantin Stanislavski to describe a method of acting. It comes from his acting manual An Actor Prepares (1936). Stanislavski defines his own approach to acting as "experiencing the role" and contrasts it with the "art of representation". It is on the basis of this formulation that the American Method acting teacher Uta Hagen defines her recommended Stanislavskian approach as 'presentational' acting, as opposed to 'representational' acting. This use, however, directly contradicts mainstream critical use of these terms. Despite the distinction, Stanislavskian theatre, in which actors 'experience' their roles, remains 'representational' in the broader critical sense.
>>>PUT SHARE BUTTONS HERE<<<
Method acting in the context of Daniel Day-Lewis
Sir Daniel Michael Blake Day-Lewis (born 29 April 1957) is an English actor. Often described as one of the greatest actors in the history of cinema, he is best known for intense method acting portrayed with eccentric characters in auteurs' films. He is the recipient of numerous accolades, including a record three Academy Awards for Best Actor, as well as four BAFTAs, three Screen Actors Guild Awards and two Golden Globes. In 2014, Day-Lewis received a knighthood for services to drama.
Born and raised in London, Day-Lewis excelled on stage at the National Youth Theatre before being accepted at the Bristol Old Vic Theatre School, which he attended for three years. Despite his traditional training at the Bristol Old Vic, he is considered a method actor, known for his constant devotion to and research of his roles. Protective of his private life, he rarely grants interviews and makes very few public appearances.
Method acting in the context of Marlon Brando
Marlon Brando Jr. (April 3, 1924 – July 1, 2004) was an American actor. Widely regarded as one of the greatest and most influential actors in the history of cinema, Brando received numerous accolades throughout his career, which spanned six decades, including two Academy Awards, two Golden Globe Awards, a Cannes Film Festival Award, three British Academy Film Awards, and an Emmy Award. Brando is credited with being one of the first actors to bring the Stanislavski system of acting and method acting to mainstream audiences.
Brando came under the influence of Stella Adler and Stanislavski's system in the 1940s. He began his career on stage, where he was lauded for adeptly interpreting his characters. He made his Broadway debut in the play I Remember Mama (1944) and won Theater World Awards for his roles in the plays Candida and Truckline Cafe, both in 1946. He returned to Broadway as Stanley Kowalski in the Tennessee Williams play A Streetcar Named Desire (1947), a role he reprised in the 1951 film adaptation, directed by Elia Kazan.
Method acting in the context of Eli Wallach
Eli Herschel Wallach (/ˈiːlaɪ ˈwɒlək/ EE-ly WOL-ək; December 7, 1915 – June 24, 2014) was an American film, television, and stage actor from New York City. Known for his character actor roles, his entertainment career spanned over six decades. He received a BAFTA Award, a Tony Award, and a Primetime Emmy Award. He also was inducted into the American Theater Hall of Fame in 1988 and received the Academy Honorary Award in 2010.
Originally trained in stage acting, he garnered over 90 film credits. He and his wife Anne Jackson often appeared together on stage, eventually becoming a notable acting couple in American theater. Wallach initially studied method acting under Sanford Meisner and later became a founding member of the Actors Studio, where he studied under Lee Strasberg. He played a wide variety of roles throughout his career, primarily as a supporting actor. He won the Tony Award for Best Supporting or Featured Actor in a Play for The Rose Tattoo (1951).