Metafiction in the context of "Don Quixote"

The Voynich manuscript is an illustrated codex, hand-written in an unknown script referred to as Voynichese. The vellum on which it is written has been carbon-dated to the early 15th century (1404–1438). Stylistic analysis has indicated the manuscript may have been composed in Italy during the Italian Renaissance. The origins, authorship, and purpose of the manuscript are still debated, but currently scholars lack the translation(s) and context needed to either properly entertain or eliminate any of the possibilities. Hypotheses range from a script for a natural language or constructed language, an unreadable code, cypher, or other form of cryptography, or perhaps a hoax, reference work (i.e. folkloric index or compendium), glossolalia or work of fiction (e.g. science fantasy or mythopoeia, metafiction, speculative fiction).

The first confirmed owner was Georg Baresch, a 17th-century alchemist from Prague. The manuscript is named after Wilfrid Voynich, a Polish book dealer who purchased it in 1912. The manuscript consists of around 240 pages, but there is evidence that some of the pages are missing. The text is written from left to right, and some pages are foldable sheets of varying sizes. Most of the pages have fantastical illustrations and diagrams, some crudely coloured, with sections of the manuscript showing people, unidentified plants and astrological symbols. Since 1969, it has been held in Yale University's Beinecke Rare Book and Manuscript Library. In 2020, Yale University published the manuscript online in its entirety in their digital library.

In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist. A foil to the protagonist may also be the antagonist of the plot.

In some cases, a subplot can be used as a foil to the main plot. This is especially true in the case of metafiction and the "story within a story" motif.

Pale Fire is a 1962 novel by Vladimir Nabokov. The novel is presented as a 999-line poem titled "Pale Fire", written by the fictional poet John Shade, with a foreword, lengthy commentary, and index written by Shade's neighbor and academic colleague, Charles Kinbote. Together these elements form a narrative in which both fictional authors are central characters. Nabokov wrote Pale Fire in 1960–61, after the success of Lolita had made him financially independent, allowing him to retire from teaching and return to Europe. Nabokov began writing the novel in Nice and completed it in Montreux, Switzerland.

Pale Fire's unusual structure has attracted much attention, and it is often cited as an important example of metafiction, as well as an analog precursor to hypertext fiction, and a poioumenon. It has spawned a wide variety of interpretations and a large body of written criticism, which literary scholar Pekka Tammi [fi] estimated in 1995 as more than 80 studies. The Nabokov authority Brian Boyd has called it "Nabokov's most perfect novel", and the critic Harold Bloom called it "the surest demonstration of his own genius ... that remarkable tour de force".

Postmodern literature is a form of literature that is characterized by the use of metafiction, unreliable narration, self-reflexivity, and intertextuality, and which often thematizes both historical and political issues. This style of experimental literature emerged strongly in the United States in the 1960s through the writings of authors such as Kurt Vonnegut, Thomas Pynchon, William Gaddis, Philip K. Dick, Kathy Acker, and John Barth. Postmodernists often challenge authorities, which has been seen as a symptom of the fact that this style of literature first emerged in the context of political tendencies in the 1960s. This inspiration is, among other things, seen through how postmodern literature is highly self-reflexive about the political issues it speaks to.

Precursors to postmodern literature include Miguel de Cervantes' Don Quixote (1605–1615), Laurence Sterne's Tristram Shandy (1760–1767), James Hogg's Private Memoires and Convessions of a Justified Sinner (1824), Thomas Carlyle's Sartor Resartus (1833–1834), and Jack Kerouac's On the Road (1957), but postmodern literature was particularly prominent in the 1960s and 1970s. In the 21st century, American literature still features a strong current of postmodern writing, like the postironic Dave Eggers' A Heartbreaking Work of Staggering Genius (2000), and Jennifer Egan's A Visit from the Goon Squad (2011). These works also further develop the postmodern form.

David Foster Wallace (February 21, 1962 – September 12, 2008) was an American writer and professor who published novels, short stories, and essays. He is best known for his 1996 novel Infinite Jest, which Time magazine named one of the 100 best English-language novels published from 1923 to 2005. In 2008, David Ulin wrote for the Los Angeles Times that Wallace was "one of the most influential and innovative writers of the last twenty years".

Wallace grew up in Illinois. He graduated from Amherst College and the University of Arizona. His honors thesis at Amherst was adapted into his debut novel The Broom of the System (1987). In his writing, Wallace intentionally avoided tropes of postmodern art such as irony or forms of metafiction, saying in 1990 that they were "agents of a great despair and stasis" in contemporary American culture. Infinite Jest, his second novel, is known for its unconventional narrative structure and extensive use of endnotes.

John Simmons Barth (/bɑːrθ/; May 27, 1930 – April 2, 2024) was an American writer best known for his postmodern and metafictional fiction. His most highly regarded and influential works were published in the 1960s, and include The Sot-Weed Factor, a whimsical retelling of Maryland's colonial history; Giles Goat-Boy, a satirical fantasy in which a university is a microcosm of the Cold War world; and Lost in the Funhouse, a self-referential and experimental collection of short stories. He was co-recipient of the National Book Award in 1973 for his episodic novel Chimera.