Pierre Corneille

Jean-Baptiste Racine (/ræˈsiːn/ rass-EEN, US also /rəˈsiːn/ rə-SEEN; French: [ʒɑ̃ batist ʁasin]; 22 December 1639 – 21 April 1699) was a French dramatist, one of the three great playwrights of 17th-century France, along with Molière and Corneille, as well as an important literary figure in the Western tradition and world literature. Racine was primarily a tragedian, producing such "examples of neoclassical perfection" as Phèdre, Andromaque, and Athalie. He did write one comedy, Les Plaideurs, and a muted tragedy, Esther, for the young.

Racine's plays displayed his mastery of the dodecasyllabic (12 syllable) French alexandrine. His writing is renowned for its elegance, purity, speed, and fury, and for what American poet Robert Lowell described as a "diamond-edge", and the "glory of its hard, electric rage". Racine's dramaturgy is marked by his psychological insight, the prevailing passion of his characters, and the nakedness of both plot and stage.

Le Cid is a five-act French tragicomedy written by Pierre Corneille, first performed in December 1636 at the Théâtre du Marais in Paris and published the same year. It is based on Guillén de Castro's play Las Mocedades del Cid. Castro's play in turn is based on the legend of El Cid.

An enormous popular success, Corneille's Le Cid was the subject of a heated polemic over the norms of dramatic practice known as the Querelle du Cid (Quarrel of The Cid). Cardinal Richelieu's Académie française acknowledged the play's success, but determined that it was defective, in part because it did not respect the classical unities.

Grand Siècle (French pronunciation: [ɡʁɑ̃ sjɛkl]) or Great Century refers to the period of French history during the 17th century, under the reigns of Louis XIII and Louis XIV.

The period was notable for its development of art, music and literature, along with the construction of the Palace of Versailles, the effects of the French Wars of Religion, and the impacts of the Thirty Years' War, which made France the dominant power in Europe instead of Spain. Significant figures during this period include gardener André Le Nôtre, architects François Mansart, Louis Le Vau and Jules Hardouin-Mansart, painters Nicolas Poussin, Simon Vouet, Claude Lorrain, Georges de La Tour, Philippe de Champaigne, Charles Le Brun, sculptors Pierre Puget, François Girardon and Antoine Coysevox, playwrights Pierre Corneille, Molière and Jean Racine, the poets François de Malherbe, Jean de La Fontaine and Nicolas Boileau, writers Madame de La Fayette, Charles Perrault, composers Henri Dumont, Jean-Baptiste Lully, Marc-Antoine Charpentier, Michel Richard Delalande, André Campra, Henri Desmarest, Marin Marais and François Couperin, philosophers René Descartes, Blaise Pascal, Antoine Arnauld, Nicolas Malebranche, Pierre Gassendi, La Rochefoucauld, La Bruyere, and Pierre Bayle.

Jean-Marie Guyau (28 October 1854 – 31 March 1888) was a French philosopher and poet.

Guyau was inspired by the philosophies of Epicurus, Epictetus, Plato, Immanuel Kant, Herbert Spencer, and Alfred Fouillée, and the poetry and literature of Pierre Corneille, Victor Hugo, and Alfred de Musset.

Médée is a French language opéra-comique by Luigi Cherubini. The libretto by François-Benoît Hoffman (Nicolas Étienne Framéry) was based on Euripides' tragedy of Medea and Pierre Corneille's play Médée. It is set in the ancient city of Corinth.

The opera was premiered on 13 March 1797 at the Théâtre Feydeau, Paris. It met with a lukewarm reception and was not immediately revived. During the twentieth century, it was usually performed in Italian translation as Medea, with the spoken dialogue replaced by recitatives not authorized by the composer. More recently, some performances have used Cherubini's original version.