Mental asylum in the context of "Charlie Chaplin"

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⭐ Core Definition: Mental asylum

The lunatic asylum, insane asylum or mental asylum was an institution where people with mental illness were confined. It was an early precursor of the modern psychiatric hospital.

Modern psychiatric hospitals evolved from and eventually replaced the older lunatic asylum. The treatment of inmates in early lunatic asylums was sometimes brutal and focused on containment and restraint. The discovery of anti-psychotic drugs and mood-stabilizing drugs resulted in a shift in focus from containment in lunatic asylums to treatment in psychiatric hospitals. Later, there was further and more thorough critique in the form of the deinstitutionalization movement which focuses on treatment at home or in less isolated institutions.

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👉 Mental asylum in the context of Charlie Chaplin

Sir Charles Spencer Chaplin Jr. (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from his childhood in the Victorian era until a year before his death in 1977, and encompassed both accolade and controversy.

Chaplin's childhood in London was one of poverty and hardship. His father was absent and his mother struggled financially – he was sent to a workhouse twice before the age of nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon introduced and adopted the Tramp as his screen persona. He directed his own films and continued to hone his craft as he moved to Essanay Studios, where the Tramp persona was developed emotionally in The Tramp (1915). He then attracted a large fanbase and demanded more money as he moved to Mutual and First National corporations. By 1918, he was one of the world's best-paid and best-known figures.

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