Memorial in the context of "Memorialization"

An eternal flame is a flame, lamp or torch that burns for an indefinite time. Most eternal flames are ignited and tended intentionally. However, some are natural phenomena caused by natural gas leaks, peat fires and coal seam fires, all of which can be initially ignited by lightning, piezoelectricity or human activity, some of which have burned for hundreds or thousands of years.

In ancient times, eternal flames were fueled by wood or olive oil; modern examples usually use a piped supply of propane or natural gas. Human-created eternal flames most often commemorate a person or event of national significance, serve as a symbol of an enduring nature such as a religious belief, or a reminder of commitment to a common goal, such as diplomacy.

The James Madison Memorial Building is one of three United States Capitol Complex buildings that house the Library of Congress. The building was constructed from 1971 to 1976, and serves as the official memorial to United States Founding Father and president James Madison. It is located between First and Second Streets SE on Independence Avenue, across from the main library Thomas Jefferson Building, in Washington, D.C. In addition to various book and multimedia collections, it houses the United States Copyright Office, which is under the administration of the Librarian of Congress.

The term monumental sculpture is often used in art history and criticism, but not always consistently. It combines two concepts, one of function, and one of size, and may include an element of a third more subjective concept. It is often used for all sculptures that are large. Human figures that are perhaps half life-size or above would usually be considered monumental in this sense by art historians, although in contemporary art a rather larger overall scale is implied. Monumental sculpture is therefore distinguished from small portable figurines, small metal or ivory reliefs, diptychs and the like.

The term is also used to describe sculpture that is architectural in function, especially if used to create or form part of a monument of some sort, and therefore capitals and reliefs attached to buildings will be included, even if small in size. Typical functions of monuments are as grave markers, tomb monuments or memorials, and expressions of the power of a ruler or community, to which churches and so religious statues are added by convention, although in some contexts monumental sculpture may specifically mean just funerary sculpture for church monuments.

Memorial gates and arches are architectural monuments in the form of gates and arches or other entrances, constructed as a memorial, often dedicated to a particular war though some are dedicated to individuals. The function, and very often the architectural form, is similar to that of a Roman triumphal arch, with the emphasis on remembrance and commemoration of war casualties, on marking a civil event (the country's independence, for example), or on providing a monumental entrance to a city, as opposed to celebrating a military success or general, though some memorial arches perform both functions. They can vary in size, but are commonly monumental stone structures combining features of both an archway and a gate, often forming an entrance or straddling a roadway, but sometimes constructed in isolation as a standalone structure, or on a smaller scale as a local memorial to war dead. Although they can share architectural features with triumphal arches, memorial arches and gates constructed from the 20th century onwards often have the names of the dead inscribed on them as an act of commemoration.

The Normandy American Cemetery and Memorial (French: Cimetière américain de Colleville-sur-Mer) is a World War II cemetery and memorial in Colleville-sur-Mer, Normandy, France, that honors American troops who died in the Normandy landings and the Battle of Normandy that followed. It is located adjacent to the site of the former temporary battlefield cemetery of Saint Laurent, covers 172.5 acres and contains 9,388 gravesites.

A memorial in the cemetery includes maps and details of the Normandy landings and military operations that followed. At the memorial's center is Spirit of American Youth Rising from the Waves, a bronze statue by Donald De Lue. The cemetery also includes two flag poles where, at different times, people gather to watch the American flags being lowered and folded.

The Laboe Naval Memorial (a.k.a. Laboe Tower, German: Marine-Ehrenmal Laboe) is a memorial located in Laboe, near Kiel, in Schleswig-Holstein, Germany. Started in 1927 and completed in 1936, the monument originally commemorated the World War I war dead of the Kaiserliche Marine, with the Kriegsmarine dead of World War II being added after 1945. In 1954 it was rededicated as a memorial for the sailors of all nationalities who were lost at sea and at the same time a memorial for peaceful sailing in open seas.

The monument consists of a 72-metre-high (236 ft) tower topped by an observation deck. The deck stands a total 85 m (279 ft) above sea level. A hall of remembrance and World War II-era German submarine U-995, which houses a technical museum, both sit near the foot of the monument, and the site is a popular tourist venue. U-995 is the world's only remaining Type VII U-boat.

A museum ship, also called a memorial ship, is a ship that has been preserved and converted into a museum open to the public for educational or memorial purposes. Some are also used for training and recruitment purposes, mostly for the small number of museum ships that are still operational and thus capable of regular movement.

Several hundred museum ships are kept around the world, with around 175 of them organised in the Historic Naval Ships Association though many are not naval museum ships, from general merchant ships to tugs and lightships. Many, if not most, museum ships are also associated with a maritime museum.