Megalith in the context of "Nuraghe"

The history of Europe is traditionally divided into four time periods: prehistoric Europe (prior to about 800 BC), classical antiquity (800 BC to AD 500), the Middle Ages (AD 500–1500), and the modern era (since AD 1500).

The first early European modern humans appear in the fossil record about 48,000 years ago, during the Paleolithic era. Settled agriculture marked the Neolithic era, which spread slowly across Europe from southeast to the north and west. The later Neolithic period saw the introduction of early metallurgy and the use of copper-based tools and weapons, and the building of megalithic structures, as exemplified by Stonehenge. During the Indo-European migrations, Europe saw migrations from the east and southeast. The period known as classical antiquity began with the emergence of the city-states of ancient Greece. Later, the Roman Empire came to dominate the entire Mediterranean Basin. The Migration Period of the Germanic people began in the late 4th century AD.

Stonehenge is a prehistoric megalithic structure on Salisbury Plain in Wiltshire, England, two miles (3 km) west of Amesbury. It consists of an outer ring of vertical sarsen standing stones, each around 13 feet (4.0 m) high, seven feet (2.1 m) wide, and weighing around 25 tons, topped by connecting horizontal lintel stones which are held in place with mortise and tenon joints—a feature unique among contemporary monuments. Inside is a ring of smaller bluestones. Inside, these are free-standing trilithons, two bulkier vertical sarsens joined by a single lintel. The whole monument, now in ruins, is aligned towards the sunrise on the summer solstice and sunset on the winter solstice. The stones are set within earthworks in the middle of the densest complex of Neolithic and Bronze Age monuments in England, including several hundred tumuli (burial mounds).

Stonehenge was constructed in several phases beginning about 3100 BC and continuing until about 1600 BC. The famous circle of large sarsen stones was placed between 2600 BC and 2400 BC. The surrounding circular earth bank and ditch, which constitute the earliest phase of the monument, have been dated to about 3100 BC. Radiocarbon dating suggests that the bluestones were given their current positions between 2400 and 2200 BC, although they may have been at the site as early as 3000 BC.

Ġgantija (Maltese pronunciation: [d͡ʒɡɐnˈtiːjɐ]; "place of giants") is a megalithic temple complex from the Neolithic era (c. 3600–2500 BC), on the Mediterranean island of Gozo in Malta. The Ġgantija temples are the earliest of the Megalithic Temples of Malta and are older than the pyramids of Egypt. Their makers erected the two Ġgantija temples during the Neolithic, which makes these temples more than 5,500 years old and the world's second-oldest existing manmade religious structures after Göbekli Tepe in present-day Turkey. Together with other similar structures, these have been designated a UNESCO World Heritage Site, the Megalithic Temples of Malta.

The temples are elements of a ceremonial site used in a fertility rite. Researchers have found that the numerous figurines and statues found on the site are associated with that cult. According to local Gozitan folklore, a giantess named Sansuna who ate nothing but fava beans and honey bore a child from a man of the common people. With the child hanging from her shoulder, she built these temples and used them as places of worship.

An artificial island or man-made island is an island that has been constructed by humans rather than formed through natural processes. Other definitions may suggest that artificial islands are lands with the characteristics of human intervention in their formation process, while others argue that artificial islands are created by expanding existing islets, constructing on existing reefs, or amalgamating several islets together. Although constructing artificial islands is not a modern phenomenon, there is no definite legal definition of it. Artificial islands may vary in size from small islets reclaimed solely to support a single pillar of a building or structure to those that support entire communities and cities. Archaeologists argue that such islands were created as far back as the Neolithic era. Early artificial islands included floating structures in still waters or wooden or megalithic structures erected in shallow waters (e.g. crannógs and Nan Madol discussed below).

In modern times, artificial islands are usually formed by land reclamation, but some are formed by flooding of valleys resulting in the tops of former knolls getting isolated by water (e.g., Barro Colorado Island). There are several reasons for the construction of these islands, which include residential, industrial, commercial, structural (for bridge pylons) or strategic purposes. One of the world's largest artificial islands, René-Levasseur Island, was formed by the flooding of two adjacent reservoirs. Technological advancements have made it feasible to build artificial islands in waters as deep as 75 meters. The size of the waves and the structural integrity of the island play a crucial role in determining the maximum depth.

In the prehistory of the Indian subcontinent, the Iron Age succeeded Bronze Age India and partly corresponds with the megalithic cultures of South India. Other Iron Age archaeological cultures of north India were the Painted Grey Ware culture (1300–300 BCE) and the Northern Black Polished Ware (700–200 BCE). This corresponds to the transition of the Janapadas or principalities of the Vedic period to the sixteen Mahajanapadas or region-states of the early historic period, culminating in the emergence of the Maurya Empire towards the end of the period.

The earliest evidence of iron smelting predates the emergence of the Iron Age proper by several centuries.

Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living.

The deposit of objects with an apparent aesthetic intention is found in almost all cultures – Hindu culture, which has little, is a notable exception. Many of the best-known artistic creations of past cultures – from the Egyptian pyramids and the Tutankhamun treasure, to the Terracotta Army surrounding the tomb of Qin Shi Huang, the Mausoleum of Halicarnassus, the Sutton Hoo ship burial and the Taj Mahal – are tombs or objects found in and around them. In most instances, specialized funeral art was produced for the powerful and wealthy, although the burials of ordinary people might include simple monuments and grave goods, usually from their possessions.

The Chalcolithic (also Eneolithic, Copper Age) period of Prehistoric Europe lasted roughly from 5000 to 2000 BC, developing from the preceding Neolithic period and followed by the Bronze Age.

It was a period of Megalithic culture, the appearance of the first significant economic stratification, and probably the earliest presence of Indo-European speakers.

A dolmen (/ˈdɒlmɛn/), or portal tomb, is a type of single-chamber megalithic tomb, usually consisting of two or more upright megaliths supporting a large flat horizontal capstone or "table". Most date from the Late Neolithic period (4000–3000 BCE) and were sometimes covered with earth or smaller stones to form a tumulus (burial mound). Small pad-stones may be wedged between the cap and supporting stones to achieve a level appearance. In many instances, the covering has eroded away, leaving only the stone "skeleton".

In Sumba (Indonesia), dolmens are still commonly built (about 100 dolmens each year) for collective graves according to lineage. The traditional village of Wainyapu has some 1,400 dolmens.