Medievalism in the context of "Jousting"

As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of high medieval and early modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the chanson de geste and other kinds of epic, in which masculine military heroism predominates."

Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel Don Quixote. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word medieval evokes knights, damsels in distress, dragons, and other romantic tropes.

William Morris (24 March 1834 – 3 October 1896) was an English textile designer, poet, artist, writer, and socialist activist associated with the British Arts and Crafts movement. He was a major contributor to the revival of traditional British textile arts and methods of production. His literary contributions helped to establish the modern fantasy genre, while he campaigned for socialism in fin de siècle Great Britain.

Morris was born in Walthamstow, Essex, to a wealthy middle-class family. He came under the strong influence of medievalism while studying classics at Oxford University, where he joined the Birmingham Set. After university, he married Jane Burden, and developed close friendships with Pre-Raphaelite artists and poets such as Dante Gabriel Rossetti, Algernon Charles Swinburne, and Edward Burne-Jones, as well as with Neo-Gothic architect Philip Webb. Webb and Morris designed Red House in Kent where Morris lived from 1859 to 1865, before moving to Bloomsbury, central London. In 1861, Morris founded the Morris, Marshall, Faulkner & Co. decorative arts firm with Burne-Jones, Rossetti, Webb, and others, which became highly fashionable and much in demand. The firm profoundly influenced interior decoration throughout the Victorian period, with Morris designing tapestries, wallpaper, fabrics, furniture, and stained glass windows. In 1875, he assumed total control of the company, which was renamed Morris & Co.

Charles-Marie-Photius Maurras (/mɔːˈrɑːs/; French: [ʃaʁl moʁas]; 20 April 1868 – 16 November 1952) was a French author, politician, poet and critic. He was an organiser and principal philosopher of Action Française, a political movement that was monarchist, medievalist, conservative, corporatist, integralist, nationalist, traditionalist, and counter-revolutionary. Maurras also held anti-capitalist, anti-communist, anti-liberal, anti-Masonic, anti-Nazi, anti-Protestant and antisemitic views. His ideas greatly influenced National Catholicism and integral nationalism, and led to the political doctrine of Maurrassisme.

Raised Roman Catholic, Maurras went deaf and became an agnostic in his youth, but remained anti-secularist and politically supportive of the Catholic Church. An Orléanist, he began his career by writing literary criticism and became politically active as a leading anti-Dreyfusard. In 1926 Pope Pius XI issued a controversial papal condemnation of Action Française, which was swiftly repealed by Pope Pius XII in 1939. Maurras was elected to the Académie Française in 1938, and later expelled in 1945.

Nicolae Iorga (17 January 1871 – 27 November 1940) was a Romanian historian, politician, literary critic, memoirist, albanologist, poet and playwright. Co-founder (in 1910) of the Democratic Nationalist Party (PND), he served as a member of Parliament, President of the Deputies' Assembly and Senate, cabinet minister and briefly (1931–32) as Prime Minister. A child prodigy, polymath and polyglot, Iorga produced an unusually large body of scholarly works, establishing his international reputation as a medievalist, Byzantinist, Latinist, Slavist, art historian and philosopher of history. Holding teaching positions at the University of Bucharest, the University of Paris and several other academic institutions, Iorga was founder of the International Congress of Byzantine Studies and the Institute of South-East European Studies (ISSEE). His activity also included the transformation of Vălenii de Munte town into a cultural and academic center.

In parallel with his academic contributions, Nicolae Iorga was a prominent right-of-centre activist, whose political theory bridged conservatism, Romanian nationalism, and agrarianism. From Marxist beginnings, he switched sides and became a maverick disciple of the Junimea movement. Iorga later became a leadership figure at Sămănătorul, the influential literary magazine with populist leanings, and militated within the League for the Cultural Unity of All Romanians [ro], founding vocally conservative publications such as Neamul Românesc, Drum Drept, Cuget Clar and Floarea Darurilor. His support for the cause of ethnic Romanians in Austria-Hungary made him a prominent figure in the pro-Entente camp by the time of World War I, and ensured him a special political role during the interwar existence of Greater Romania. Initiator of large-scale campaigns to defend Romanian culture in front of perceived threats, Iorga sparked most controversy with his antisemitic rhetoric, and was for long an associate of the far-right ideologue A. C. Cuza. He was an adversary of the dominant National Liberals, later involved with the opposition Romanian National Party.

Red House is a significant Arts and Crafts building located in Bexleyheath, south-east London, England. Co-designed in 1859 by the architect Philip Webb and the designer William Morris, it was created to serve as a family home for Morris. Construction was completed in 1860.

Following an education at the University of Oxford, Morris decided to construct a rural house for himself and his new wife, Jane Morris, within a commuting distance of central London. Purchasing a plot of land in what at the time was the village of Upton in Kent, he employed his friend Webb to help him design and construct the house, financing the project with money inherited from his wealthy family. Morris was deeply influenced by medievalism and medieval-inspired neo-Gothic styles are reflected throughout the building's design. It was constructed using Morris' ethos of craftsmanship and artisan skills and is an early example of what came to be known as the Arts and Crafts movement.

The Castle of Otranto is a novel by Horace Walpole. First published in 1764, it is generally regarded as the first Gothic novel. In the second edition, Walpole applied the word 'Gothic' to the novel in the subtitle – A Gothic Story. Set in a haunted castle, the novel merged medievalism and terror in a style that has endured ever since. The aesthetic of the book has shaped modern-day Gothic romance/horror books, films, art, music, and the Goth subculture.

Walpole was inspired to write the story after a nightmare he had at his Gothic Revival home, Strawberry Hill House, in Twickenham, southwest London. Claiming he saw a ghost in the nightmare—which featured a "gigantic hand in armour"—Walpole incorporated imagery from this into the novel, and also drew on his knowledge of medieval history.

Ivanhoe: A Romance (/ˈaɪvənhoʊ/ EYE-vən-hoh) by Walter Scott is a historical novel published in three volumes, in December 1819, as one of the Waverley novels. It marked a shift away from Scott's prior practice of setting stories in Scotland and in the more recent past. It became one of Scott's best-known and most influential novels.

Set in England in the Middle Ages, with colourful descriptions of a tournament, outlaws, a witch trial, and divisions between Jews and Christians, Normans and Saxons, the novel was credited by many, including Thomas Carlyle and John Ruskin, with inspiring increased interest in chivalric romance and medievalism. As John Henry Newman put it, Scott "had first turned men's minds in the direction of the Middle Ages". It was also credited with influencing contemporary popular perceptions of historical figures such as King Richard the Lionheart, Prince John, and Robin Hood.