Maus in the context of "Graphic novel"

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⭐ Core Definition: Maus

Maus, often published as Maus: A Survivor's Tale, is a graphic novel by American cartoonist Art Spiegelman, serialized from 1980 to 1991. It depicts Spiegelman interviewing his father about his experiences as a Polish Jew and Holocaust survivor. The work employs postmodern techniques, and represents Jews as mice, Germans as cats and Poles as pigs. Critics have classified Maus as memoir, biography, history, fiction, autobiography, or a mix of genres. In 1992, it became the first graphic novel to win a Pulitzer Prize.

In the frame-tale timeline in the narrative present that begins in 1978 in New York City, Spiegelman talks with his father, Vladek, about his Holocaust experiences, gathering material and information for the Maus project he is preparing. In the narrative past, Spiegelman depicts these experiences, from the years leading up to World War II to his parents' liberation from the Nazi concentration camps. Much of the story revolves around Spiegelman's troubled relationship with his father and the absence of his mother, who died by suicide when Spiegelman was 20. Her grief-stricken husband destroyed her written accounts of Auschwitz. The book uses a minimalist drawing style and displays innovation in its pacing, structure, and page layouts.

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👉 Maus in the context of Graphic novel

A graphic novel is a self-contained, book-length form of sequential art. The term graphic novel is often applied broadly, including fiction, non-fiction, and anthologized work, though this practice is highly contested by comics scholars and industry professionals. It is, at least in the United States, typically distinct from the term comic book, which is generally used for comics periodicals and trade paperbacks. It has also been described as a marketing term for comic books.

Fan historian Richard Kyle coined the term graphic novel in an essay in the November 1964 issue of the comics fanzine Capa-Alpha. The term gained popularity in the comics community after the publication of Will Eisner's A Contract with God (1978) and the start of the Marvel Graphic Novel line (1982) and became familiar to the public in the late 1980s after the commercial successes of the first volume of Art Spiegelman's Maus in 1986, the collected editions of Frank Miller's The Dark Knight Returns in 1986 and Alan Moore and Dave Gibbons' Watchmen in 1987. The Book Industry Study Group began using graphic novel as a category in book stores in 2001.

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Maus in the context of Art Spiegelman

Itzhak Avraham ben Zeev Spiegelman (/ˈspɡəlmən/ SPEE-gəl-mən; born February 15, 1948), professionally known as Art Spiegelman, is an American cartoonist, editor, and comics advocate best known for his graphic novel Maus. His work as co-editor on the comics magazines Arcade and Raw has been influential, and from 1992 he spent a decade as contributing artist for The New Yorker. He is married to designer and editor Françoise Mouly and is the father of writer Nadja Spiegelman. In September 2022, the National Book Foundation announced that he would receive the Medal for Distinguished Contribution to American Letters.

Spiegelman began his career with Topps (a bubblegum and trading card company) in the mid-1960s, which was his main financial support for two decades; there he co-created parodic series such as Wacky Packages in the 1960s and Garbage Pail Kids in the 1980s. He gained prominence in the underground comix scene in the 1970s with short, experimental, and often autobiographical work. A selection of these strips appeared in the collection Breakdowns in 1977, after which Spiegelman turned focus to the book-length Maus, about his relationship with his father, a Holocaust survivor. The postmodern book depicts Germans as cats, Jews as mice, ethnic Poles as pigs, and citizens of the United States as dogs. It took 13 years to create until its completion in 1991. In 1992 it won a special Pulitzer Prize and has gained a reputation as a pivotal work.

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