Maurus Servius Honoratus in the context of "Author"

In Greek mythology, the name Melanippe (Ancient Greek: Μελανίππη, romanized: Melaníppē, lit. 'black mare') referred to several different people:

• Melanippe, daughter of the Centaur Chiron. Also known as Hippe or Euippe. She bore a daughter to Aeolus, Melanippe or Arne (see below). She escaped to Mount Pelion so that her father would not find out that she was pregnant, but, being searched for, she prayed to Artemis asking for assistance, and the goddess transformed her into a mare. Other accounts state that the transformation was a punishment for her having scorned Artemis, or for having divulged the secrets of gods. She was later placed among the stars.
• Melanippe, daughter of Aeolus and the precedent Melanippe (or else daughter of Hippotes or of Desmontes).
• Melanippe, a Aetolian princess as the daughter of King Oeneus of Calydon and Althaea, daughter of King Thestius of Pleuron. As one of the Meleagrids, she was turned into a guinea fowl by Artemis after the death of her brother, Meleager.
• Melanippe, an Amazon, sister of Hippolyta, Penthesilea and Antiope, daughter of Ares. Heracles captured her and demanded Hippolyte's girdle in exchange for her freedom. Hippolyte complied and Heracles let her go. Some say that it was Melanippe whom Theseus abducted and married. Yet others relate that she was killed by Telamon.
• Melanippe, wife of Hippotes, son of Mimas, himself son of Aeolus, and the mother of another Aeolus.
• Melanippe, a nymph who married Itonus, son of Amphictyon.
• Melanippe, possible wife of King Chalcodon of Euboea and mother of Elephenor.
• Melanippe, an emendation for "Medippe" (name of one of the sacrificial victims of Minotaur) in Servius' commentaries on Aeneid.

In ancient Roman mythology, Salacia (/səˈleɪʃə/ sə-LAY-shə, Latin: [saˈɫaːkia]) was the female divinity of the sea, worshipped as the goddess of salt water who presided over the depths of the ocean. Neptune was her consort. That Salacia was the consort of Neptune is implied by Varro, and is positively affirmed by Seneca, Augustine and Servius. She is identified with the Greek goddess Amphitrite, consort of Poseidon, or Tethys who was also a marine deity.

The god Neptune wanted to marry Salacia, but she was in great awe of her distinguished suitor, and to preserve her virginity, with grace and celerity she managed to glide out of his sight, and hid from him in the Atlantic Ocean. The grieving Neptune sent a dolphin to look for her and persuade the fair nymph to return and share his throne. Salacia agreed to marry Neptune and the King of the Deep was so overjoyed at these good tidings that the dolphin was awarded a place in the heavens, where he now forms a well known constellation Delphinus.

The Erinyes (/ɪˈrɪni.iːz/ ih-RI-nee-eez; Ancient Greek: Ἐρινύες, sg. Ἐρινύς Erinys), also known as the Eumenides (Εὐμενίδες, the "Gracious ones"), are chthonic goddesses of vengeance in ancient Greek religion and mythology. A formulaic oath in the Iliad invokes them as "the Erinyes, that under earth take vengeance on men, whosoever hath sworn a false oath". Walter Burkert suggests that they are "an embodiment of the act of self-cursing contained in the oath". Their Roman counterparts are the Furies, also known as the Dirae. The Roman writer Maurus Servius Honoratus (c. 400 AD) wrote that they are called "Eumenides" in hell, "Furiae" on Earth, and "Dirae" in heaven. Erinyes are akin to some other Greek deities, called Poenai.

According to Hesiod's Theogony, when the Titan Cronus castrated his father, Uranus, and threw his genitalia into the sea, the Erinyes (along with the Giants and the Meliae) emerged from the drops of blood which fell on the Earth (Gaia), while Aphrodite was born from the crests of sea foam. Apollodorus also reports this lineage. According to variant accounts, they are the daughters of Nyx ('Night'), while in Virgil's Aeneid, they are daughters of Pluto and Nox (the Roman name for Nyx). In some accounts, they were the daughters of Eurynome (a name for Earth) and Cronus, or of Earth and Phorcys (i.e., the sea). In Orphic literature, they are the daughters of Hades and Persephone.

There are several figures in Greek mythology named Manto /ˈmæntoʊ/ (Ancient Greek: Μαντώ), the most prominent being the daughter of Tiresias. The name Manto derives from Ancient Greek Mantis, "seer, prophet".

• Manto, daughter of Tiresias.
• Manto, daughter of Heracles. According to Servius (comm. on Virgil, Aeneid X, 199), some held that this was the Manto for whom Mantua was named.
• Manto, daughter of the seer Polyidus. She and her sister Astycrateia were brought to Megara by their father, who came there to cleanse Alcathous for the murder of his son Callipolis. The tomb of the two sisters was shown at Megara in later times.
• Manto, daughter of another famous seer, Melampus. Her mother was Iphianeira, daughter of Megapenthes, and her siblings were Antiphates, Bias and Pronoe.
• Manto is remembered in De Mulieribus Claris, a collection of biographies of historical and mythological women by the Florentine author Giovanni Boccaccio, composed in 1361–62. It is notable as the first collection devoted exclusively to biographies of women in Western literature.

In ancient Roman religion, Inuus (Classical Latin: [ˈɪnuʊs]) was a god, or aspect of a god, who embodied sexual intercourse. The evidence for him as a distinct entity is scant. Maurus Servius Honoratus wrote that Inuus is an epithet of Faunus (Greek Pan), named from his habit of intercourse with animals, based on the etymology of ineundum, "a going in, penetration," from inire, "to enter" in the sexual sense. Other names for the god were Fatuus and Fatuclus (with a short a).

Walter Friedrich Otto disputed the traditional etymology and derived Inuus instead from in-avos, "friendly, beneficial" (cf. aveo, "to be eager for, desire"), for the god's fructifying power.

In classical Latin, the epithet Indiges, singular in form, is applied to Sol (Sol Indiges) and to Jupiter of Lavinium, later identified with Aeneas. One theory holds that it means the "speaker within", and stems from before the recognition of divine persons. Another, which the Oxford Classical Dictionary holds more likely, is that it means "invoked" in the sense of "pointing at", as in the related word indigitamenta.

In Augustan literature, the di indigites are often associated with di patrii and appear in lists of local divinities (that is, divinities particular to a place). Servius noted that Praeneste had its own indigetes.

In ancient Roman religion, a lucus ([ˈɫ̪uː.kʊs], plural lucī) is a sacred grove.

Lucus was one of four Latin words meaning in general "forest, woodland, grove" (along with nemus, silva, and saltus), but unlike the others it was primarily used as a religious designation, meaning "sacred grove". Servius defines the lucus as "a large number of trees with a religious significance," as distinguished from the silva, a natural forest, and a nemus, an arboretum that is not consecrated. A saltus usually implied a wilderness area with varied topographical features.

Hortensius (Latin: [hɔrˈtẽːsi.ʊs]) or On Philosophy is a lost dialogue written by Marcus Tullius Cicero in the year 45 BC. The dialogue—which is named after Cicero's friendly rival and associate, the speaker and politician Quintus Hortensius Hortalus—took the form of a protreptic. In the work, Cicero, Hortensius, Quintus Lutatius Catulus, and Lucius Licinius Lucullus discuss the best use of one's leisure time. At the conclusion of the work, Cicero argues that the pursuit of philosophy is the most important endeavor.

While the dialogue was extremely popular in Classical Antiquity, the dialogue only survived into the sixth century AD before it was lost. Today, it is extant in the fragments preserved by the prose writer Martianus Capella, the grammarians Maurus Servius Honoratus and Nonius Marcellus, the early Christian author Lactantius, and the Church Father Augustine of Hippo (the latter of whom explicitly credits the Hortensius with encouraging him to study the tenets of philosophy).