Epithet in the context of "Inuus"

Athena or Athene, often given the epithet Pallas, is an ancient Greek goddess associated with wisdom, warfare, and handicraft who was later syncretized with the Roman goddess Minerva. Athena was regarded as the patron and protectress of various cities across Greece, particularly the city of Athens, from which she most likely received her name. The Parthenon on the Acropolis of Athens is dedicated to her. Her major symbols include owls, olive trees, snakes, and the Gorgoneion. In art, she is generally depicted wearing a helmet and holding a spear.

From her origin as an Aegean palace goddess, Athena was closely associated with the city. She was known as Polias and Poliouchos (both derived from polis, meaning "city-state"), and her temples were usually located atop the fortified acropolis in the central part of the city. The Parthenon on the Athenian Acropolis is dedicated to her, along with numerous other temples and monuments. As the patron of craft and weaving, Athena was known as Ergane. She was also a warrior goddess, and was believed to lead soldiers into battle as Athena Promachos. Her main festival in Athens was the Panathenaia, which was celebrated during the month of Hekatombaion in midsummer and was the most important festival on the Athenian calendar.

Religious practices in ancient Greece encompassed a collection of beliefs, rituals, and mythology, in the form of both popular public religion and cult practices. The application of the modern concept of "religion" to ancient cultures has been questioned as anachronistic. The ancient Greeks did not have a word for 'religion' in the modern sense. Likewise, no Greek writer is known to have classified either the gods or the cult practices into separate 'religions'. Instead, for example, Herodotus speaks of the Hellenes as having "common shrines of the gods and sacrifices, and the same kinds of customs".

Most ancient Greeks recognized the twelve major Olympian gods and goddesses—Zeus, Hera, Poseidon, Demeter, Athena, Ares, Aphrodite, Apollo, Artemis, Hephaestus, Hermes, and either Hestia or Dionysus—although philosophies such as Stoicism and some forms of Platonism used language that seems to assume a single transcendent deity. The worship of these deities, and several others, was found across the Greek world, though they often have different epithets that distinguished aspects of the deity, and often reflect the absorption of other local deities into the pan-Hellenic scheme.

In ancient Greece, deities were regarded as immortal, anthropomorphic, and powerful. They were conceived of as individual persons, rather than abstract concepts or notions, and were described as being similar to humans in appearance, albeit larger and more beautiful. The emotions and actions of deities were largely the same as those of humans; they frequently engaged in sexual activity, and were jealous and amoral. Deities were considered far more knowledgeable than humans, and it was believed that they conversed in a language of their own. Their immortality, the defining marker of their godhood, meant that they ceased aging after growing to a certain point. In place of blood, their veins flowed with ichor, a substance which was a product of their diet, and conferred upon them their immortality. Divine power allowed the gods to intervene in mortal affairs in various ways: they could cause natural events such as rain, wind, the growing of crops, or epidemics, and were able to dictate the outcomes of complex human events, such as battles or political situations.

As ancient Greek religion was polytheistic, a multiplicity of gods were venerated by the same groups and individuals. The identity of a deity was demarcated primarily by their name, which could be accompanied by an epithet (a title or surname); religious epithets could refer to specific functions of a god, to connections with other deities, or to a divinity's local forms. The Greeks honoured the gods by means of worship, as they believed deities were capable of bringing to their lives positive outcomes outside their own control. Greek cult, or religious practice, consisted of activities such sacrifices, prayers, libations, festivals, and the building of temples. By the 8th century BC, most deities were honoured in sanctuaries (temenē), sacred areas which often included a temple and dining room, and were typically dedicated to a single deity. Aspects of a god's cult such as the kinds of sacrifices made to them and the placement of their sanctuaries contributed to the distinct conception worshippers had of them.

Marcus Porcius Cato (/ˈkɑːtoʊ/, KAH-toe; 234–149 BC), also known as Cato the Censor (Latin: Censorius), the Elder and the Wise, was a Roman soldier, senator, and historian known for his conservatism and opposition to Hellenization. He was the first to write history in Latin with his Origines, a now fragmentary work on the history of Rome. His work De agri cultura, a treatise on agriculture, rituals, and recipes, is the oldest extant prose written in the Latin language. His epithet "Elder" distinguishes him from his great-grandson Senator Cato the Younger, who opposed Julius Caesar.

He came from an ancient plebeian family who were noted for their military service. Like his forefathers, Cato was devoted to agriculture when not serving in the army. Having attracted the attention of Lucius Valerius Flaccus, he was brought to Rome. He was successively military tribune (214 BC), quaestor (204), aedile (199), praetor (198), consul (195) together with Flaccus, and censor (184). As praetor, he expelled usurers from Sardinia. As censor, he tried to save Rome's ancestral customs and combat Hellenistic influences.

The epiclesis (also spelled epiklesis; from Ancient Greek: ἐπίκλησις, lit. 'surname' or 'invocation') refers to the invocation of one or several gods. In ancient Greek religion, the epiclesis was the epithet used as the surname given to a deity in religious contexts. The term was borrowed into the Christian tradition, where it designates the part of the Anaphora (Eucharistic Prayer) by which the priest invokes the Holy Spirit (or the power of God's blessing) upon the Eucharistic bread and wine in some Christian churches. In most Eastern Christian traditions, the Epiclesis comes after the Anamnesis (remembrance of Jesus' words and deeds); in the Western Rite it usually precedes. In the historic practice of the Western Christian Churches, the consecration is effected at the Words of Institution, though during the rise of the Liturgical Movement, many denominations introduced an explicit epiclesis in their liturgies.

Aphrodite (/ˌæfrəˈdaɪtiː/ , AF-rə-DY-tee) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretised Roman counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of sacred prostitution in Greco-Roman culture, an idea which is now generally seen as erroneous.

A major goddess in the Greek pantheon, Aphrodite featured prominently in ancient Greek literature. According to many sources, like Homer's Iliad and Sappho's Ode to Aphrodite, she is the daughter of Zeus and Dione. In Hesiod's Theogony, however, Aphrodite is born off the coast of Cythera from the foam (ἀφρός, aphrós) produced by Uranus's genitals, which his son Cronus had severed and thrown into the sea. In his Symposium, Plato asserts that these two origins actually belong to separate entities; Aphrodite Urania (a transcendent "Heavenly" Aphrodite, who "partakes not of the female but only of the male", with Plato describing her as inspiring love between men, but having nothing to do with the love of women) and Aphrodite Pandemos (Aphrodite common to "all the people" who Plato described as "wanton", to contrast her with the virginal Aphrodite Urania, who did not engage in sexual acts at all. Pandemos inspired love between men and women, unlike her older counterpart). The epithet Aphrodite Areia (the "Warlike") reveals her contrasting nature in ancient Greek religion. Aphrodite had many other epithets, each emphasizing a different aspect of the same goddess or used by a different local cult. Thus she was also known as Cytherea (Lady of Cythera) and Cypris (Lady of Cyprus), because both locations claimed to be the place of her birth. Sappho's Ode to Aphrodite is one of the earliest poems dedicated to the goddess and survives from the Archaic period nearly complete.

In Greek and Roman mythology, Odysseus (/əˈdɪsiəs/ ə-DISS-ee-əs; Ancient Greek: Ὀδυσσεύς, Ὀδυσεύς, romanized: Odysseús, Odyseús, IPA: [o.dy(s).sěu̯s]), also known by the Latin variant Ulysses (/juːˈlɪsiːz/ yoo-LISS-eez, UK also /ˈjuːlɪsiːz/ YOO-liss-eez; Latin: Ulysses, Ulixes), is a legendary Greek king of Ithaca and the hero of Homer's epic poem, the Odyssey. Odysseus also plays a key role in Homer's Iliad and other works in that same epic cycle.

As the son of Laërtes and Anticlea, husband of Penelope, and father of Telemachus, Acusilaus, and Telegonus, Odysseus is renowned for his intellectual brilliance, guile, and versatility (polytropos), and he is thus known by the epithet Odysseus the Cunning (Ancient Greek: μῆτις, romanized: mêtis, lit. 'cunning intelligence'). He is most famous for his nostos, or "homecoming", which took him ten eventful years after the decade-long Trojan War.