Mauritshuis in the context of The Hague dialect

The Garden of Eden with the Fall of Man or The Earthly Paradise with the Fall of Adam and Eve (ca. 1615) is a painting by Peter Paul Rubens (figures) and Jan Brueghel the Elder (flora and fauna). It is housed in the Mauritshuis art museum in The Hague, Netherlands. The painting depicts the moment just before the consumption of forbidden fruit and the fall of man.

Adam and Eve are depicted beneath the tree of the knowledge of good and evil, where various fruits grow. On the opposite side the tree of life is depicted, also laden with fruits.

Jacob van Campen (2 February 1596 — 13 September 1657) was a Dutch artist and architect of the Golden Age.

View of Delft (Dutch: Zicht op Delft) is an oil painting by Johannes Vermeer, painted c. 1659–1661. The painting of the Dutch artist's hometown is among his best known. It is one of three known paintings of Delft by Vermeer, along with The Little Street and the lost painting House Standing in Delft, and his only cityscape. According to art historian Emma Barker, cityscapes across water, which were popular in the Netherlands at the time, celebrated the city and its trade. Vermeer's View of Delft has been held in the Dutch Royal Cabinet of Paintings at the Mauritshuis in The Hague since its establishment in 1822.

The painting was featured in the 1980 BBC Two series 100 Great Paintings.

The Young Bull (Dutch: De jonge stier) or The Bull (Dutch: De stier) is an oil painting of a bull by Paulus Potter. It is in the collection of the Mauritshuis in The Hague in the Netherlands.

At about life-size, this is an unusually monumental animal painting that challenges the hierarchy of genres by its almost heroic treatment of an animal. The large size allows space for very detailed realism, including a number of flies, that was both admired and criticised, especially in the 19th century.

The Aethiopica (/ˌiːθiˈoʊpɪkə/; Ancient Greek: Αἰθιοπικά, Aithiopiká, 'Ethiopian Stories') or Theagenes and Chariclea (/θiˈædʒəˌniːz ... ˌkærɪˈkliːə/; Ancient Greek: Θεαγένης καὶ Χαρίκλεια, Theagénēs kaì Kharíkleia) is an ancient Greek novel which has been dated to the 220s or 370s AD. It was written by Heliodorus of Emesa and is his only known work.

Still Life with Cheeses, Almonds and Pretzels (Dutch: Stilleven met kazen, amandelen en krakelingen) is a painting by the Flemish artist Clara Peeters, c. 1615. It is a still life, painted in oils on a wooden panel, measuring 34.5 cm × 49.5 cm (13.6 in × 19.5 in). Peeters has painted her signature in the handle of the silver bridal knife. The painting is displayed in the Mauritshuis museum in The Hague.

Clara Peeters (Dutch pronunciation: [ˈklaːraː ˈpeːtərs]; fl. 1607–1621) was a Flemish still-life painter from Antwerp who worked in both the Spanish Netherlands and Dutch Republic.

Peeters is the best-known female Flemish artist of this era and one of the few women artists working professionally in seventeenth-century Europe, despite restrictions on women's access to artistic training and membership in guilds. Peeters specialized in still-life paintings with food and was prominent among the artists who shaped the traditions of the Netherlandish ontbijtjes, "breakfast pieces," scenes of food and simple vessels, and banketjes, "banquet pieces" with expensive cups and vessels in precious metals.

The Hofvijver (Dutch pronunciation: [ˈɦɔˌfɛivər]; English: Court Pond) is a small lake in the centre of The Hague, Netherlands. It is adjoined in the east by the Korte Vijverberg road, in the south by the Binnenhof and the Mauritshuis, in the west by the Buitenhof and in the north by the Lange Vijverberg road. In the middle there is an islet with plants and trees which has no name; it is usually referred to as "the island in the Vijverberg".

Girl with a Pearl Earring (Dutch: Meisje met de parel) is an oil painting by Dutch Golden Age painter Johannes Vermeer, dated c. 1665. Going by various names over the centuries, it acquired its present title towards the end of the 20th century. The work has been in the collection of the Mauritshuis in The Hague since 1902 and has been the subject of various literary and cinematic treatments.