Maurice Merleau-Ponty in the context of "Luce Irigaray"

⭐ In the context of Luce Irigaray's work, Maurice Merleau-Ponty's philosophical ideas are most directly addressed through her analysis of…

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⭐ Core Definition: Maurice Merleau-Ponty

Maurice Jean Jacques Merleau-Ponty (/ˌmɜːrl ˈpɒnti/ MUR-loh PON-tee; French: [mɔʁis mɛʁlo pɔ̃ti]; 14 March 1908 – 3 May 1961) was a French phenomenological philosopher, strongly influenced by Edmund Husserl and Martin Heidegger. The constitution of meaning in human experience was his main interest and he wrote on perception, art, politics, religion, biology, psychology, psychoanalysis, language, nature, and history. He was the lead editor of Les Temps modernes, the leftist magazine he established with Jean-Paul Sartre and Simone de Beauvoir in 1945.

At the core of Merleau-Ponty's philosophy is a sustained argument for the foundational role that perception plays in the human experience of the world. Merleau-Ponty understands perception to be an ongoing dialogue between one's lived body and the world which it perceives, in which perceivers passively and actively strive to express the perceived world in concert with others. He was the only major phenomenologist of the first half of the twentieth century to engage extensively with the sciences. It is through this engagement that his writings became influential in the project of naturalising phenomenology, in which phenomenologists use the results of psychology and cognitive science.

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👉 Maurice Merleau-Ponty in the context of Luce Irigaray

Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst, and cultural theorist who examines the uses and misuses of language in relation to women. She is considered one of the founders of French difference feminism.

Irigaray's first and most well known book, published in 1974, was Speculum of the Other Woman (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Irigaray is the author of works analyzing many thinkers, including This Sex Which Is Not One (1977), which discusses Lacan's work as well as political economy; Elemental Passions (1982) can be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible, and in The Forgetting of Air in Martin Heidegger (1999), Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air.

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Maurice Merleau-Ponty in the context of Interpretative phenomenological analysis

Interpretative phenomenological analysis (IPA) is a qualitative form of psychology research. IPA has an idiographic focus, which means that instead of producing generalization findings, it aims to offer insights into how a given person, in a given context, makes sense of a given situation. Usually, these situations are of personal significance; examples might include a major life event, or the development of an important relationship. IPA has its theoretical origins in phenomenology and hermeneutics, and many of its key ideas are inspired by the work of Edmund Husserl, Martin Heidegger, and Maurice Merleau-Ponty. IPA's tendency to combine psychological, interpretative, and idiographic elements is what distinguishes it from other approaches to qualitative, phenomenological psychology.

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Maurice Merleau-Ponty in the context of Les Temps modernes

Les Temps Modernes (lit.'Modern Times') was a French journal, founded by Simone de Beauvoir, Jean-Paul Sartre, and Maurice Merleau-Ponty. Its first issue was published in October 1945. It was named after the 1936 film by Charlie Chaplin.

Les Temps Modernes filled the void left by the disappearance of the most important pre-war literary magazine, La Nouvelle Revue Française (The New French Review), considered to be André Gide's magazine, which was shut down by the authorities after the liberation of France because of its collaboration with the occupation.

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