Matthias Stom in the context of "Passion of Jesus"

โญ In the context of the Passion, Matthias Stom is considered to be most closely associated with depictions ofโ€ฆ

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โญ Core Definition: Matthias Stom

Matthias Stom or Matthias Stomer (c.โ€‰1600 โ€“ after 1652) was a Dutch, or possibly Flemish, painter who is only known for the works he produced during his residence in Italy. He was influenced by the work of non-Italian followers of Caravaggio in Italy, in particular his Dutch followers often referred to as the Utrecht Caravaggists, as well as by Jusepe de Ribera and Peter Paul Rubens. He did not share the other Northern Caravaggisti's preference for humorous, and sometimes scabrous, genre scenes and elaborate decorative allegories but favored stories from the bible instead. He worked in various locations in Italy where he enjoyed the patronage of religious institutions as well as prominent members of the nobility.

Whereas in the past the artist was usually referred to as Stomer, it is now believed that his actual name was Stom, as this is the name he used as his signature. It was suggested before that his name 'Stom', which means 'dumb' in Dutch, was given to the artist as a nickname on the assumption that he suffered from this disability. However, there is no evidence for this thesis.

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๐Ÿ‘‰ Matthias Stom in the context of Passion of Jesus

The Passion (from Latin patior, "to suffer, bear, endure") is the short final period before the death of Jesus, described in the four canonical gospels. It is commemorated in Christianity every year during Holy Week.

The Passion may include, among other events, Jesus's triumphal entry into Jerusalem, his cleansing of the Temple, his anointing, the Last Supper, his agony, his arrest, his trial before the Sanhedrin and his trial before Pontius Pilate, his crucifixion and death, and his burial. Those parts of the four canonical Gospels that describe these events are known as the Passion narratives. In some Christian communities, commemoration of the Passion also includes remembrance of the sorrow of Mary, the mother of Jesus, on the Friday of Sorrows.

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Matthias Stom in the context of Nativity of Jesus

The Nativity or birth of Jesus Christ is found in the biblical gospels of Matthew and Luke. The two accounts agree that Jesus was born in Bethlehem, modern day Palestine, in Roman-controlled Judea, that his mother, Mary, was engaged to a man named Joseph, who was descended from King David and was not his biological father, and that his birth was caused by divine intervention. The majority of contemporary scholars do not see the two canonical gospel Nativity stories as historically factual since they present clashing accounts and irreconcilable genealogies. The secular history of the time does not synchronize with the narratives of the birth and early childhood of Jesus in the two gospels. Some view the question of historicity as secondary, given that gospels were primarily written as theological documents rather than chronological timelines.

The Nativity is the basis for the Christian holiday of Christmas and plays a major role in the Christian liturgical year. Many Christians traditionally display small manger scenes depicting the Nativity within or outside of their homes, or attend Nativity plays or Christmas pageants focusing on the Nativity cycle in the Bible. Elaborate Nativity displays featuring life-sized statues are a tradition in many continental European countries during the Christmas season.

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