Peter Paul Rubens in the context of "Matthias Stom"

Conquest involves the annexation or control of another entity's territory through war or coercion. Historically, conquests occurred frequently in the international system, and there were limited normative or legal prohibitions against conquest.

The onset and diffusion of nationalism (the belief that nation and state should be congruent), especially in the 19th century, made the idea of conquest increasingly unacceptable to popular opinion. Prohibitions against conquest were codified with the establishment of the League of Nations following World War I and of the United Nations at the end of World War II.

Theophany (Ancient Greek: θεοφάνεια, romanized: theopháneia, lit. 'appearance of a deity') is an encounter with a deity that manifests in an observable and tangible form. It is often confused with other types of encounters with a deity, but these interactions are not considered theophanies unless the deity reveals itself in a visible form. Traditionally, the term "theophany" was used to refer to appearances of the gods in ancient Greek and Near Eastern religions. While the Iliad is the earliest source for descriptions of theophanies in classical antiquity, the first description appears in the Epic of Gilgamesh.

In numerous creation stories, a deity or deities speak with many kinds of animals, often prior to the formation of dry land on earth.

Glory is high renown, praise, and honor obtained by notable achievements, and based in extensive common consent. In Greek culture, fame and glory were highly considered, as is explained in The Symposium, one of Plato's dialogs.

Federico Barocci (also written Barozzi) (c. 1535 – 30 September 1612) was an Italian Renaissance painter and printmaker. His original name was Federico Fiori, and he was nicknamed Il Baroccio. His work was highly esteemed and influential, and foreshadows the Baroque of Rubens. He is generally considered the greatest and most individual painter of his time in central Italy.

The Galleria Borghese or Borghese Gallery is an art gallery in Rome, Italy, housed in the former Villa Borghese Pinciana. At the outset, the gallery building was integrated with its gardens, but nowadays the Villa Borghese gardens are considered a separate tourist attraction. The Galleria Borghese houses a substantial part of the Borghese Collection of paintings, sculpture and antiquities, begun by Cardinal Scipione Borghese, the nephew of Pope Paul V (reign 1605–1621). The building was constructed by the architect Flaminio Ponzio, developing sketches by Scipione Borghese himself, who used it as a villa suburbana, a country villa at the edge of Rome.

The museum displays one of the most prestigious art collections in the world, with masterpieces by artists such as Caravaggio, Bernini, Canova, Raphael and Titian. Scipione Borghese was an early patron of Bernini and an avid collector of works by Caravaggio, who is well represented in the collection by his Boy with a Basket of Fruit, St Jerome Writing, Sick Bacchus and others. Additional paintings of note include Titian's Sacred and Profane Love, Raphael's Entombment of Christ and works by Peter Paul Rubens and Federico Barocci. Considered among the greatest masterpieces of Italian art, some of these works show the evolution of art between the Renaissance, the Baroque and the Neoclassicism, artistic movements born in the Italian peninsula and subsequently spread throughout Europe.

Murder is the unlawful killing of another human without justification or valid excuse committed with the necessary intention as defined by the law in a specific jurisdiction. This state of mind may, depending upon the jurisdiction, distinguish murder from other forms of unlawful homicide, such as manslaughter. Manslaughter is killing committed in the absence of malice, such as in the case of voluntary manslaughter brought about by reasonable provocation, or diminished capacity. Involuntary manslaughter, where it is recognized, is a killing that lacks all but the most attenuated guilty intent, recklessness.

Most societies consider murder to be an extremely serious crime, and thus believe that a person convicted of murder should receive harsh punishments for the purposes of retribution, deterrence, rehabilitation, or incapacitation. In most countries, a person convicted of murder generally receives a long-term prison sentence, a life sentence, or capital punishment. Some countries, states, and territories, including the United Kingdom and other countries with English-derived common law, mandate life imprisonment for murder, whether it is subdivided into first-degree murder or otherwise.

In Greek mythology, Tereus (/ˈtɛriəs, ˈtɪərjuːs/; Ancient Greek: Τηρεύς) was a Thracian king, the son of Ares and the naiad Bistonis. He was the brother of Dryas. Tereus was the husband of the Athenian princess Procne and the father of Itys.

A hierarchy of genres is any formalization which ranks different genres in an art form in terms of their prestige and cultural value.

In literature, the epic was considered the highest form, for the reason expressed by Samuel Johnson in his Life of John Milton: "By the general consent of criticks, the first praise of genius is due to the writer of an epick poem, as it requires an assemblage of all the powers which are singly sufficient for other compositions." Below that came lyric poetry, and comic poetry, with a similar ranking for drama. The novel took a long time to establish a firm place in the hierarchy, doing so only as belief in any systematic hierarchy of forms expired in the 19th century.

In art, a study is a drawing, sketch or painting done in preparation for a finished piece, as visual notes, or as practice. Studies are often used to understand the problems involved in rendering subjects and to plan the elements to be used in finished works, such as light, color, form, perspective and composition. Studies can have more impact than more-elaborately planned work, due to the fresh insights the artist gains while exploring the subject. The excitement of discovery can give a study vitality. When layers of the work show changes the artist made as more was understood, the viewer shares more of the artist's sense of discovery. Written notes alongside visual images add to the import of the piece as they allow the viewer to share the artist's process of getting to know the subject.

Studies inspired some of the first 20th century conceptual art, where the creative process itself becomes the subject of the piece. Since the process is what is all-important in studies and conceptual art, the viewer may be left with no material object of art.