Mathematical beauty in the context of "Proof without words"

Pure mathematics is the study of mathematical concepts independently of any application outside mathematics. These concepts may originate in real-world concerns, and the results obtained may later turn out to be useful for practical applications, but pure mathematicians are not primarily motivated by such applications. Instead, the appeal is attributed to the intellectual challenge and aesthetic beauty of working out the mathematical consequences of basic principles.

While pure mathematics has existed as an activity since at least ancient Greece, the concept was elaborated upon around the year 1900, after the introduction of theories with counter-intuitive properties (such as non-Euclidean geometries and Cantor's theory of infinite sets), and the discovery of apparent paradoxes (such as continuous functions that are nowhere differentiable, and Russell's paradox). This introduced the need to renew the concept of mathematical rigor and rewrite all mathematics accordingly, with a systematic use of axiomatic methods. This led many mathematicians to focus on mathematics for its own sake, that is, pure mathematics.

Physical art, as contrasted with conceptual art, refers to art that entirely exists in physical reality, in space and time. Its ontological status is that it is a physical object. The art is concretely realized but may be abstract in nature. For example, a painting, sculpture, or performance exists in the physical world. This is contrasted to conceptual art, some but not all kinds of performance art, computer software, or objects of mathematical beauty, such as a mathematical proof, which do not exist in the mental world or in physical world, but have other ontological status, such as in Plato's world of ideals. Here, the art may be realized in the physical world, such as a mathematical proof written on a chalkboard, but refer to objects that exists in the mind as concepts, not physical objects. A music performance is physical, while the composition, like computer software, is not.

Mathematics and art are related in a variety of ways. Mathematics has itself been described as an art motivated by beauty. Mathematics can be discerned in arts such as music, dance, painting, architecture, sculpture, and textiles. This article focuses, however, on mathematics in the visual arts.

Mathematics and art have a long historical relationship. Artists have used mathematics since the 4th century BC when the Greek sculptor Polykleitos wrote his Canon, prescribing proportions conjectured to have been based on the ratio 1:√2 for the ideal male nude. Persistent popular claims have been made for the use of the golden ratio in ancient art and architecture, without reliable evidence. In the Italian Renaissance, Luca Pacioli wrote the influential treatise De divina proportione (1509), illustrated with woodcuts by Leonardo da Vinci, on the use of the golden ratio in art. Another Italian painter, Piero della Francesca, developed Euclid's ideas on perspective in treatises such as De Prospectiva Pingendi, and in his paintings. The engraver Albrecht Dürer made many references to mathematics in his work Melencolia I. In modern times, the graphic artist M. C. Escher made intensive use of tessellation and hyperbolic geometry, with the help of the mathematician H. S. M. Coxeter, while the De Stijl movement led by Theo van Doesburg and Piet Mondrian explicitly embraced geometrical forms. Mathematics has inspired textile arts such as quilting, knitting, cross-stitch, crochet, embroidery, weaving, Turkish and other carpet-making, as well as kilim. In Islamic art, symmetries are evident in forms as varied as Persian girih and Moroccan zellige tilework, Mughal jali pierced stone screens, and widespread muqarnas vaulting.

Frank Anthony Wilczek (/ˈvɪltʃɛk/ or /ˈwɪltʃɛk/; born May 15, 1951) is an American theoretical physicist, mathematician and Nobel laureate. He is the Herman Feshbach Professor of Physics at the Massachusetts Institute of Technology (MIT), Founding Director of T. D. Lee Institute and Chief Scientist at the Wilczek Quantum Center, Shanghai Jiao Tong University (SJTU), distinguished professor at Arizona State University (ASU) during February and March and full professor at Stockholm University.

Wilczek, along with David Gross and H. David Politzer, was awarded the Nobel Prize in Physics in 2004 "for the discovery of asymptotic freedom in the theory of the strong interaction". In May 2022, he was awarded the Templeton Prize for his "investigations into the fundamental laws of nature, that has transformed our understanding of the forces that govern our universe and revealed an inspiring vision of a world that embodies mathematical beauty."