Master craftsman in the context of "Atelier"

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⭐ Core Definition: Master craftsman

Historically, a master craftsman or master tradesman (sometimes called only master or grandmaster) was a member of a guild. The title survives as the highest professional qualification in craft industries.

In the European guild system, only masters and journeymen were allowed to be members of the guild. An aspiring master would have to pass through the career chain from apprentice to journeyman before he could be elected to become a master craftsman. He would then have to produce a sum of money and a masterpiece before he could actually join the guild. If the masterpiece was not accepted by the masters, he was prohibited to join the guild and possibly remained a journeyman for the rest of his life.

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Master craftsman in the context of Magnum opus

A masterpiece, magnum opus (Latin for 'great work'), or chef-d'œuvre (French for 'master of work'; pl.chefs-d'œuvre; French: [ʃɛ.d‿œvʁ]) is a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or a work of outstanding creativity, skill, profundity, or workmanship.

Historically, a "masterpiece" was a work of a very high standard produced by an apprentice to obtain full membership, as a "master", of a guild or academy in various areas of the visual arts and crafts.

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Master craftsman in the context of Watchmaker

A watchmaker is an artisan who makes and repairs watches. Since many watches are now factory-made, some modern watchmakers only repair watches. However, they were originally master craftsmen who built watches, including all their parts, by hand. Modern watchmakers, when required to repair older watches, for which replacement parts may not be available, must have fabrication skills, and can typically manufacture replacements for many of the parts found in a watch. The term clockmaker refers to an equivalent occupation specializing in clocks.

Most practising professional watchmakers service current or recent production watches. They rarely fabricate replacement parts. Instead they obtain and fit factory spare parts applicable to the watch brand being serviced. The majority of modern watchmakers, particularly in Switzerland and other countries in Europe, work directly for the watchmaking industry and may have completed a formal watchmaking degree at a technical school. They also receive in-house "brand" training at the factory or service center where they are employed. However, some factory service centers have an approach that allows them to use 'non-watchmakers' (called "opérateurs") who perform only one aspect of the repair process. These highly skilled workers do not have a watchmaking degree or certificate, but are specifically trained 'in-house' as technicians to service a small number of components of the watch in a true 'assembly-line' fashion, (e.g., one type of worker will dismantle the watch movement from the case, another will polish the case and bracelet, another will install the dial and hands, etc.). If genuine watchmakers are employed in such environments, they are usually employed to service the watch movement.

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Master craftsman in the context of Icarus (mythology)

In Greek mythology, Icarus (/ˈɪkərəs/ ; Ancient Greek: Ἴκαρος, romanizedÍkaros, pronounced [ǐːkaros]) was the son of the master craftsman Daedalus, the architect of the labyrinth of Crete, and Naucrate. After Theseus, king of Athens and enemy of King Minos, escaped from the labyrinth, Minos suspected that Icarus and Daedalus had revealed the labyrinth's secrets and thus imprisoned them—either in a large tower overlooking the ocean or in the labyrinth itself, depending upon the account. Icarus and Daedalus escaped using wings Daedalus constructed from birds' molted feathers, threads from blankets, the leather straps from their sandals, and beeswax. Before escaping, Daedalus warned Icarus not to fly too low or the water would soak the feathers and not to fly too close to the sun or the heat would melt the wax. Icarus ignored Daedalus's instructions not to fly too close to the sun, causing the beeswax in his wings to melt. Icarus fell from the sky, plunged into the sea, and drowned. The myth gave rise to the idiom, "fly too close to the sun". In some versions of the tale, Daedalus and Icarus escape by ship.

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Master craftsman in the context of Tradesman

A tradesperson or tradesman/tradeswoman is a skilled worker that specialises in a particular craft or occupation. Tradespeople (tradesmen/women) usually gain their skills through work experience, on-the-job training, an apprenticeship program or formal education, or some mix of these methods.

As opposed to a master craftsman or an artisan, a tradesperson (tradesman/tradeswoman) is not necessarily restricted to manual work.

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Master craftsman in the context of Bazaars

A bazaar or souk is a marketplace consisting of multiple small stalls or shops, especially in the Middle East, the Balkans, Central Asia, North Africa and South Asia. They are traditionally located in vaulted or covered streets that have doors on each end and served as a city's central marketplace.

The term bazaar originates from Persian, where it referred to a town's public market district. The term bazaar is sometimes also used to refer collectively to the merchants, bankers and craftsmen who work in that area. The term souk comes from Arabic and refers to marketplaces in the Middle East and North Africa.

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Master craftsman in the context of Die Meistersinger von Nürnberg

Die Meistersinger von Nürnberg (German: [diː ˈmaɪstɐˌzɪŋɐ fɔn ˈnʏʁnbɛːɐk]; "The Master-Singers of Nuremberg"), WWV 96, is a music drama, or opera, in three acts, by Richard Wagner. It is the longest opera commonly performed, taking nearly four and a half hours, not counting two breaks between acts, and is traditionally not cut. With Hans von Bülow conducting, it was first performed on 21 June 1868 at the National Theater in Munich, today home of Bavarian State Opera.

The story is set in Nuremberg in the mid-16th century. At the time, Nuremberg was a free imperial city and one of the centers of the Renaissance in Northern Europe. The story revolves around the city's guild of Meistersinger (Master Singers), an association of amateur poets and musicians who were primarily master craftsmen of various trades. The master singers had developed a craftsmanlike approach to music-making, with an intricate system of rules for composing and performing songs. The work draws much of its atmosphere from its depiction of the Nuremberg of the era and the traditions of the master-singer guild. One of the main characters, the cobbler-poet Hans Sachs, is based on a historical figure, Hans Sachs (1494–1576), the most famous of the master-singers.

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