Icarus in the context of "Master craftsman"

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⭐ Core Definition: Icarus

In Greek mythology, Icarus (/ˈɪkərəs/ ; Ancient Greek: Ἴκαρος, romanizedÍkaros, pronounced [ǐːkaros]) was the son of the master craftsman Daedalus, the architect of the labyrinth of Crete, and Naucrate. After Theseus, king of Athens and enemy of King Minos, escaped from the labyrinth, Minos suspected that Icarus and Daedalus had revealed the labyrinth's secrets and thus imprisoned them—either in a large tower overlooking the ocean or in the labyrinth itself, depending upon the account. Icarus and Daedalus escaped using wings Daedalus constructed from birds' molted feathers, threads from blankets, the leather straps from their sandals, and beeswax. Before escaping, Daedalus warned Icarus not to fly too low or the water would soak the feathers and not to fly too close to the sun or the heat would melt the wax. Icarus ignored Daedalus's instructions not to fly too close to the sun, causing the beeswax in his wings to melt. Icarus fell from the sky, plunged into the sea, and drowned. The myth gave rise to the idiom, "fly too close to the sun". In some versions of the tale, Daedalus and Icarus escape by ship.

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Icarus in the context of Minotaur

In Greek mythology, the Minotaur (Ancient Greek: Μινώταυρος, Mīnṓtauros), also known as Asterion or Asterius, is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, upon command of King Minos of Crete. According to tradition, every nine years the people of Athens were compelled by King Minos to choose fourteen young noble citizens (seven men and seven women) to be offered as sacrificial victims to the Minotaur in retribution for the death of Minos's son Androgeos. The Minotaur was eventually slain by the Athenian hero Theseus, who managed to navigate the labyrinth with the help of a thread offered to him by the King's daughter, Ariadne.

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Icarus in the context of Daedalus

In Greek mythology, Daedalus (UK: /ˈddələs/, US: /ˈdɛdələs/ ; Greek: Δαίδαλος; Latin: Daedalus; Etruscan: Taitale) was a skillful architect and craftsman, seen as a symbol of wisdom, knowledge and power. He is the father of Icarus, the uncle of Perdix, and possibly also the father of Iapyx. Among his most famous creations are the wooden cow for Pasiphaë, the Labyrinth for King Minos of Crete which imprisoned the Minotaur, and wings that he and his son Icarus used to attempt to escape Crete. It was during this escape that Icarus did not heed his father's warnings and flew too close to the sun; the wax holding his wings together melted and Icarus fell to his death.

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Icarus in the context of Polycaste

Polycaste (/ˌpɒlɪˈkæsti/; Ancient Greek: Πολυκάστη) is the name of several different women in Greek mythology:

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Icarus in the context of Stephen Dedalus

Stephen Dedalus is James Joyce's literary alter ego, appearing as the protagonist and antihero of his first, semi-autobiographic novel of artistic existence, A Portrait of the Artist as a Young Man (1916), and as a major character in his modernist novel Ulysses (1922). Stephen mirrors many facets of Joyce's own life and personality. Joyce was a talented singer, for example, and in Ulysses Leopold Bloom notes the excellence of Stephen's tenor voice after hearing him sing Johannes Jeep's song "Von der Sirenen Listigkeit".

In Stephen Hero, an early version of A Portrait, Stephen's surname is spelled "Daedalus," a more obvious allusion to the mythological figure Daedalus, a brilliant artificer who constructed a pair of wings for himself and his son Icarus as a means of escaping the island of Crete, where they had been imprisoned by King Minos. Buck Mulligan makes reference to Stephen's mythic namesake in Ulysses, telling him, "Your absurd name, an ancient Greek!" His surname also suggests his desire to "fly" above the constraints of religion, nationality, and politics in his development as an artist. Daedalus had been contracted by King Minos to build the Labyrinth in which he would imprison his wife's son the Minotaur. Stephen's surname may also reflect the labyrinthine quality of his developmental journey in A Portrait of the Artist as a Young Man. Stephen's first name recalls the first Christian martyr. The theme of martyrdom runs throughout the novel.

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