Labyrinth in the context of "Icarus"

In Greek mythology, the Minotaur (Ancient Greek: Μινώταυρος, Mīnṓtauros), also known as Asterion or Asterius, is a mythical creature portrayed during classical antiquity with the head and tail of a bull and the body of a man or, as described by Roman poet Ovid, a being "part man and part bull". He dwelt at the center of the Labyrinth, which was an elaborate maze-like construction designed by the architect Daedalus and his son Icarus, upon command of King Minos of Crete. According to tradition, every nine years the people of Athens were compelled by King Minos to choose fourteen young noble citizens (seven men and seven women) to be offered as sacrificial victims to the Minotaur in retribution for the death of Minos's son Androgeos. The Minotaur was eventually slain by the Athenian hero Theseus, who managed to navigate the labyrinth with the help of a thread offered to him by the King's daughter, Ariadne.

In Greek mythology, Minos (/ˈmaɪnɒs, -nəs/ ; Greek: Μίνως, [mǐːnɔːs]) was a king of Crete, son of Zeus and Europa. Every nine years, he made King Aegeus pick seven young boys and seven young girls to be sent to Daedalus's creation, the labyrinth, to be eaten by the Minotaur. After his death, King Minos became a judge of the dead in the underworld alongside Rhadamanthus and Aeacus.

Archeologist Sir Arthur Evans used King Minos as the namesake for the Minoan civilization of Crete. The Minoan palace at Knossos is sometimes referred to as the Palace of Minos though there is no evidence that Minos was a real person.

In Greek mythology, Daedalus (UK: /ˈdiːdələs/, US: /ˈdɛdələs/ ; Greek: Δαίδαλος; Latin: Daedalus; Etruscan: Taitale) was a skillful architect and craftsman, seen as a symbol of wisdom, knowledge and power. He is the father of Icarus, the uncle of Perdix, and possibly also the father of Iapyx. Among his most famous creations are the wooden cow for Pasiphaë, the Labyrinth for King Minos of Crete which imprisoned the Minotaur, and wings that he and his son Icarus used to attempt to escape Crete. It was during this escape that Icarus did not heed his father's warnings and flew too close to the sun; the wax holding his wings together melted and Icarus fell to his death.

In Greek mythology, Icarus (/ˈɪkərəs/ ; Ancient Greek: Ἴκαρος, romanized: Íkaros, pronounced [ǐːkaros]) was the son of the master craftsman Daedalus, the architect of the labyrinth of Crete, and Naucrate. After Theseus, king of Athens and enemy of King Minos, escaped from the labyrinth, Minos suspected that Icarus and Daedalus had revealed the labyrinth's secrets and thus imprisoned them—either in a large tower overlooking the ocean or in the labyrinth itself, depending upon the account. Icarus and Daedalus escaped using wings Daedalus constructed from birds' molted feathers, threads from blankets, the leather straps from their sandals, and beeswax. Before escaping, Daedalus warned Icarus not to fly too low or the water would soak the feathers and not to fly too close to the sun or the heat would melt the wax. Icarus ignored Daedalus's instructions not to fly too close to the sun, causing the beeswax in his wings to melt. Icarus fell from the sky, plunged into the sea, and drowned. The myth gave rise to the idiom, "fly too close to the sun". In some versions of the tale, Daedalus and Icarus escape by ship.

A maze is a path or collection of paths, typically from an entrance to a goal. The word is used to refer both to branching tour puzzles through which the solver must find a route, and to simpler non-branching ("unicursal") patterns that lead unambiguously through a convoluted layout to a goal. The term "labyrinth" is generally synonymous with "maze", but can also connote specifically a unicursal pattern. The pathways and walls in a maze are typically fixed, but puzzles in which the walls and paths can change during the game are also categorised as mazes or tour puzzles.

In Greek mythology, Ariadne (/ˌæriˈædni/ ; Ancient Greek: Ἀριάδνη; Latin: Ariadne) was a Cretan princess, the daughter of King Minos of Crete. There are variations of Ariadne's myth, but she is known for helping Theseus escape from the Minotaur and being abandoned by him (or herself dying) on the island of Naxos. There, Dionysus saw Ariadne sleeping, fell in love with her, and later married her. Many versions of the myth recount Dionysus throwing Ariadne's jeweled crown into the sky to create a constellation, the Corona Borealis.

Ariadne is associated with mazes and labyrinths because of her involvement in the myths of Theseus and the Minotaur.

The Labyrinth of the Reims Cathedral was a church labyrinth installed on the floor of the nave of the Reims Cathedral.

Jorge Francisco Isidoro Luis Borges (/ˈbɔːrhɛs/ BOR-hess; Spanish: [ˈxoɾxe ˈlwis ˈboɾxes] ; 24 August 1899 – 14 June 1986) was an Argentine short-story writer, essayist, poet and translator regarded as a key figure in Spanish-language and international literature. His best-known works, Ficciones (transl. Fictions) and El Aleph (transl. The Aleph), published in the 1940s, are collections of short stories exploring motifs such as dreams, labyrinths, chance, infinity, archives, mirrors, fictional writers, and mythology. Borges's works have contributed to philosophical literature and the fantasy genre, and have had a major influence on the magical realist movement in 20th century Latin American literature.

Born in Buenos Aires, Borges later moved with his family to Switzerland in 1914, where he studied at the Collège de Genève. The family travelled widely in Europe, including Spain. On his return to Argentina in 1921, Borges began publishing his poems and essays in surrealist literary journals. He also worked as a librarian and public lecturer. In 1955, he was appointed director of the National Public Library and professor of English Literature at the University of Buenos Aires. He became completely blind by the age of 55. Scholars have suggested that his progressive blindness helped him to create innovative literary symbols through imagination. By the 1960s, his work was translated and published widely in the United States and Europe. Borges himself was fluent in several languages.