Marx's theory of alienation in the context of "Criticism of capitalism"

Marxism is a political philosophy and method of socioeconomic analysis that uses a dialectical materialist interpretation of historical development, known as historical materialism, to understand class relations and social conflict. Originating in the works of 19th-century German philosophers Karl Marx and Friedrich Engels, the Marxist approach views class struggle as the central driving force of historical change.

Marxist analysis views a society's economic mode of production as the foundation of its social, political, and intellectual life, a concept known as the base and superstructure model. In its critique of capitalism, Marxism posits that the ruling class (the bourgeoisie), who own the means of production, systematically exploit the working class (the proletariat), who must sell their labour power to survive. This relationship, according to Marx, leads to alienation, periodic economic crises, and escalating class conflict. Marx theorised that these internal contradictions would fuel a proletarian revolution, leading to the overthrow of capitalism and the establishment of a socialist mode of production. For Marxists, this transition represents a necessary step towards a classless, stateless communist society.

Modernism was an early 20th-century movement in literature, visual arts, performing arts, and music that emphasized experimentation, abstraction, and subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing alienation" from prevailing "morality, optimism, and convention" and a desire to change how "human beings in a society interact and live together".

The modernist movement emerged during the late 19th century in response to significant changes in Western culture, including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and the search for newer means of cultural expression. Modernism was influenced by widespread technological innovation, industrialization, and urbanization, as well as the cultural and geopolitical shifts that occurred after World War I. Artistic movements and techniques associated with modernism include abstract art, literary stream-of-consciousness, cinematic montage, musical atonality and twelve-tonality, modern dance, modernist architecture, and urban planning.

The Grundrisse der Kritik der Politischen Ökonomie (Rohentwurf) (German: [ˈɡʁʊntˌʁɪsə]; lit. "Foundations/Outlines of the Critique of Political Economy (Rough Draft)") is a lengthy, unfinished manuscript written by Karl Marx in the winter of 1857–1858. Comprising seven notebooks of economic studies, the work represents the first major draft of Marx's critique of political economy and is widely considered the preparatory work for his magnum opus, Das Kapital. The text was written for self-clarification during the Panic of 1857, and remained unpublished during his lifetime. A first edition was published in German in Moscow in 1939 and 1941, but the work only became widely available and influential in the 1960s and 1970s; a full English translation appeared in 1973.

The manuscript's scope is vast, covering all six sections of Marx's intended economic project. It explores key themes such as alienation, the nature of capital as a self-expanding process or "value in motion," and an analysis of pre-capitalist economic forms. It contains the well-known "Fragment on Machines," in which Marx analyses the effects of automation, foreseeing a point where social knowledge becomes a direct productive force, a concept he termed the "general intellect." The work also outlines the dialectical method Marx considered "scientifically correct," which proceeds from simple abstract categories to an understanding of the concrete world as a "rich totality of many determinations and relations."

The Economic and Philosophic Manuscripts of 1844 (German: Ökonomisch-philosophische Manuskripte aus dem Jahre 1844), also known as the Paris Manuscripts (Pariser Manuskripte) or as the 1844 Manuscripts, are a series of unfinished notes written between April and August 1844 by Karl Marx. They were compiled and published posthumously in 1932 by the Soviet Union's Marx–Engels–Lenin Institute. They were first published in their original German in Berlin, and there followed a republication in the Soviet Union in 1933, also in German.

The Manuscripts provide a critique of classical political economy grounded in the philosophies of Georg Wilhelm Friedrich Hegel and Ludwig Feuerbach. The work is best known for its articulation of Marx's argument that the conditions of modern industrial societies result in the estrangement (or alienation) of wage-workers from their own products, from their own work, and in turn from themselves and from each other. Marx argues that workers are forced by the capitalist productive process to work solely to satisfy their basic needs. As such, they merely exist as commodities in a constant state of drudgery, evaluated solely by their monetary value, with capital assuming the status of a good in and of itself.

Minima Moralia: Reflections from Damaged Life (German: Minima Moralia: Reflexionen aus dem beschädigten Leben) is a 1951 critical theory book by German philosopher Theodor W. Adorno. Adorno started writing it during World War II, in 1944, while he lived as an exile in America, and completed it in 1949. It was originally written for the fiftieth birthday of his friend and collaborator Max Horkheimer, who had co-authored the earlier book Dialectic of Enlightenment with Adorno.

The book consists of 153 aphorisms and short essays that reflect on the nature of modern life and the impact of capitalism, fascism, and mass culture on the individual. Adorno critiques the alienation, conformity, and loss of individuality in modern society, arguing that the conditions of late capitalism have made it impossible to lead a genuine, fulfilling life.