Manner of articulation in the context of "Stop consonant"

The human voice consists of sound made by a human being using the vocal tract, including talking, singing, laughing, crying, screaming, shouting, humming or yelling. The human voice is specifically a part of human sound production in which the vocal folds (vocal cords) are the primary sound source. (Other sound production mechanisms produced from the same general area of the body involve the production of unvoiced consonants, clicks, whistling and whispering.)

Generally speaking, the mechanism for generating the human voice can be subdivided into three parts; the lungs, the vocal folds within the larynx (voice box), and the articulators. The lungs, the "pump" must produce adequate airflow and air pressure to vibrate vocal folds. The vocal folds (vocal cords) then vibrate to use airflow from the lungs to create audible pulses that form the laryngeal sound source. The muscles of the larynx adjust the length and tension of the vocal folds to 'fine-tune' pitch and tone. The articulators (the parts of the vocal tract above the larynx consisting of tongue, palate, cheek, lips, etc.) articulate and filter the sound emanating from the larynx and to some degree can interact with the laryngeal airflow to strengthen or weaken it as a sound source.

In articulatory phonetics, the place of articulation (also point of articulation) of a consonant is an approximate location along the vocal tract where its production occurs. It is a point where a constriction is made between an active and a passive articulator. Active articulators are organs capable of voluntary movement which create the constriction, while passive articulators are so called because they are normally fixed and are the parts with which an active articulator makes contact. Along with the manner of articulation and phonation, the place of articulation gives the consonant its distinctive sound.

Since vowels are produced with an open vocal tract, the point where their production occurs cannot be easily determined. Therefore, they are not described in terms of a place of articulation but by the relative positions in vowel space. This is mostly dependent on their formant frequencies and less on the specific tongue position and lip rounding.

Whispering is an unvoiced mode of phonation in which the vocal cords are abducted so that they do not vibrate; air passes between the arytenoid cartilages to create audible turbulence during speech. Supralaryngeal articulation remains the same as in normal speech.

In normal speech, the vocal cords alternate between states of voice and voicelessness. In whispering, only the voicing segments change, so that the vocal cords alternate between whisper and voicelessness (though the acoustic difference between the two states is minimal). Because of this, implementing speech recognition for whispered speech is more difficult, as the characteristic spectral range needed to detect syllables and words is not given through the total absence of tone. More advanced techniques such as neural networks may be used, however, as is done by Amazon Alexa.

A fricative is a consonant produced by forcing air through a narrow channel made by placing two articulators close together. These may be the lower lip against the upper teeth, in the case of [f]; the back of the tongue against the soft palate in the case of German [x] (the final consonant of Bach); or the side of the tongue against the molars, in the case of Welsh [ɬ] (appearing twice in the name Llanelli). This turbulent airflow is called frication.

A particular subset of fricatives are the sibilants. When forming a sibilant, one still is forcing air through a narrow channel, but in addition, the tongue is curled lengthwise to direct the air over the edge of the teeth. English [s], [z], [ʃ], and [ʒ] are examples of sibilants.

In phonetics, a nasal, also called a nasal occlusive or nasal stop in contrast with an oral stop or nasalized consonant, is an occlusive consonant produced with a lowered velum, allowing air to escape freely through the nose. The vast majority of consonants are oral consonants. Examples of nasals in English are [n], [ŋ] and [m], in words such as nose, bring and mouth.

Nasal occlusives are nearly universal in human languages. There are also other kinds of nasal consonants in some languages.

In phonetics and phonology, relative articulation is description of the manner and place of articulation of a speech sound relative to some reference point. Typically, the comparison is made with a default, unmarked articulation of the same phoneme in a neutral sound environment. For example, the English velar consonant /k/ is fronted before the vowel /iː/ (as in keep) compared to articulation of /k/ before other vowels (as in cool). This fronting is called palatalization.

The relative position of a sound may be described as advanced (fronted), retracted (backed), raised, lowered, centralized, or mid-centralized. The latter two terms are only used with vowels, and are marked in the International Phonetic Alphabet with diacritics over the vowel letter. The others are used with both consonants and vowels, and are marked with iconic diacritics under the letter. Another dimension of relative articulation that has IPA diacritics is the degree of roundedness, more rounded and less rounded.

Acoustic phonetics is a subfield of phonetics, which deals with acoustic aspects of speech sounds. Acoustic phonetics investigates features of waveforms as they pertain to the time domain (e.g. duration, amplitude, fundamental frequency), frequency domain (e.g. frequency spectrum), or combined spectrotemporal domains. Acoustic phonetics is also concerned with how these properties relate to other branches of phonetics (e.g. articulatory or auditory phonetics), as well as abstract linguistic concepts such as phonemes, phrases, or utterances.

The study of acoustic phonetics was greatly enhanced in the late 19th century by the invention of the Edison phonograph. The phonograph allowed the speech signal to be recorded and then later processed and analyzed. By replaying the same speech signal from the phonograph several times, filtering it each time with a different band-pass filter, a spectrogram of the speech utterance could be built up. A series of papers by Ludimar Hermann published in Pflügers Archiv in the last two decades of the 19th century investigated the spectral properties of vowels and consonants using the Edison phonograph, and it was in these papers that the term formant was first introduced. Hermann also played back vowel recordings made with the Edison phonograph at different speeds to distinguish between Willis' and Wheatstone's theories of vowel production.