Formant in the context of "Manner of articulation"

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⭐ Core Definition: Formant

In speech science and phonetics, a formant is the broad spectral maximum that results from an acoustic resonance of the human vocal tract. In acoustics, a formant is usually defined as a broad peak, or local maximum, in the spectrum. For harmonic sounds, with this definition, the formant frequency is sometimes taken as that of the harmonic that is most augmented by a resonance. The difference between these two definitions resides in whether "formants" characterise the production mechanisms of a sound or the produced sound itself. In practice, the frequency of a spectral peak differs slightly from the associated resonance frequency, except when, by luck, harmonics are aligned with the resonance frequency, or when the sound source is mostly non-harmonic, as in whispering and vocal fry.

A room can be said to have formants characteristic of that particular room, due to its resonances, i.e., to the way sound reflects from its walls and objects. Room formants of this nature reinforce themselves by emphasizing specific frequencies and absorbing others, as exploited, for example, by Alvin Lucier in his piece I Am Sitting in a Room. In acoustic digital signal processing, the way a collection of formants (such as a room) affects a signal can be represented by an impulse response.

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👉 Formant in the context of Manner of articulation

In articulatory phonetics, the manner of articulation is the configuration and interaction of the articulators (speech organs such as the tongue, lips, and palate) when making a speech sound. One parameter of manner is stricture, that is, how closely the speech organs approach one another. Others include those involved in the r-like sounds (taps and trills), and the sibilancy of fricatives.

The concept of manner is mainly used in the discussion of consonants, although the movement of the articulators will also greatly alter the resonant properties of the vocal tract, thereby changing the formant structure of speech sounds that is crucial for the identification of vowels. For consonants, the place of articulation and the degree of phonation or voicing are considered separately from manner, as being independent parameters. Homorganic consonants, which have the same place of articulation, may have different manners of articulation. Often nasality and laterality are included in manner, but some phoneticians, such as Peter Ladefoged, consider them to be independent.

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Formant in the context of Acoustic phonetics

Acoustic phonetics is a subfield of phonetics, which deals with acoustic aspects of speech sounds. Acoustic phonetics investigates features of waveforms as they pertain to the time domain (e.g. duration, amplitude, fundamental frequency), frequency domain (e.g. frequency spectrum), or combined spectrotemporal domains. Acoustic phonetics is also concerned with how these properties relate to other branches of phonetics (e.g. articulatory or auditory phonetics), as well as abstract linguistic concepts such as phonemes, phrases, or utterances.

The study of acoustic phonetics was greatly enhanced in the late 19th century by the invention of the Edison phonograph. The phonograph allowed the speech signal to be recorded and then later processed and analyzed. By replaying the same speech signal from the phonograph several times, filtering it each time with a different band-pass filter, a spectrogram of the speech utterance could be built up. A series of papers by Ludimar Hermann published in Pflügers Archiv in the last two decades of the 19th century investigated the spectral properties of vowels and consonants using the Edison phonograph, and it was in these papers that the term formant was first introduced. Hermann also played back vowel recordings made with the Edison phonograph at different speeds to distinguish between Willis' and Wheatstone's theories of vowel production.

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Formant in the context of Liquid consonant

In linguistics, a liquid consonant or simply liquid is any of a class of consonants that consists of rhotics and voiced lateral approximants, which are also sometimes described as "R-like sounds" and "L-like sounds". The word liquid seems to be a calque of the Ancient Greek word ὑγρός (hygrós 'moist'), initially used by grammarian Dionysius Thrax to describe Greek sonorants.

Liquid consonants are more prone to be part of consonant clusters and of the syllable nucleus. Their third formants are generally non-predictable based on the first two formants. Another important feature is their complex articulation, which makes them a hard consonant class to study with precision and the last consonants to be produced by children during their phonological development. They are also more likely to undergo certain types of phonological changes such as assimilation, dissimilation and metathesis.

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Formant in the context of Vowel diagram

A vowel diagram or vowel chart is a schematic arrangement of vowels within a phonetic system. Vowels do not differ in place, manner, or voicing in the same way that consonants do. Instead, vowels are distinguished primarily based on their height (vertical tongue position), backness (horizontal tongue position), and roundness (lip articulation). Depending on the particular language being discussed, a vowel diagram can take the form of a triangle or a quadrilateral.

The vowel diagram of the International Phonetic Alphabet is based on the cardinal vowel system, displayed in the form of a trapezium. In the diagram, convenient reference points are provided for specifying tongue position. The position of the highest point of the arch of the tongue is considered to be the point of articulation of the vowel.

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Formant in the context of Ludimar Hermann

Ludimar Hermann (October 31, 1838 – June 5, 1914) was a German physiologist and speech scientist who used the Edison phonograph to test theories of vowel production, particularly those of Robert Willis and Charles Wheatstone. He coined the word formant, a term of importance in modern acoustic phonetics. The Hermann grid is named after him; he was the first to report the illusion in scientific literature.

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