A manifesto is a written declaration of the intentions, motives, or views of the issuer, be it an individual, group, political party, or government. A manifesto can accept a previously published opinion or public consensus, but many prominent manifestos—such as those of various artistic movements—reject accepted knowledge in favor of a new idea. Manifestos relating to religious belief are generally referred to as creeds or confessions of faith.
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👉 Manifesto in the context of Mein Kampf
Mein Kampf (German: [maɪn ˈkampf]; lit. 'My Struggle') is a 1925 autobiographical and political manifesto by Nazi Party leader Adolf Hitler. The book outlines many of Hitler's political beliefs, his political ideology, and his future plans for Germany and the world. Volume 1 of Mein Kampf was published in 1925 and Volume 2 in 1926. The combined volumes encompass roughly 750 pages. Emil Maurice, SS member No. 2, was prominent in early transcription, then most of the editing was done by Hitler's deputy Rudolf Hess.
Hitler began Mein Kampf while imprisoned at Landsberg Prison following his failed coup in Munich in November 1923 and trial in February 1924 for high treason, in which he received a sentence of five years in fortress confinement (Festungshaft). Although he received many visitors initially, he soon devoted himself entirely to the book. As he continued, he realized that it would have to be a two-volume work. The governor of the prison noted at the time that "[Hitler] hopes the book will run into many editions, thus enabling him to fulfill his financial obligations and to defray the expenses incurred at the time of his trial." Hitler spent over a year incarcerated and had the first volume published the summer after his release. After slow initial sales, the book became a bestseller in Germany following Hitler's rise to power in 1933.
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Manifesto in the context of Thessaloniki International Fair
The Thessaloniki International Fair (Greek: Διεθνής Έκθεση Θεσσαλονίκης, Diethnis Ekthesi Thessalonikis), abbreviated TIF (ΔΕΘ), is an annual international exhibition event held in Thessaloniki, Greece's second-largest city. It has been held in the first week of September since 1926, and its opening is traditionally marked by a series of programmatical statements by the Prime Minister of Greece. The 2020 fair was cancelled due to the COVID-19 pandemic, the first cancellation since WW2.
Manifesto in the context of Essay
An essay (/ˈɛs.eɪ/, ESS-ay) is, generally, a piece of writing that gives the author's own argument, but the definition is vague, overlapping with those of a letter, a paper, an article, a pamphlet, and a short story. Essays have been sub-classified as formal and informal: formal essays are characterized by "serious purpose, dignity, logical organization, length," whereas the informal essay is characterized by "the personal element (self-revelation, individual tastes and experiences, confidential manner), humor, graceful style, rambling structure, unconventionality or novelty of theme," etc.
Essays are commonly used as literary criticism, political manifestos, learned arguments, observations of daily life, recollections, and reflections of the author. Almost all modern essays are written in prose, but works in verse have been dubbed essays (e.g., Alexander Pope's An Essay on Criticism and An Essay on Man). While brevity usually defines an essay, voluminous works like John Locke's An Essay Concerning Human Understanding and Thomas Malthus's An Essay on the Principle of Population are counterexamples.
Manifesto in the context of Party platform
A political party platform (North American English), party program, or party manifesto (preferential term in British and often Commonwealth English) is a formal set of principal goals which are supported by a political party or individual candidate, to appeal to the general public, for the ultimate purpose of garnering the general public's support and votes about complicated topics or issues. A component of a political platform is often called a plank – the opinions and viewpoints about an individual topic, as held by a party, person, or organization. The word "plank" depicts a component of an overall political platform, as a metaphorical reference to a basic stage made of boards or planks of wood. The metaphor can return to its literal origin when public speaking or debates are actually held upon a physical platform.
In the United Kingdom and certain other countries, the party platform is referred to as the party's "manifesto" or political programme. The manifesto contains election pledges, or election promises. Across the Western world, political parties in power are highly likely to fulfill their election promises, research has found.
Manifesto in the context of Art manifesto
An art manifesto is a public declaration of the intentions, motives, or views of an artist or artistic movement. Manifestos are a standard feature of the various movements in the modernist avant-garde and are still written today. Art manifestos are sometimes in their rhetoric intended for shock value, to achieve a revolutionary effect. They often address wider issues, such as the political system. Typical themes are the need for revolution, freedom (of expression) and the implied or overtly stated superiority of the writers over the status quo. The manifesto gives a means of expressing, publicising and recording ideas for the artist or art group—even if only one or two people write the words, it is mostly still attributed to the group name.
In 1855 Gustave Courbet wrote a Realist manifesto for the introduction to the catalogue of his independent, personal exhibition. And in 1886 the Symbolist Manifesto was published in the French newspaper Le Figaro by the poet and essayist Jean Moréas.
Manifesto in the context of Surrealist Manifesto
The Surrealist Manifesto refers to several publications by Yvan Goll and André Breton, leaders of rival surrealist groups. Goll and Breton both published manifestos in October 1924 titled Manifeste du surréalisme. Breton wrote a second manifesto in 1929, which was published the following year, and in 1942, a reflection or a commentary on the potential for a third manifesto, exploring how the Surrealist movement might adapt to changing times.