Manganese oxide in the context of "Pelagic red clay"

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👉 Manganese oxide in the context of Pelagic red clay

Pelagic red clay, also known as simply red clay, brown clay or pelagic clay, is a type of pelagic sediment.

Pelagic clay accumulates in the deepest and most remote areas of the ocean. It covers 38% of the ocean floor and accumulates more slowly than any other sediment type, at only 0.1–0.5 cm/1000 yr. Containing less than 30% biogenic material, it consists of sediment that remains after the dissolution of both calcareous and siliceous biogenic particles while they settled through the water column. These sediments consist of eolian quartz, clay minerals, volcanic ash, subordinate residue of siliceous microfossils, and authigenic minerals such as zeolites, limonite and manganese oxides. The bulk of red clay consists of eolian dust. Accessory constituents found in red clay include meteorite dust, fish bones and teeth, whale ear bones, and manganese micro-nodules.

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Manganese oxide in the context of Psilomelane

Psilomelane is a group name for hard black manganese oxides including hollandite and romanechite. Psilomelane consists of hydrous manganese oxide with variable amounts of barium and potassium. Psilomelane is erroneously, and uncommonly, known as black hematite, despite not being related to true hematite, which is an iron oxide.

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Manganese oxide in the context of Clay earth pigment

Earth pigments are naturally occurring minerals that have been used since prehistoric times as pigments. Among the primary types of earth pigments include the reddish-brown ochres, siennas, and umbers, which contain various amounts of iron oxides and manganese oxides. Other earth pigments include the green earth pigments or terres vertes, blue earth pigments such as vivianite-based "blue ochre", white earth pigments such as chalk, and black earth pigments such as charcoal.

Earth pigments are known for their fast drying time in oil painting, relative inexpensiveness, and lightfastness. Cave paintings done in sienna still survive today.

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Manganese oxide in the context of Umber

Umber is a natural earth pigment consisting of iron oxide and manganese oxide; it has a brownish color that can vary among shades of yellow, red, and green. Umber is considered one of the oldest pigments known to humans. Umber's advantages are its highly versatile color, warm tone, and quick drying abilities. While some sources indicate that umber's name comes from its geographic origin in Umbria, other scholars suggest that it derives from the Latin word umbra, which means "shadow". The belief that its name derives from the word for shadow is fitting, as the color helps create shadows. The color is primarily produced in Cyprus. Umber is typically mined from open pits or underground mines and ground into a fine powder that is washed to remove impurities. In the 20th century, the rise of synthetic dyes decreased the demand for natural pigments such as umber.

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Manganese oxide in the context of Salt glaze pottery

Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a ceramic glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process. Sodium from the salt reacts with silica in the clay body to form a glassy coating of sodium silicate. The glaze may be colourless or may be coloured various shades of brown (from iron oxide), blue (from cobalt oxide), or purple (from manganese oxide).

Except for its use by a few studio potters, the process is obsolete. Before its demise, in the face of environmental clean air restrictions, it was last used in the production of salt-glazed sewer-pipes. The only commercial pottery in the UK currently licensed to produce salt glaze pottery is Errington Reay at Bardon Mill in Northumberland which was founded in 1878.

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