Mandala in the context of "Vajrayana"

In Hinduism, Yajna or Yagna (Sanskrit: यज्ञ, lit. 'act of devotion, worship, offering in fire', IAST: yajña) also known as Hawan, is a ritual done in front of a sacred fire, often with mantras. Yajna has been a Vedic tradition, described in a layer of Vedic literature called Brahmanas, as well as Yajurveda. The tradition has evolved from offering oblations and libations into sacred fire to symbolic offerings in the presence of sacred fire (Agni).

Yajna rituals-related texts have been called the Karma-kanda (ritual works) portion of the Vedic literature, in contrast to the Jnana-kanda (knowledge) portion found in the Vedic Upanishads. The proper completion of Yajna-like rituals was the focus of Mimansa school of Hindu philosophy. Yajna have continued to play a central role in a Hindu's rites of passage, such as weddings. Modern major Hindu temple ceremonies, Hindu community celebrations, or monastic initiations may also include Vedic Yajna rites, or alternatively be based on Agamic rituals.

Honzon (本尊, "fundamental honored [one]"), sometimes referred to as a Gohonzon (ご本尊 or 御本尊), is the enshrined main image or principal deity in Japanese Buddhism. The buddha, bodhisattva, or mandala image is located in either a temple or a household butsudan.

The image can be either a statue or a small scroll and varies from sect to sect. It can be a singular image or a group of images; the honzon in the main (hondō) or treasure (kondō) hall of the temple can be for that particular hall or the entire temple complex. Sometimes honzon is the central image (chūson) of a cluster of three (sanzonbutsu) or five (goson) images.

Tantra (/ˈtʌntrə/; Sanskrit: तन्त्र, lit. 'expansion-device, salvation-spreader; loom, weave, warp') is an esoteric yogic tradition that developed on the Indian subcontinent beginning in the middle of the 1st millennium CE, initially within Shaivism and Shaktism, and subsequently in Mahayana Buddhism, Vaishnavism. The Tantras focus on sādhana, encompassing dīkṣā, rituals, and yoga, within a ritual framework that includes bodily purification, divine self-creation through mantra, dhyāna, pūjā, mudrā, mantra recitation, and the use of yantras or maṇḍalas, despite variations in deities and mantras. They present complex cosmologies, viewing the body as divine and typically reflecting the union of Shiva and Shakti as the path to liberation. Tantric goals include siddhi (supernatural accomplishment), bhoga (worldly enjoyment), and Kuṇḍalinī’s ascent, while also addressing states of possession (āveśa) and exorcism.

The term tantra, in the Indian traditions, also means any systematic broadly applicable "text, theory, system, method, instrument, technique or practice". A key feature of these traditions is the use of mantras, and thus they are commonly referred to as Mantramārga ("Path of Mantra") in Hinduism or Mantrayāna ("Mantra Vehicle") and Guhyamantra ("Secret Mantra") in Buddhism.

Buddhist art is visual art produced in the context of Buddhism. It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. Buddhist art originated in the north of the Indian subcontinent, in modern India, Pakistan and Afghanistan, with the earliest survivals dating from a few centuries after the historical life of Siddhartha Gautama from the 6th to 5th century BCE.

As Buddhism spread and evolved in each new host country, Buddhist art followed in its footsteps. It developed to the north through Central Asia and into Eastern Asia to form the Northern branch of Buddhist art, and to the east as far as Southeast Asia to form the Southern branch of Buddhist art. In India, Buddhist art flourished and co-developed with Hindu and Jain art, with cave temple complexes built together, each likely influencing the other.

Tie-dye is a term used to describe a number of resist dyeing techniques and the resulting dyed products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment, before binding with string or rubber bands, followed by the application of dye or dyes. The manipulations of the fabric before the application of dye are called resists, as they partially or completely prevent ('resist') the applied dye from coloring the fabric. More sophisticated tie-dye may involve additional steps, including an initial application of dye before the resist, multiple sequential dyeing and resist steps, and the use of other types of resists (stitching, stencils) and discharge.

Unlike regular resist-dyeing techniques, modern tie-dye is characterized by the use of bright, saturated primary colors and bold patterns. These patterns, including the spiral, mandala, and peace sign, and the use of multiple bold colors, have become widely recognized as symbols of the 1960s and 1970s counterculture movement. However tie-dye wasn't as pronounced in fashion even among the counterculture as it would be in later years and the present day. The vast majority of tie-dye garments and objects produced for wholesale distribution use these designs, with many being mass-produced.