Macbeth in the context of "Province of Moray"

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⭐ Core Definition: Macbeth

The Tragedy of Macbeth, often shortened to Macbeth (/məkˈbɛθ/), is a tragedy by William Shakespeare, estimated to have been first performed in 1606. It dramatises the physically violent and damaging psychological effects of political ambitions and power. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy. Scholars believe Macbeth, of all the plays that Shakespeare wrote during the reign of King James I, contains the most allusions to James, patron of Shakespeare's acting company.

In the play, a brave Scottish general named Macbeth receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by his latent ambition and spurred to violence by his wife, Macbeth murders King Duncan and takes the Scottish throne for himself. Then, racked with guilt and paranoia, he commits further murders to protect himself from enmity and suspicion, becoming a tyrannical ruler in the process. The violence perpetrated by the power-hungry couple leads to their insanity and finally to their deaths.

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Macbeth in the context of Lady Macbeth

Lady Macbeth is a leading character in William Shakespeare's tragedy Macbeth (c. 1603–1607). As the wife of the play's tragic hero, Macbeth (a Scottish nobleman), Lady Macbeth goads her husband into committing regicide, after which she becomes queen of Scotland. Some regard her as becoming more powerful than Macbeth when she does this, because she is able to manipulate him into doing what she wants. After Macbeth becomes a murderous tyrant, she is driven to madness by guilt over their crimes and kills herself offstage.

Lady Macbeth is a powerful presence in the play, most notably in the first two acts. Following the murder of King Duncan, however, her role in the plot diminishes. She becomes an uninvolved spectator to Macbeth's plotting and a nervous hostess at a banquet dominated by her husband's hallucinations. Her sleepwalking scene in the fifth act is a turning point in the play, and her line "Out, damned spot!" has become a phrase familiar to many speakers of the English language. The report of her death late in the fifth act provides the inspiration for Macbeth's "Tomorrow and tomorrow and tomorrow" speech.

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Macbeth in the context of Macbeth (character)

Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.

A Scottish noble and an initially valiant military man, Macbeth, after a supernatural prophecy and the urging of his wife, Lady Macbeth, commits regicide, usurping the kingship of Scotland. He thereafter lives in anxiety and fear, unable to rest or to trust his nobles. He leads a reign of terror until defeated by his former ally Macduff. The throne is then restored to the rightful heir, the murdered King Duncan's son, Malcolm.

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Macbeth in the context of Play (theatre)

A play is a form of theatre that primarily consists of script between speakers and is intended for acting rather than mere reading. The writer and author of a play is known as a playwright.

Plays are staged at various levels, ranging from London's West End and New York City's Broadway – the highest echelons of commercial theatre in the English-speaking world – to regional theatre, community theatre, and academic productions at universities and schools.

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Macbeth in the context of Regicide

Regicide is the purposeful killing of a monarch and is often associated a violent change in the regime, as in a revolution. A regicide can also be the person responsible for the killing. The word comes from the Latin roots of regis and cida (cidium), meaning "of monarch" and "killer" respectively.In the British tradition, it refers to the judicial execution of a king after a trial, reflecting the historical precedent of the trial and execution of Charles I of England. The concept of regicide has also been explored in media and the arts through pieces like Macbeth (Macbeth's killing of King Duncan).

Scholars have found that regicide is particularly common in political systems with unclear succession rules.

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Macbeth in the context of Sleepwalking scene

Act 5, Scene 1, better known as the sleepwalking scene, is a critically celebrated scene from William Shakespeare's tragedy Macbeth (1606). It deals with the guilt and madness experienced by Lady Macbeth, one of the main themes of the play.

Carrying a taper (candlestick), Lady Macbeth enters sleepwalking. The Doctor and the Gentlewoman stand aside to observe. The Doctor asks how Lady Macbeth came to have the light. The Gentlewoman replies she has ordered a light be beside her at all times (she is now afraid of the dark, having committed her crimes under its cover). Lady Macbeth rubs her hands in a washing motion. With anguish, she recalls the deaths of King Duncan, Lady Macduff, and Banquo, then leaves. The Gentlewoman and the bewildered Doctor exeunt, realizing these are the symptoms of a guilt-ridden mind. The Doctor feels Lady Macbeth is beyond his help, saying she has more need of "the divine than the physician". He orders the Gentlewoman to remove from Lady Macbeth the "means of all annoyance", anticipating she might commit suicide. Despite his warning, the audience is informed in Act 5, Scene 5, that Lady Macbeth has managed to commit suicide off-stage.

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Macbeth in the context of Tomorrow and tomorrow and tomorrow

"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of a soliloquy in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff, are approaching Macbeth's castle to besiege it. Macbeth, the play's protagonist, is confident that he can withstand any siege from Malcolm's forces. He hears the cry of a woman and reflects that there was a time when his hair would have stood on end if he had heard such a cry, but he is now so full of horrors and murderous thoughts that it can no longer startle him.

Seyton then tells Macbeth of Lady Macbeth's death, and Macbeth delivers this soliloquy as his response to the news. Shortly afterwards, he is told of the apparent movement of Birnam Wood towards Dunsinane Castle (as the witches had prophesied to him), which is actually Malcolm's forces having disguised themselves with tree branches so as to hide their numbers as they approach the castle. This sets the scene for the final events of the play and Macbeth's death at the hands of Macduff.

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Macbeth in the context of Thane of Cawdor

Thane of Cawdor is a title in the Scottish nobility, allotted to the thane, or lord, of the village of Cawdor.The current 7th Earl Cawdor, of Clan Campbell of Cawdor, is the 25th Thane of Cawdor.

In William Shakespeare's play Macbeth, this title was given to Macbeth after the previous Thane of Cawdor was captured and executed for treason against King Duncan. Macbeth hears a prophecy of his new thaneship from the Three Witches shortly before receiving word of the matter from Duncan, such that while the rule of Cawdor may be inconsequential itself it nonetheless proves the inevitability of the Witches' secondary prediction of Macbeth's ascent to become King of Scotland. The historical King Macbeth fought a Thane of Cawdor who died in battle, but he did not thereby acquire the title himself.

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Macbeth in the context of Holinshed's Chronicles

Holinshed's Chronicles, also known as Holinshed's Chronicles of England, Scotland, and Ireland, is a collaborative work published in several volumes and two editions, the first edition in 1577, and the second in 1587. It was a large, comprehensive description of British history published in three volumes (England, Scotland and Ireland).

The Chronicles have been a source of interest because of their extensive links to Shakespearean history, as well as King Lear, Macbeth and Cymbeline. Recent studies of the Chronicles have focused on an inter-disciplinary approach; numerous literary scholars have studied the traditional historiographical materials through a literary lens, with a focus on how contemporary men and women would have read historical texts.

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