Mabinogion in the context of "Llŷr"

Welsh-language literature (Welsh: Llenyddiaeth Gymraeg) has been produced continuously since the emergence of Welsh from Brythonic as a distinct language in around the 5th century AD. The earliest Welsh literature was poetry, which was extremely intricate in form from its earliest known examples, a tradition sustained today. Poetry was followed by the first British prose literature in the 11th century (such as that contained in the Mabinogion). Welsh-language literature has repeatedly played a major part in the self-assertion of Wales and its people. It continues to be held in the highest regard, as evidenced by the size and enthusiasm of the audiences attending the annual National Eisteddfod of Wales (Eisteddfod Genedlaethol Cymru), probably the largest amateur arts festival in Europe, which crowns the literary prize winners in a dignified ceremony.

Cadwaladr ap Cadwallon (also spelled Cadwalader or Cadwallader in English) was king of Gwynedd in Wales from around 655 to 664 or 682. He died in one of two devastating plagues that happened in 664 and in 682. Little else is known of his reign.

The red dragon (Welsh: y Ddraig Goch), long known as a Welsh symbol, appearing in the Mabinogion, the Historia Brittonum, and the stories of Geoffrey of Monmouth, has, since the accession of Henry VII to the English throne, often been referred to as "The Red Dragon of Cadwaladr". The association with Cadwaladr is a traditional one without any historical basis.

"Jack the Giant Killer" is a Cornish fairy tale and legend about a man who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore, Breton mythology and Welsh Bardic lore. Some parallels to elements and incidents in Norse mythology have been detected in the tale, and the trappings of Jack's last adventure with the giant Galigantus suggest parallels with French and Breton fairy tales such as Bluebeard. Jack's belt is similar to the belt in "The Valiant Little Tailor", and his magical sword, shoes, cap, and cloak are similar to those owned by Tom Thumb or those found in Welsh and Norse mythology.

Jack and his tale are rarely referenced in English literature prior to the eighteenth century (there is an allusion to Jack the Giant Killer in William Shakespeare's King Lear, where in Act 3, one character, Edgar, in his feigned madness, cries, "Fie, foh, and fum,/ I smell the blood of a British man"). Jack's story did not appear in print until 1711. One scholar speculates the public had grown weary of King Arthur and Jack was created to fill the role. Henry Fielding, John Newbery, Samuel Johnson, Boswell, and William Cowper were familiar with the tale.

In Gallo-Roman religion, Epona was a protector of horses, ponies, donkeys, and mules. She was particularly a goddess of fertility, as shown by her attributes of a patera, cornucopia, ears of grain, and the presence of foals in some sculptures. She and her horses might also have been leaders of the soul in the after-life ride, with later literary parallels in Rhiannon of the Mabinogion. The worship of Epona, "the sole Celtic divinity ultimately worshipped in Rome itself", as the patroness of cavalry, was widespread in the Roman Empire between the first and third centuries AD; this is unusual for a Celtic deity, most of whom were associated with specific localities.

Lleu Llaw Gyffes (Welsh pronunciation: [ˈɬɛɨ ˈɬau ˈɡəfɛs]), sometimes incorrectly spelled as Llew Llaw Gyffes, is a hero of Welsh mythology. He appears most prominently in the Fourth Branch of the Mabinogi, the tale of Math fab Mathonwy, which tells the tale of his birth, his marriage, his death, his resurrection and his accession to the throne of Gwynedd. He is a warrior and magician, invariably associated with his uncle Gwydion.

His name appears to be the Welsh equivalent of the Irish Lugh and the Gaulish Lugus. It has been suggested that Lleu, like Pryderi, is related to the divine son figure of Mabon ap Modron.

The Red Book of Hergest (Welsh: Llyfr Coch Hergest), Oxford, Jesus College, MS 111, is a large vellum manuscript written shortly after 1382, which ranks as one of the most important medieval manuscripts written in the Welsh language. It preserves a collection of Welsh prose and poetry, notably the tales of the Mabinogion and Gogynfeirdd poetry. The manuscript derives its name from the colour of its leather binding and from its association with Hergest Court between the late 15th and early 17th century.

The White Book of Rhydderch (Welsh: Llyfr Gwyn Rhydderch, National Library of Wales, Peniarth MS 4-5) is one of the most notable and celebrated surviving manuscripts in Welsh. Mostly written in southwest Wales in the middle of the 14th century (c. 1350) it is the earliest collection of Welsh prose texts, though it also contains some examples of early Welsh poetry. It is now part of the collection of the National Library of Wales, having been preserved in the library at Hengwrt, near Dolgellau, Gwynedd, of the 17th century antiquary Robert Vaughan, who inherited it from the calligrapher John Jones and passed it to his descendants. The collection later passed to the newly established National Library of Wales as the Peniarth or Hengwrt-Peniarth Manuscripts.

What was one manuscript was divided into two in the medieval period and has been bound as two separate volumes, known as Peniarth MS 4 and Peniarth MS 5. Peniarth MS 4 contains the most important material: medieval Welsh tales now collectively known as the Mabinogion. Peniarth MS 5 (the first part of the original manuscript) contains Christian religious texts in Welsh, mostly translated from Latin and French, including Lives of various saints and a tale of Charlemagne.

Welsh-language literature (Welsh: Llenyddiaeth Gymraeg) has been produced continuously since the emergence of Welsh from Brythonic as a distinct language in around the 5th century AD. The earliest Welsh literature was poetry, which from the very earliest examples many of the features of what became known as cynghanedd or the strict metres. Poetry was followed by the first British prose literature in the 11th century (such as that contained in the Mabinogion). Welsh-language literature has repeatedly played a major part in the self-assertion of Wales and its people. It continues to be held in the highest regard, as evidenced by the size and enthusiasm of the audiences attending the annual National Eisteddfod of Wales (Eisteddfod Genedlaethol Cymru), probably the largest amateur arts festival in Europe, which crowns the literary prize winners in a dignified ceremony.