MIDI in the context of "Daniel Lopatin"

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⭐ Core Definition: MIDI

Musical Instrument Digital Interface (/ˈmɪdi/; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back.

MIDI also defines a file format that stores and exchanges the data. Advantages of MIDI include small file size, ease of modification and manipulation and a wide choice of electronic instruments and synthesizer or digitally sampled sounds. A MIDI recording of a performance on a keyboard could sound like a piano or other keyboard instrument; however, since MIDI records the messages and information about their notes and not the specific sounds, this recording could be changed to many other sounds, ranging from synthesized or sampled guitar or flute to full orchestra.

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👉 MIDI in the context of Daniel Lopatin

Daniel Lopatin (born July 25, 1982), best known as Oneohtrix Point Never or OPN, is an American electronic music producer, composer, singer, and songwriter. His work experiments with tropes from an eclectic range of musical genres and eras, and has featured sample-based composition and complex MIDI production. He began releasing music in the 2000s, and received early acclaim for the synthesizer-based compilation Rifts (2009) as well as the influential vaporwave side-project Chuck Person's Eccojams Vol. 1 (2010).

Lopatin signed with Warp in 2013, and has since released studio albums on the label to positive critical reception. He has also contributed production work to various artists, most extensively the Weeknd, Moses Sumney, and Soccer Mommy. He has composed scores for films such as Good Time (2017), Uncut Gems (2019), and Marty Supreme (2025); the first won him the Soundtrack Award at the 2017 Cannes Film Festival.

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MIDI in the context of Scorewriter

A scorewriter, or music notation program is software for creating, editing and printing sheet music. A scorewriter is to music notation what a word processor is to text, in that they typically provide flexible editing and automatic layout, and produce high-quality printed results.

The first modern score manipulation program was Mockingbird, written by John Maxwell and Severo Ornstein at Xerox PARC in 1980 on a Dorado computer. It preceded MIDI so an electronic keyboard had to be modified to enable interaction (input and playback) with the program. The WYSIWYG program was envisioned as a composer's amanuensis, but as it was an experimental program it never reached beyond PARC, though it influenced commercial programs which soon followed.

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MIDI in the context of Synthesizer

A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis, and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and can be synchronized to other equipment via MIDI.

Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 1964, is credited for pioneering concepts such as voltage-controlled oscillators, envelopes, noise generators, filters, and sequencers. In 1970, the smaller, cheaper Minimoog standardized synthesizers as self-contained instruments with built-in keyboards, unlike the larger modular synthesizers before it.

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MIDI in the context of Electronic musical instrument

An electronic musical instrument or electrophone is a musical instrument that produces sound using electronic circuitry. Such an instrument sounds by outputting an electrical, electronic or digital audio signal that ultimately is plugged into a power amplifier which drives a loudspeaker, creating the sound heard by the performer and listener.

An electronic instrument might include a user interface for controlling its sound, often by adjusting the pitch, frequency, or duration of each note. A common user interface is the musical keyboard, which functions similarly to the keyboard on an acoustic piano where the keys are each linked mechanically to swinging string hammers - whereas with an electronic keyboard, the keyboard interface is linked to a synth module, computer or other electronic or digital sound generator, which then creates a sound. However, it is increasingly common to separate user interface and sound-generating functions into a music controller (input device) and a music synthesizer, respectively, with the two devices communicating through a musical performance description language such as MIDI or Open Sound Control. The solid state nature of electronic keyboards also offers differing "feel" and "response", offering a novel experience in playing relative to operating a mechanically linked piano keyboard.

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MIDI in the context of Pedal keyboard

A pedalboard (also called a pedal keyboard, pedal clavier, or, with electronic instruments, a bass pedalboard) is a keyboard played with the feet that is usually used to produce the low-pitched bass line of a piece of music. A pedalboard has long, narrow lever-style keys laid out in the same semitone scalar pattern as a manual keyboard, with longer keys for C, D, E, F, G, A, and B, and shorter, raised keys for C, D, F, G and A. Training in pedal technique is part of standard organ pedagogy in church music and art music.

Pedalboards are found at the base of the console of most pipe organs, pedal pianos, theatre organs, and electronic organs. Standalone pedalboards such as the 1970s-era Moog Taurus bass pedals are occasionally used in progressive rock and fusion music. In the 21st century, MIDI pedalboard controllers are used with synthesizers, electronic Hammond-style organs, and with digital pipe organs. Pedalboards are also used with pedal pianos and with some harpsichords, clavichords, and carillons (church bells).

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MIDI in the context of Electronic keyboard

An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument based on keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a rompler-based synthesizer with a low-wattage power amplifier and small loudspeakers.

Electronic keyboards offer a diverse selection of instrument sounds (piano, organ, violin, etc.) along with synthesizer tones. Designed primarily for beginners and home users, they generally feature unweighted keys. While budget models lack velocity sensitivity, mid-range options and above often include it.  These keyboards have limited sound editing options, focusing on preset sounds. Casio and Yamaha are major manufacturers in this market, known for popularizing the concept since the 1980s.

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MIDI in the context of Music sequencer

A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.

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