Lysippos (/laɪˈsɪpɒs/; Ancient Greek: Λύσιππος) was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty in identifying his style in the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods. The Victorious Youth or Getty bronze, which resurfaced around 1972, has been associated with him.
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👉 Lysippos in the context of Victorious Youth
The Victorious Youth, also known as the Atleta di Fano, the Lisippo di Fano or the Getty Bronze, is a Greek bronze sculpture, made between 300 and 100 BCE, in the collections of the J. Paul Getty Museum, displayed at the Getty Villa in Pacific Palisades, California.
The Victorious Youth was found in the summer of 1964 in the sea off Fano on the Adriatic coast of Italy, snagged in the nets of an Italian fishing trawler. In the summer of 1977, the J. Paul Getty Museum purchased the bronze. Bernard Ashmole, an archaeologist and art historian, was asked to inspect the sculpture by Munich art dealer Heinz Herzer; he and other scholars attributed it to Lysippos, a prolific sculptor of Classical Greek art. The research and conservation of the Victorious Youth dates from the 1980s to the 1990s and is based on studies in classical bronzes by ancient Mediterranean specialists in collaboration with the Getty Museum.
In this Dossier
Lysippos in the context of Organon
The Organon (Ancient Greek: Ὄργανον, meaning "instrument, tool, organ") is the standard collection of Aristotle's six works on logical analysis and dialectic.
Lysippos in the context of Chares of Lindos
Chares of Lindos (/ˈkɛəriːz/; Ancient Greek: Χάρης ὁ Λίνδιος, gen.: Χάρητος; before 305 BC – c.280 BC) was a Greek sculptor born on the island of Rhodes. He was a pupil of Lysippos. Chares constructed the Colossus of Rhodes in 282 BC, an enormous bronze statue of the sun god Helios and the patron god of Rhodes. The statue was built to commemorate Rhodes' victory over the invading Macedonians in 305 BC, led by Demetrius I, son of Antigonus, a general under Alexander the Great.Also attributed to Chares was a colossal head that was brought to Rome and dedicated by P. Lentulus Spinther on the Capitoline Hill in 57 BC (Pliny, Natural History XXXIV.18).
The Colossus of Rhodes is one of the Seven Wonders of the Ancient World, and was considered Chares's greatest accomplishment, until its destruction in an earthquake in 226 BC.
Lysippos in the context of Kairos
Kairos (Ancient Greek: καιρός) is an ancient Greek word meaning 'the right or critical moment'. In modern Greek, kairos also means 'weather' or 'time'.
It is one of two words that the ancient Greeks had for 'time'; the other being chronos (χρόνος). Whereas the latter refers to chronological or sequential time, kairos signifies a good or proper time for action. In this sense, while chronos is quantitative, kairos has a qualitative, permanent nature.
Lysippos in the context of Farnese Hercules
The Farnese Hercules (Italian: Ercole Farnese) is an ancient statue of Hercules made in the early third century AD and signed by Glykon, who is otherwise unknown; he was an Athenian but he may have worked in Rome. Like many other Ancient Roman sculptures it is a copy or version of a much older Greek original that was well known, in this case a bronze by Lysippos (or one of his circle) that would have been made in the fourth century BC. This original survived for over 1500 years until it was melted down by Crusaders in 1205 during the Sack of Constantinople. The enlarged copy was made for the Baths of Caracalla in Rome (dedicated in 216 AD), where the statue was recovered in 1546, and is now in the Museo Archeologico Nazionale in Naples. The heroically-scaled Hercules is one of the most famous sculptures of antiquity, and has fixed the image of the mythic hero in the European imagination.
The Farnese Hercules is a massive marble statue, following a lost original that was cast in bronze through a method called lost wax casting. It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. In myths about Heracles, killing the lion was his first task. He has just performed one of the last of The Twelve Labours, which is suggested by the apples of the Hesperides he holds behind his back.