Luigi Schiavonetti (1 April 1765 – 7 June 1810) was an Italian reproductive engraver and etcher.
⭐ Core Definition: Luigi Schiavonetti
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👉 Luigi Schiavonetti in the context of Soul
The soul is the purported immaterial aspect or essence of a living being. It is typically believed to be immortal and to exist apart from the material world. The three main theories that describe the relationship between the soul and the body are interactionism, parallelism, and epiphenomenalism. Anthropologists and psychologists have found that most humans are naturally inclined to believe in the existence of the soul and that they have interculturally distinguished between souls and bodies.
The soul has been the central area of interest in philosophy since ancient times. Socrates envisioned the soul to possess a rational faculty, its practice being man's most godlike activity. Plato believed the soul to be the person's real self, an immaterial and immortal dweller of our lives that continues and thinks even after death. Aristotle sketched out the soul as the "first actuality" of a naturally organized body—form and matter arrangement allowing natural beings to aspire to full actualization.
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Luigi Schiavonetti in the context of Robert Hartley Cromek
Robert Hartley Cromek (1770–1812) was an English engraver, editor, art dealer and entrepreneur who was most active in the early nineteenth century. He is best known for having allegedly cheated William Blake out of the potential profits of his engraving depicting Chaucer's Canterbury Pilgrims.
In the early years of the nineteenth century Cromek had supported Blake, and had engraved Blake's design for Benjamin Heath Malkin's A Father's Memoirs of his Child in 1806. Cromek later commissioned Blake to illustrate Robert Blair's poem The Grave. Blake had produced the designs, but his sample engraving was considered by Cromek to be too crude to attract subscribers. Cromek then gave the lucrative job of engraving Blake's designs to a rival engraver Luigi Schiavonetti.