Lucretia in the context of "The Rape of Lucrece"

The overthrow of the Roman monarchy was an event in ancient Rome that took place between the 6th and 5th centuries BC where a political revolution replaced the then-existing Roman monarchy under Lucius Tarquinius Superbus with a republic. The details of the event were largely forgotten by the Romans a few centuries later; later Roman historians presented a narrative of the events, traditionally dated to c. 509 BC, but it is largely believed by modern scholars to be fictitious.

The traditional account portrays a dynastic struggle in which the king's second son, Sextus Tarquinius, rapes a noblewoman, Lucretia. Upon revealing the assault to some Roman noblemen, she kills herself. The Roman noblemen, led by Lucius Junius Brutus, obtain the support of the Roman aristocracy and the people to expel the king and his family and create a republic. The Roman army, supporting Brutus, forces the king into exile. Despite a number of attempts by Lucius Tarquinius Superbus to reinstate the monarchy, the Roman people are successful in establishing a republic and thereafter elected two consuls annually to rule the city.

Sextus Tarquinius was one of the sons of the last king of Rome, Lucius Tarquinius Superbus. In the original account of the Tarquin dynasty presented by Fabius Pictor, he is the second son, between Titus and Arruns. However, according to Livy and Dionysius of Halicarnassus, he was either the third or first son, respectively. According to Roman tradition, his rape of Lucretia was the precipitating event in the overthrow of the monarchy and the establishment of the Roman Republic.

Lucius Junius Brutus (died c. 500 BC) was the semi-legendary founder of the Roman Republic and traditionally one of its two first consuls. Depicted as responsible for the expulsion of his uncle, the Roman king Tarquinius Superbus after the rape and suicide of Lucretia, in the traditional accounts it is he who led the overthrow of the Roman monarchy. He was then involved in securing the abdication of fellow consul Tarquinius Collatinus, and the suppression of a plot to restore the Tarquinian monarchy.

He was claimed as an ancestor of the Roman gens Junia, including Decimus Junius Brutus and Marcus Junius Brutus, the most infamous of Julius Caesar's assassins. Traditions about his life may have been fictional, and some scholars argue that it was the Etruscan king Porsenna who overthrew Tarquinius. The plebeian status of the Junia gens has also raised doubts about his position as a consul and the alleged initial patrician domination of the office. Depicted as the nephew of Tarquinius, he may have symbolized the internal tensions that occurred during the transition between the monarchy and the republic.

Tarquin and Lucretia is an oil painting by Titian completed in 1571, when the artist was in his eighties, for Philip II of Spain. It is signed, and considered to have been finished entirely by Titian himself. It is one of a series of great works from Titian's last years, but unlike some of these, is fully finished. It is now in the Fitzwilliam Museum in Cambridge, England.

The story from early Roman history (or legend) of the rape of Lucretia by Sextus Tarquinius (Tarquin), and her subsequent suicide, was a popular subject in Renaissance art. Tarquin raped Lucretia after threatening to kill her if she rejected his advances; this is the moment shown here. The next day she exposed him and committed suicide, prompting the Romans to revolt and overthrow Tarquin's father Tarquin the Proud, the last king of Rome, and establish the Roman Republic. This is traditionally dated to 509 BC. Violent subjects are characteristic of Titian's last years, mostly drawn from mythology or religion, but the directness of this composition stands out among them.

In ancient Rome, freeborn women were citizens (cives), but could not vote or hold political office. Because of their limited public role, women are named less frequently than men by Roman historians. But while Roman women held no direct political power, those from wealthy or powerful families could and did exert influence through private negotiations. Exceptional women who left an undeniable mark on history include Lucretia and Claudia Quinta, whose stories took on mythic significance; fierce Republican-era women such as Cornelia, mother of the Gracchi, and Fulvia, who commanded an army and issued coins bearing her image; women of the Julio-Claudian dynasty, most prominently Livia (58 BC – AD 29) and Agrippina the Younger (15–59 AD), who contributed to the formation of Imperial mores; and the empress Helena (c.250–330 AD), a driving force in promoting Christianity.

As is the case with male members of society, elite women and their politically significant deeds eclipse those of lower status in the historical record. Inscriptions and especially epitaphs document the names of a wide range of women throughout the Roman Empire, but often tell little else about them. Some vivid snapshots of daily life are preserved in Latin literary genres such as comedy, satire, and poetry, particularly the poems of Catullus and Ovid, which offer glimpses of women in Roman dining rooms and boudoirs, at sporting and theatrical events, shopping, putting on makeup, practicing magic, worrying about pregnancy—all, however, through male eyes. The published letters of Cicero, for instance, reveal informally how the self-proclaimed great man interacted on the domestic front with his wife Terentia and daughter Tullia, as his speeches demonstrate through disparagement the various ways Roman women could enjoy a free-spirited sexual and social life.

Cornelia (c. 190s – c. 115 BC) was the second daughter of Publius Cornelius Scipio Africanus, a Roman general prominent in the Second Punic War, and Aemilia Paulla. Although drawing similarities to prototypical examples of virtuous Roman women, such as Lucretia, Cornelia puts herself apart from the rest because of her interest in literature, writing, and her investment in the political careers of her sons. She was the mother of the Gracchi brothers, and the mother-in-law of Scipio Aemilianus.