Lucian of Samosata in the context of "Tongue-in-cheek"

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⭐ Core Definition: Lucian of Samosata

Lucian of Samosata (Λουκιανὸς ὁ Σαμοσατεύς, c. 125 – after 180) was a Hellenized Syrian satirist, rhetorician and pamphleteer who is best known for his characteristic tongue-in-cheek style, with which he frequently ridiculed superstition, religious practices, and belief in the paranormal. Although his native language was probably Syriac, all of his extant works are written entirely in ancient Greek (mostly in the Attic Greek dialect popular during the Second Sophistic period).

Everything that is known about Lucian's life comes from his own writings, which are often difficult to interpret because of his extensive use of sarcasm. According to his oration The Dream, he was the son of a lower middle class family from the city of Samosata along the banks of the Euphrates in the remote Roman province of Syria. As a young man, he was apprenticed to his uncle to become a sculptor, but, after a failed attempt at sculpting, he ran away to pursue an education in Ionia. He may have become a travelling lecturer and visited universities throughout the Roman Empire. After acquiring fame and wealth through his teaching, Lucian finally settled down in Athens for a decade, during which he wrote most of his extant works. In his fifties, he may have been appointed as a highly paid government official in Egypt, after which point he disappears from the historical record.

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Lucian of Samosata in the context of Hegias of Athens

Hegias or Hegesias of Athens (Ancient Greek: Ἡγησίας) was a famous sculptor of Athens, a member of the Late Archaic school of the generation before Pheidias. No surviving work can be securely identified as his, though Pliny mentions a Pyrrhus Supported by Pallas Athena.

Pausanias (8.42.4 and 8.42.10) mentions Hegias as the contemporary of Onatas and of Agelatus of Argos. Lucian of Samosata mentions Hegesias, in common with Kritios and Nesiotes, as belonging to the Archaic school, whose productions were constrained, harsh, stiff and rigid, though accurate in the outline. Quintilian says of Hegesias and Callon that their works were harsh and resembled the Etruscan style. (Smith). Pliny's Natural History (vol. xxxiv.8.19) places Hegias among the rivals of Phidias.

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Lucian of Samosata in the context of Extraterrestrials in fiction

An extraterrestrial or alien is a lifeform that did not originate on Earth. (The word extraterrestrial means 'outside Earth'.) Extraterrestrials are a common theme in modern science-fiction, and also appeared in much earlier works such as the second-century parody True History by Lucian of Samosata.

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Lucian of Samosata in the context of Campaspe

Campaspe (/kæmˈpæsp/; Greek: Καμπάσπη, Kampaspē), or Pancaste (/pæŋˈkæst/; Greek: Παγκάστη, Pankastē; also Pakate), was a supposed mistress of Alexander the Great and a prominent citizen of Larissa in Thessaly. No Campaspe appears in the five major sources for the life of Alexander and the story may be apocryphal. The biographer Robin Lane Fox traces her legend back to the Roman authors Pliny (Natural History), Lucian of Samosata and Aelian's Varia Historia. Aelian surmised that she initiated the young Alexander in love.

According to tradition, she was painted by Apelles, who had the reputation in antiquity for being the greatest of painters. The episode occasioned an apocryphal exchange that was reported in Pliny's Natural History: "Seeing the beauty of the nude portrait, Alexander saw that the artist appreciated Campaspe (and loved her) more than he. And so Alexander kept the portrait, but presented Campaspe to Apelles." Fox describes this bequest as "the most generous gift of any patron and one which would remain a model for patronage and painters on through the Renaissance." Apelles also used Campaspe as a model for his most celebrated painting of Aphrodite "rising out of the sea", the iconic Venus Anadyomene, "wringing her hair, and the falling drops of water formed a transparent silver veil around her form".

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